我们为什么渐渐地放弃"结婚"？ 传统婚姻常被视为"归宿"，但对许多年轻人而言，它越来越像一个制度性的困局。特别是女性：未婚同居要承担羞辱，拒婚要承受家族压力， 而结婚本身又意味着一套难以逃脱的性别分工。 在这篇文章中，作者以亲身经历拆解了整个过程：从"不婚信仰"到"契约结婚"，从被父母审判到从制度缝隙里夺回命名权。 这是一个酷儿亲密关系如何与异性恋制度谈判的故事，也是一个小镇女性试图以身体、情感与愤怒抵抗阶层宿命的故事。 在撕裂的现实之间，她用生活本身提出了一个问题：当制度无法容纳我们时，我们是否能创造另一种关系的可能性？ 在这里，"结婚"只是一张纸，而爱与关系可以是流动的。 2024年，我与R提交了"结婚证件"。R是我的伴侣，我们同居了五年。我们设定的是绝不进入传统婚姻的语境——不要小孩、不买房、不买车，也不要双 方父母的绑定，等等。我们为这样的婚姻，取名为"假结婚"或"契约结婚"。 但过程远比我们想象中痛苦。为了应付父母，我们办了简单的仪式，还靠各自的存款凑了"彩礼"。当然，这笔"彩礼"很快又回到了各自的账户。 我顿时感到不可思议，她怎么会在如此稚嫩的年纪仓促结婚呢？居然还是跟这个男人？ 从那之后，那位女 ...

Core Argument - The core argument of Ueno Chizuko's work is a critical reflection on the failures and successes of past social movements in Japan, particularly focusing on the leftist movements of the 1960s and 1970s, and their implications for the current generation [4]. Group 1: Social Movements and Their Impact - Ueno highlights that while the leftist movements of the past contributed to discussions on gender equality and social justice, they ultimately failed to achieve systemic change [4]. - The author critiques the blind spots of these movements, particularly their neglect of differences among various social groups and their overly idealistic goals that led to a disconnect from reality [4]. Group 2: Vision for the Future - Ueno envisions a society where the weak can be respected for their vulnerability, rather than being pressured to conform to traditional notions of strength [4]. - The author questions the authority of the older generation to instruct the youth on the future of Japan, given the current state of the world, emphasizing the need for accountability [4].

Core Viewpoint - The article discusses the evolution of online literature, particularly focusing on female-oriented narratives and their impact on readers, especially women, highlighting the psychological needs and societal changes reflected in these works [3][6][10]. Group 1: Influence of Online Literature - Online literature, especially female-oriented works, resonates with women's psychological needs and reflects societal changes [6][10]. - The journey of a researcher, Xue Jing, who transitioned from a reader of online literature to an academic, illustrates the growing acceptance and academic interest in this genre [10][11]. Group 2: Reader Engagement and Themes - Readers often engage with online literature as a means of emotional expression and connection, creating a shared cultural experience among them [9][10]. - The themes in female-oriented online literature have evolved from traditional romantic ideals to more complex narratives involving power dynamics and emotional struggles [13][20]. Group 3: Academic Recognition - The establishment of academic courses on online literature at prestigious institutions marks a significant shift in the perception of this genre, legitimizing its study [10][11]. - Xue Jing's research explores various sub-genres, including "霸总文" (domineering CEO narratives) and "虐恋文" (abusive love stories), analyzing their implications on female identity and societal expectations [11][13]. Group 4: Changing Narratives - The narrative structures in female-oriented online literature have shifted, with a notable rise in "爱女文学" (love for women literature), which challenges traditional gender roles and promotes female empowerment [22][24]. - The portrayal of female characters has become more diverse, reflecting a spectrum of experiences and societal pressures, moving beyond simplistic archetypes [29][33]. Group 5: Societal Reflections - The article suggests that online literature serves as a sociological lens, revealing underlying desires and societal issues faced by women today [25][41]. - The changing dynamics in reader expectations and character portrayals indicate a broader cultural shift towards recognizing and addressing women's multifaceted roles in society [30][36].

