Group 1 - The song "It's Me, It's Us" was performed at the Jiangsu Spring Festival gathering, highlighting the spirit of hard work and dedication among various sectors in Jiangsu [2] - The song was created for the original music variety show "Music Fate Plan 2," featuring lyrics by Xu Zhonglai and composed by Lu Ke's Ning Shu (Cheng Daning), with music direction by Liu Zhuo [2] - The emotional performance by singer Tan Jing moved the original composer to tears, and the song quickly resonated with audiences, being described as a melody that evokes tears [4] Group 2 - The lyrics pay tribute to agricultural scientist Yuan Longping and hardworking researchers, which deeply touched many viewers [5] - A music video based on the song was created in collaboration with Xinhua News Agency, celebrating the efforts of various workers and integrating personal value with societal development [5] - The song has become a staple at major events, including the CCTV New Year's Eve Gala and various personal concerts, showcasing its widespread appeal [5][7] Group 3 - At the "Better 2026" Jiangsu TV New Year's concert, the song was performed alongside representatives from various professions, emphasizing the importance of ordinary people's dedication [7] - The song is set to feature in the Jiangsu TV Spring Festival Gala, further solidifying its role as a cultural link between the old year and the new [7]

Core Viewpoint - The event "The Transformation of Popular Art: New Landscape of Art in the New Era" reflects on the evolution of popular art and discusses the changes in the digital age, emphasizing the importance of integrating technology with traditional art forms [1][4]. Group 1: Event Overview - The salon took place on September 24 as part of the 2025 Beijing Cultural Forum series, marking the 75th anniversary of the first Literary and Art Authors' Representative Conference held at the same venue [1]. - The event gathered diverse guests from various fields, including academic research, traditional opera, online literature, folk music, and international communication [3]. Group 2: Key Insights from Experts - Experts noted a shift in the cultural landscape from print-dominated media to a focus on network and electronic culture, highlighting new interactive features [3]. - The former director of Suzhou Kunqu Opera, Cai Shaohua, emphasized that technology should aid the revival of traditional arts while maintaining a human-centered artistic essence [3]. - Online literature has become a source of cultural IP, with increasing diversity in themes, as pointed out by online writer Liu Xiaohui [3]. - The lead singer of the Gu仓 band shared experiences of grassroots creativity through digital platforms, contributing to rural revitalization [3]. - Charles Devis, editor of France's Energetic Reading, analyzed new models for the overseas dissemination of Chinese online literature [3]. Group 3: Future Directions - Experts agreed that digital technology is reshaping the "popularity" of art, and the development of art in the new era should focus on people, enhance quality content creation, and leverage new technologies for innovative dissemination of traditional Chinese culture [4]. - The salon served as a meaningful reconnection to the historical context of popular art and its future direction, injecting vitality into the construction of Beijing as a cultural center [6]. - The Beijing Labor People's Cultural Palace, as a significant cultural venue for workers, provides a reflective space for the development of art in the new era, witnessing and promoting the flourishing of socialist art [6].