Core Viewpoint - The UCCA Center for Contemporary Art in Beijing is hosting two solo exhibitions featuring artists Chen Ke and Liao Fei, focusing on the reinterpretation of historical art movements and the contributions of marginalized creators [1][2]. Group 1: Chen Ke's Exhibition - The exhibition "Chen Ke: Nameless Bauhaus" showcases over 60 works created since 2020, particularly the "Bauhaus Girl" series, emphasizing the contributions of female artists from the Bauhaus school [1][2]. - Chen Ke, born in 1978 in Sichuan, is recognized for her impactful visual expressions that explore the complexities of individual emotions within social and historical contexts [1][2]. - The exhibition highlights the often-overlooked artistic contributions of women in the weaving workshop of the Bauhaus, showcasing their significant influence on textile art [1][2]. Group 2: Liao Fei's Exhibition - The exhibition "Liao Fei: As If One Has Eyes" represents Liao Fei's most systematic solo exhibition since he began his artistic career in 2006, focusing on five core concepts: material, field, extension, infinity, and deduction [2]. - The exhibition includes Liao Fei's early works that explore the relationships and tensions between materials, as well as new pieces from his "Handwriting Space" series and "Unidirectional Sculpture" [2]. - Liao Fei's works aim to challenge traditional sculpture's limitations by merging logical thinking with artistic expression, transforming abstract concepts into tangible visual experiences [2].

Core Perspective - The article discusses the transformation of a residential space in Beijing, focusing on the architectural design and personal significance of the home for the owner, Liwer, who emphasizes a vertical space layout and a blend of modernist styles inspired by renowned architects [1][5][34]. Design and Architecture - The home features a modernist style with elements paying homage to architectural masters, including the use of concrete bricks and extensive wood materials, particularly teak [3][24]. - The design incorporates a vertical division of spaces, allowing for distinct functional areas on each floor, enhancing both utility and privacy [12][19]. - The first floor was transformed from a bedroom into a public area, while the second floor accommodates a private space for parents, demonstrating a thoughtful approach to family dynamics and space utilization [14][8]. Personal Reflection and Lifestyle - Liwer expresses a shift in personal values, focusing on inner peace and minimalism, particularly after the pandemic, leading to a reduction in material possessions [5][43]. - The home serves as a sanctuary where Liwer spends significant time, reflecting a deeper connection to the living space and its design [45][36]. - The article highlights the importance of personal interests and the joy derived from collecting furniture and design pieces, which contribute to the overall aesthetic and emotional value of the home [40][38].