Core Points - UCCA is showcasing a major exhibition titled "Palm Universe" by Swiss video artist Pipilotti Rist, which inspires a parallel series of dialogues focusing on women's roles in literature, sociology, and film [1] - The dialogues aim to explore the multifaceted roles women play in cultural and social structures through the intersection of various fields [1] Group 1: Exhibition and Dialogues - The exhibition "Palm Universe" features immersive experiences that allow audiences to engage with the concept of bodily freedom [4] - UCCA has organized a dialogue series titled "Her Universe," which includes discussions on women's positions in literature, sociology, and film [1][4] - The third dialogue was led by Dr. Qiao Rui, focusing on the representation of women's bodies in European film history [3][4] Group 2: Historical Context of Women in Film - Dr. Qiao Rui discussed significant female directors in European film history and their contributions to self-liberation through visual aesthetics and narrative strategies [3] - The concept of "male gaze" in film is critiqued, highlighting how women have historically been portrayed as objects of desire [5] - The first female director, Alice Guy-Blaché, is noted for her pioneering work in narrative film, which has been largely forgotten [6][9] Group 3: Contributions of Female Directors - Alice Guy's films often combined humor with themes of motherhood and gender roles, challenging societal norms [11][12] - Germaine Dulac is recognized for her role in the modernist transformation of French cinema, creating works that explored individual desires and societal constraints [15][17] - Agnès Varda's films reflect a unique feminist perspective, addressing themes of motherhood and female subjectivity [19][20] Group 4: Contemporary Reflections - The discussion emphasizes the ongoing relevance of women's voices in film and the need to recognize their contributions throughout history [25][30] - The dialogue also touches on the evolution of feminist expression beyond traditional cinema, highlighting the importance of social media and other platforms [29][30] - The exploration of visual culture and the impact of different mediums on the representation of women's experiences is a key focus [27][30]

Core Viewpoint - The article explores the influence of online literature, particularly female-oriented narratives, on young women and their psychological needs, reflecting broader societal changes [5][10]. Group 1: Influence of Online Literature - Online literature, especially female-oriented works, resonates with women's psychological needs and mirrors societal transformations [5]. - The journey of individuals like Xue Jing, who transitioned from a secret admirer of online literature to a researcher, highlights the evolving perception of this genre within academic circles [2][9]. Group 2: Evolution of Female Characters - Early female protagonists in online literature often sought validation through romantic suffering, while contemporary characters are increasingly portrayed as empowered, focusing on wealth and power [12][18]. - The emergence of "love for women" literature reflects a shift towards narratives that embrace female empowerment and reject misogyny [19][21]. Group 3: Reader Engagement and Expectations - Female readers engage with online literature to explore diverse life possibilities, seeking representations of leadership and success that traditional literature often overlooks [40]. - The tension between romantic aspirations and career ambitions creates a complex landscape for female characters, making it challenging to satisfy all audience segments [27][24]. Group 4: Societal Reflections in Online Literature - The changing dynamics in online literature reflect broader societal pressures and the quest for immediate gratification among younger generations [38][34]. - The portrayal of female characters grappling with societal expectations and personal ambitions illustrates the ongoing struggle for gender equality and representation in literature [25][30].

Core Viewpoint - The article discusses the declining relevance and acceptance of high heels in professional settings, particularly among female employees, highlighting a shift towards comfort and practicality in fashion choices [4][10][20]. Group 1: Changing Attitudes Towards High Heels - There is a growing movement against the expectation for flight attendants to wear high heels, with several airlines allowing "flat shoe freedom" [4][10]. - High heels, once seen as a symbol of professionalism and elegance, are now viewed as a "beautiful torture" due to their negative health impacts [11][20]. - The pandemic has accelerated the acceptance of casual and comfortable attire, leading to a decline in the traditional dress code that included high heels [9][12]. Group 2: Fashion Trends and Consumer Preferences - Current fashion trends favor comfort and versatility, with styles like "urban outdoor" and "gender-neutral dressing" gaining popularity [14][15]. - High heels are increasingly seen as incompatible with modern fashion sensibilities, which prioritize practicality and multi-functionality [16][20]. - The rise of alternative footwear options such as sneakers and loafers reflects a broader cultural shift away from high heels [12][24]. Group 3: Market Dynamics and Business Implications - Sales of high heels have been declining, with a reported annual decrease of 1.5% to 2% from 2019 to 2023 [23][24]. - Brands like Christian Louboutin are diversifying their product lines to include non-heel options, indicating a strategic shift in response to changing consumer preferences [22][24]. - The footwear market is witnessing a concentration of sales among a few leading brands, while many traditional high heel brands struggle to maintain profitability [25][26].

Core Viewpoint - The article discusses the declining relevance and popularity of high heels, particularly in professional settings, as comfort and practicality become more prioritized in fashion choices [4][19][36]. Group 1: Changing Attitudes Towards High Heels - There is a growing movement against the requirement for flight attendants, especially female ones, to wear high heels, with several airlines allowing "flat shoe freedom" [5][6]. - High heels, once seen as a symbol of professionalism and elegance, are now viewed as a burden that poses health risks, such as increased chances of sprains and chronic pain [5][15]. - The pandemic has accelerated the shift towards more casual and comfortable attire, leading to a reevaluation of traditional dress codes [14][19]. Group 2: Fashion Trends and Consumer Preferences - Current fashion trends favor comfort and versatility, with alternatives to high heels, such as sneakers and loafers, becoming more popular [20][25]. - The fashion industry is witnessing a decline in the status of high heels, as consumers increasingly seek styles that are practical and suitable for multiple occasions [22][25]. - Brands that have traditionally focused on high heels are diversifying their product lines to include more comfortable footwear options, reflecting changing consumer preferences [37][39]. Group 3: Market Dynamics and Sales Trends - Global sales of high heels have been declining, with an annual decrease of 1.5% to 2% from 2019 to 2023, influenced by shifts in work and lifestyle habits [39][44]. - The footwear market is seeing a concentration of sales among leading brands, while many traditional high heel brands are struggling or pivoting to other product lines [46][47]. - High heels are increasingly viewed as a "bad asset" in the investment landscape, with capital focusing on more profitable segments of the footwear market [47][48].

