转自：扬子晚报 2月14日上午，江苏省委省政府举行2026年春节团拜会，省领导与各界人士欢聚一堂，共贺新春。席 间，一首名为《是我，也是我们》的歌曲在舞台上温情亮相，旋律配合着大屏幕上闪现过一帧又一帧奋 斗者们努力拼搏的模样，诉说着奋发昂扬的江苏气象。现场来自基层一线的奋斗者们无不为之感动，成 为团拜会上的动人时刻。 歌曲在《音乐缘计划2》播出后，迅速引发情感共振。谭晶在舞台上的情绪张力拉满，其表演让坐在台 下的原作曲者当场感动落泪 。节目播出后，这首歌被观众称为"听了会想哭"的旋律，被多家媒体视 为"新大众文艺"的典范，实现了从节目单品到社会性音乐记忆的跨越 。特别是歌词中 "我看到风吹麦 浪，你微笑在禾下乘着凉"这一句，因其致敬袁隆平院士及默默耕耘的科研工作者，让无数观众深感动 容 。 2025年年底，江苏卫视还与新华社共创了以这首歌为蓝本的MV 。这首MV致敬各行各业的奋斗者，将 个人价值与时代发展融为一体，在社交媒体平台破圈传播 。随后，《是我，也是我们》成为各大晚会 及官方活动的"必听旋律"，先后在央视跨年晚会、小年夜晚会、抖音美好惊喜夜、快手跨年晚会等多台 晚会，以及黄子弘凡、谭晶的多场个人演唱会 ...

Core Viewpoint - The event "The Transformation of Popular Art: New Landscape of Art in the New Era" reflects on the evolution of popular art and discusses the changes in the digital age, emphasizing the importance of integrating technology with traditional art forms [1][4]. Group 1: Event Overview - The salon took place on September 24 as part of the 2025 Beijing Cultural Forum series, marking the 75th anniversary of the first Literary and Art Authors' Representative Conference held at the same venue [1]. - The event gathered diverse guests from various fields, including academic research, traditional opera, online literature, folk music, and international communication [3]. Group 2: Key Insights from Experts - Experts noted a shift in the cultural landscape from print-dominated media to a focus on network and electronic culture, highlighting new interactive features [3]. - The former director of Suzhou Kunqu Opera, Cai Shaohua, emphasized that technology should aid the revival of traditional arts while maintaining a human-centered artistic essence [3]. - Online literature has become a source of cultural IP, with increasing diversity in themes, as pointed out by online writer Liu Xiaohui [3]. - The lead singer of the Gu仓 band shared experiences of grassroots creativity through digital platforms, contributing to rural revitalization [3]. - Charles Devis, editor of France's Energetic Reading, analyzed new models for the overseas dissemination of Chinese online literature [3]. Group 3: Future Directions - Experts agreed that digital technology is reshaping the "popularity" of art, and the development of art in the new era should focus on people, enhance quality content creation, and leverage new technologies for innovative dissemination of traditional Chinese culture [4]. - The salon served as a meaningful reconnection to the historical context of popular art and its future direction, injecting vitality into the construction of Beijing as a cultural center [6]. - The Beijing Labor People's Cultural Palace, as a significant cultural venue for workers, provides a reflective space for the development of art in the new era, witnessing and promoting the flourishing of socialist art [6].