Core Viewpoint - The article emphasizes the cultural significance and philosophical underpinnings of Chinese gardens, particularly focusing on the evolution from the Song Dynasty's Canglang Pavilion to the Qing Dynasty's Summer Palace, showcasing the art of borrowing scenery and the concept of "having and not having" [3][11]. Summary by Sections Development of Chinese Gardens - The article discusses the historical development of Chinese gardens, highlighting the transition from the Canglang Pavilion to the Summer Palace, and the techniques of borrowing scenery and the philosophical implications behind them [3][9]. Canglang Pavilion - Canglang Pavilion, built by Su Shunqin during the Northern Song Dynasty, embodies the spirit of resilience through its design, which integrates natural elements like water and stone, and employs the "borrowing scenery" technique through its unique window designs [5][11]. Summer Palace - The Summer Palace, originally named Qingyi Garden, represents an advanced interpretation of southern garden aesthetics in the north, adhering to the principle that "mountains and water should not overpower each other," showcasing imperial grandeur while reflecting governance principles [7][9]. Philosophical Insights - The article highlights the philosophical insights embedded in the design of these gardens, emphasizing the harmony between nature and human creation, and the importance of understanding natural laws in achieving aesthetic beauty [11][12].