Core Viewpoint - The article discusses the decline of the idol economy in the Chinese entertainment industry, exemplified by the transition of idol冯若航 from a traditional female idol to participating in male-oriented interactive content, highlighting the challenges faced by lesser-known idols in finding new opportunities [3][10][14]. Group 1: Idol Economy Decline - The idol economy is experiencing a collapse, with many idols, especially those in the middle tier, struggling to find viable career paths [10][14]. - The transition of冯若航 to male-oriented content reflects a broader trend where idols are forced to seek alternative avenues for income as traditional idol roles diminish [3][14]. - The market for female idols is particularly challenging, as they face difficulties in attracting and retaining fans compared to their male counterparts [14][15]. Group 2: Shift in Content and Audience - The interactive work《美女，请别影响我成仙》 represents a significant shift in content, targeting a male audience and incorporating sexual innuendos, contrasting sharply with the traditional female idol image [5][7]. - The emergence of "完蛋like" content signifies a growing trend where idols are commodified in a way that reduces their status from admired performers to objects of male gaze [13][15]. - The audience for traditional female idols and "完蛋like" content is fundamentally different, with the former appealing to female fans and the latter catering to male gamers [5][8]. Group 3: Individual Idol Experiences -冯若航's career trajectory illustrates the plight of many idols who, despite initial success, find themselves in precarious positions as the idol market contracts [11][14]. - The article notes that冯若航's previous backing from a major entertainment company did not guarantee her continued success in the evolving market [11]. - Other idols, like王涵 and孙千予, are also entering the "完蛋like" space, indicating a trend among lesser-known idols to pursue this type of content as a means of survival [11][14].