Core Viewpoint - The discussion around high heels, particularly in the context of airline staff, highlights a shift in societal norms regarding professional attire, emphasizing comfort and practicality over traditional notions of beauty and professionalism [1][6][18]. Group 1: Industry Trends - Airlines such as Spring Airlines, Shandong Airlines, and Juneyao Airlines have begun to allow flight attendants to wear flat shoes, reflecting a broader trend towards comfort in professional settings [1][6]. - The global sales of high heels have been declining, with an annual decrease of 1.5%-2% from 2019 to 2023, indicating a significant shift in consumer preferences [18][21]. - The fashion industry is witnessing a move towards more casual and comfortable styles, with high heels increasingly seen as incompatible with modern lifestyle demands [11][12][19]. Group 2: Cultural Shifts - High heels, once a symbol of femininity and professionalism, are now often viewed as "instruments of beauty" that can cause physical harm, leading to a cultural reevaluation of their place in women's wardrobes [7][17]. - The portrayal of high heels in popular media, such as in the film "Sex and the City," has shifted, with contemporary narratives focusing on comfort and practicality over traditional glamour [15][18]. - The rise of alternative footwear options, such as sneakers and casual shoes, reflects changing attitudes towards fashion and functionality, with high heels becoming less common in everyday settings [10][21][24]. Group 3: Market Dynamics - Brands like Christian Louboutin are diversifying their product lines to include non-heel options, recognizing the declining demand for high heels [18][23]. - The market for high heels is becoming increasingly concentrated, with only a few brands like Christian Louboutin and Jimmy Choo still experiencing growth amidst a broader industry decline [22][24]. - Investment firms are viewing high heel businesses as "non-performing assets," indicating a lack of confidence in the future profitability of this segment [23][24].

Core Insights - The article discusses the rising popularity of the drama "许我耀眼" (Let Me Shine), which features a strong female lead and has quickly become a hit on Tencent Video, marking a significant moment for female-centric narratives in the industry [1][9][11] Group 1: Female Representation in Media - The drama showcases a departure from traditional portrayals of women, presenting a complex "bad girl" character that resonates with audiences, contrasting with the typical "innocent" female roles [3][7][12] - The success of "许我耀眼" reflects a broader trend in the industry where female characters are increasingly depicted as ambitious and multifaceted, moving away from the "Cinderella" archetype [2][18][22] Group 2: Audience Engagement and Reception - The show achieved remarkable viewership metrics, including a peak market share of 41.7% and over 30,000 heat value on Tencent Video within four days of release, indicating strong audience engagement [9][10] - Social media platforms have seen significant discussions around the show, with Douyin reporting 440 million views and Xiaohongshu nearing 5 billion topic views, highlighting the show's cultural impact [10][11] Group 3: Industry Trends and Challenges - The article notes that while female-led narratives are gaining traction, they still face scrutiny and backlash, as seen with other female-centric projects that have sparked controversy [18][21] - The evolution of female representation in media is described as a challenging journey, with past portrayals often limiting women to supportive roles, but recent trends indicate a shift towards more empowered and independent characters [14][17][22]

Core Viewpoint - The book "Who Ruined the World?" by Japanese scholar Chizuko Ueno explores the societal structures that contribute to individual struggles and the illusion of meritocracy in various life stages, including work, marriage, education, and old age [2][6][10]. Group 1: Societal Issues - The current society does not allow individuals to comfortably be vulnerable, leading to a culture of self-reliance and personal responsibility that exacerbates feelings of isolation and despair [6][10]. - The belief that personal effort alone can change one's life trajectory is challenged, highlighting the existence of systemic inequalities and unfair treatment that many face [6][10]. - The author reflects on the structural mechanisms that disadvantage women, emphasizing that their struggles are not solely due to personal choices but are rooted in societal frameworks [8][10]. Group 2: Gender and Social Structure - The author identifies the patriarchal system as a fundamental cause of women's misfortunes, illustrating this through personal anecdotes and research on the lives of housewives [8][10]. - Despite advancements in women's rights and diverse life choices, the widening wealth gap and increasing number of low-income single women indicate that systemic issues persist [10]. - The book aims to provoke thought on critical questions regarding competition, societal expectations, and the stigmatization of childless individuals, urging readers to reconsider the necessity of these pressures [10][11]. Group 3: Hope and Change - While acknowledging the challenges, the author expresses a belief in the potential for small changes, such as the rise of feminist movements and the establishment of support systems for victims of domestic violence [10][11]. - The narrative encourages resilience and the possibility of creating a better society for future generations, despite the author's feelings of inadequacy in effecting significant change [11].