以下文章来源于看理想 ，作者潘妮妮 但是，当这些兴趣被利用，甚至连兴趣本身都是被制造的，会令人失去自由。 近来，日本部分年轻女性群体受到关注，她们或者沉迷于追星，或者沉迷于为牛郎消费，这些原本产 生情绪价值的活动，却在蚕食她们的正常生活，不少女性为此深陷负债深渊。 是什么塑造了女性的欲望？又是什么造就了她们的贫困？今天的文章，学者潘妮妮将从日本年轻女性 的困境出发，讲述女性的选择权是如何被剥夺的。"情绪价值越多，它的边际效益就会不断递减，情 绪价值可能渐渐变得不再是快乐，而是一种上瘾的需求"。 01. 从一则出轨故事说起 2024年5月，日本的八卦杂志报道了一位非常有名的动画配音演员婚内出轨的新闻。这位配音演员古 谷彻出轨的对象，是一位只比自己女儿大一岁的女性，她长期向这位年逾70的配音演员提供金钱和 看理想 . 看见另一种可能。 本文来自微信 公众号： 看理想 ，内容整理自看理想音频节目《日本"失去的三十年"再认识》第10 期，作者：潘妮妮，题图来自：视觉中国 在现代，人们的压力是显而易见的。我们为了生活奔波，如果有一些兴趣能带来快乐，将人从缺乏希 望的现实中短暂抽离，或许是一件好事。 各种物品，还付出了很 ...

Core Viewpoint - The article discusses the decline of the idol economy in the Chinese entertainment industry, exemplified by the transition of idol冯若航 from a traditional female idol to participating in male-oriented interactive content, highlighting the challenges faced by lesser-known idols in finding new opportunities [3][10][14]. Group 1: Idol Economy Decline - The idol economy is experiencing a collapse, with many idols, especially those in the middle tier, struggling to find viable career paths [10][14]. - The transition of冯若航 to male-oriented content reflects a broader trend where idols are forced to seek alternative avenues for income as traditional idol roles diminish [3][14]. - The market for female idols is particularly challenging, as they face difficulties in attracting and retaining fans compared to their male counterparts [14][15]. Group 2: Shift in Content and Audience - The interactive work《美女，请别影响我成仙》 represents a significant shift in content, targeting a male audience and incorporating sexual innuendos, contrasting sharply with the traditional female idol image [5][7]. - The emergence of "完蛋like" content signifies a growing trend where idols are commodified in a way that reduces their status from admired performers to objects of male gaze [13][15]. - The audience for traditional female idols and "完蛋like" content is fundamentally different, with the former appealing to female fans and the latter catering to male gamers [5][8]. Group 3: Individual Idol Experiences -冯若航's career trajectory illustrates the plight of many idols who, despite initial success, find themselves in precarious positions as the idol market contracts [11][14]. - The article notes that冯若航's previous backing from a major entertainment company did not guarantee her continued success in the evolving market [11]. - Other idols, like王涵 and孙千予, are also entering the "完蛋like" space, indicating a trend among lesser-known idols to pursue this type of content as a means of survival [11][14].