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《酱园弄》:对女性主义的一次精明嘲弄
Hu Xiu· 2025-06-23 01:26
Core Viewpoint - The film "酱园弄" is perceived as a political drama disguised as a feminist narrative, with the director Chen Kexin using female characters as mere symbols rather than fully developed subjects [1][2][3] Summary by Sections Female Representation - The film claims to focus on female empowerment but ultimately reduces its female characters to mere props, lacking depth and agency [3][4] - The interactions among the three main female characters are superficial, failing to elevate their roles beyond symbolic representations [4][5] Character Analysis - The character 西林, played by Zhao Liying, is portrayed as a hollow figure lacking emotional depth, serving primarily as a tool for delivering feminist slogans [5][6] - 杨幂's character 王许梅 is depicted as a tragic figure whose fate reflects a negative stereotype of women, reinforcing a mocking view of female agency [5][6] - 章子怡's character 詹周氏, while central to the narrative, is still subjected to male gaze and objectification, questioning the film's feminist claims [6][7] Political and Social Commentary - The film intertwines political elements with its narrative, suggesting that the portrayal of women is overshadowed by broader societal issues, such as the historical context of women's rights in China [8][9] - The original work "翻案" hints at the complexities of women's roles in society, yet the film fails to deliver a coherent feminist message, instead presenting a cynical view of women's struggles [8][9] Conclusion - Despite its shortcomings in genuinely addressing female empowerment, the film is recognized for its engaging storytelling and character dynamics, particularly the rivalry between 薛至武 and 詹周氏 [9]