同一天，在朱屺瞻艺术馆参加那场诗会，使我这一天内的思考与感动达到了高峰。那么，在今天，"左 翼"对我们意味着什么？我想，它或许不再是某种特定的口号或立场，而是一种精神的承继——是记得 来路，是保持清醒，是让创作与脚下的大地、与真实的人间保持血脉相连。作为当代的青年，尤其是学 习艺术的我们，我们的责任或许就在于：在看似自由却易被流量与消费裹挟的时代，依然珍惜手中表达 的权利，保持对现实的关切与提问的勇气。 我们的刻刀与画笔，不再面对当年的硝烟，但仍可以雕刻时代的真实面貌、印刻社会里生命和痕迹。就 像虹口的老建筑依然活在今日的市井中一样，左翼文化的精神遗产，不应仅存于历史书籍，而应流淌在 我们对艺术意义的不懈追问中，体现在我们选择为何而创作、如何而生活的每一天。 我想起鲁迅先生的话："于一切眼中看见无所有，于无所希望中得救。"先生这句话，是一种极高的信 仰。它在青年未被磨钝的心里，在一个个仍愿提笔、愿思考、愿相信的灵魂里。我们今天谈论左翼文 化，我们不但要谈过去的热血，也谈那盏读书的灯。就算这盏灯不能照耀太远的地方，只照亮我们每一 步要迈出的脚底下，这也已经足够。 从前在工作室里，我们更多关注的是刀法、力度与画面 ...

（来源：上观新闻） 在这个急剧变换的时代，青年一代肩负着特殊的使命——我们既是文化传统的继承者，也必须是文化发 展的推动者。让我们以责任为舟，以思想为桨，在历史的激流中航行，不仅要做批判者，更要做创造 者；不仅要守望左翼文化的思想遗产，更要让它在我们手中焕发新的生命力。 青年与左翼文化的相逢，不是历史的偶然，而是时代赋予的必然——在诗与刀的交响中，我们将见证一 幅更有温度的文化图景徐徐展开。 原标题：《十日谈·听，青春在发声 | 诗与刀的交响》 栏目编辑：史佳林 文字编辑：吴南瑶 王瑜明 来源：作者：上海大学美术学院 于佳妮 木刻讲习所场景复原 当木刻刀的锋刃划过木板的纹理，当诗歌的韵律穿透时代的喧嚣，我们仿佛听见历史深处传来的召唤， 那是左翼文化不曾熄灭的星火，在等待回响的声音。 在艾青那句著名的诗"为什么我的眼里常含泪水，因为我对这土地爱得深沉"的泣诉中，个人情感与家国 命运在这里血脉相连。文学教会我们的，是在语言的缝隙中窥见世界的真相，书写自己的情怀。除了文 字，鲁迅先生当年还亲自倡导了新兴木刻运动，赞扬它"捏刀向木，直刻下去"的质朴力量。木板不会说 谎，每一道刻痕都是创作者生命体验的直接印记。青年艺术 ...

Core Viewpoint - The article discusses the return of director Jiang Wen with his new film "You Can! You Go!" after a seven-year hiatus, highlighting the mixed critical reception and the film's thematic depth related to Chinese history and culture [1][2][3]. Group 1: Film Overview - "You Can! You Go!" is positioned as a piano student’s inspirational growth story but is interpreted as a metaphor for the history of the Republic [2]. - The film's release coincides with a challenging environment for the film industry, making it a notable event in recent months [2]. - Jiang Wen's previous works have been celebrated for their artistic and commercial success, creating high expectations for this new release [1][2]. Group 2: Critical Reception - The film has received mixed reviews, with some critics praising its ambition while others criticize it for being chaotic and self-indulgent [3][5]. - Critics argue that the film's reliance on political symbolism may limit its artistic value, questioning whether it can be appreciated beyond a political lens [3][5]. - The article suggests that if a film can only be understood through political interpretation, its overall worth may be diminished [3]. Group 3: Jiang Wen's Creative Evolution - Jiang Wen's earlier works were noted for their deep narrative connections to power dynamics, while "You Can! You Go!" is seen as lacking this depth [5][10]. - The film's narrative is criticized for being disjointed and overly focused on personal expression rather than societal commentary [10][12]. - The article posits that Jiang Wen's previous success stemmed from a strong narrative foundation that allowed for rich artistic expression, which seems to be missing in his latest work [8][10]. Group 4: Cultural Context - The article reflects on the broader cultural implications of Jiang Wen's work, suggesting that the film mirrors the current cultural ecosystem marked by polarization and superficiality in artistic expression [20][21]. - It argues that the film's failure to engage deeply with societal issues reflects a trend in leftist cinema, which risks becoming formulaic and lacking in critical depth [20][21]. - The piece concludes that the film's creative struggles are emblematic of a larger cultural crisis, where artists may resort to safe, predictable narratives rather than innovative storytelling [20][21].