六年过去，《钢琴书》在全球流媒体平台播放量已突破12亿次，在美、英、法、德、日、澳等国的古典音乐排行 榜上均问鼎过冠军。这张专辑成为很多人重温古典音乐的载体，也带领新一代乐迷第一次推开古典音乐世界的大 门。 如今，郎朗携《钢琴书2》归来。10月17日，《钢琴书2》双CD版实体专辑将由环球音乐集团旗下的德意志留声机 唱片全球发行，中国内地版实体专辑现已正式开启预售。 郎朗希望，"找点乐子，带大家一起进入古典音乐的世界。" 2019年3月，在全球同步发行独奏专辑《钢琴书》时，郎朗只想"做一张给音乐爱好者和学习者的专辑"，他对这张 专辑的预期是"卖30万张就很满足了"。 在北京发布会上，郎朗现场演奏了《黑神话：悟空》主题曲，谈及风格多元曲目的选择，他表示，去年《黑神 话：悟空》在全球爆火，让他想到可以把游戏音乐改编成钢琴曲，"我是孙悟空的超级粉丝，我相信通过这样的音 乐作品，中国文化可以在全世界被更好地传播认知，就像《钢琴书》中的《茉莉花》那样"。 《钢琴书2》中收录的32首曲目，《黑神话：悟空》与巴赫、德彪西比邻而居，恰似郎朗口中"古典音乐属于每一 个人"的具象化表达。 "录制《钢琴书》这张专辑的初衷，是让更多朋 ...

以下文章来源于网易数读 ，作者网易数读 网易数读 . 网易旗下栏目，用数据说话。 上座率就像过山车。 作者 | 萝卜切片 来源 I 网易数读 （ID：datablog163） 如今，花几十块钱走进电影院，得到的不光是电影，还会附赠一场人类迷惑行为大赏。 灯光才灭，沉浸式观影感还没来，零食袋的窸窣声、邻座对剧情的议论声、突兀的手机 亮光就先让人出了戏。 真 正 上 演 的 电 影 ， 也 常 让 人 怀 疑 在 开 玩 笑 ： 现 实 题 材 片 ， 让 人 怀 疑 编 剧 没 吃 过 五 谷 杂 粮；喜剧片的笑点，全透支在预告片里了；更别提爱情片，尴尬到让人抠出三室一厅。 即便是被誉为十年来口碑最佳的 2 0 25 年暑期档，也没能完全拉回被糟糕体验劝退的观 众，多部大片票房不及预期，预测数据一再下调。 电影院在扩张，可观众在锐减 2 0 25 年，杀疯了的红黄蓝外卖大战，漫天撒券，疯狂补贴，把羊毛送上门给人薅。有人 说 00 后终于赶上一波时代红利。但其实，砸钱换市场这套打法，电影行业早在十年前 就玩过。 把时间倒退回 2014 年，猫眼、淘票票入局，用票补把电影票价打到个位数。最夸张的 时候，《变形金刚 ...

Group 1 - The cinema industry is expanding, but audience attendance is sharply declining, with a significant drop in box office revenue compared to pre-pandemic levels [5][9][10] - In 2024, the total box office revenue was only 425 billion yuan, a decrease of one-third from 2019, despite having 1.3 million cinemas and 81,000 screens [9][10] - The annual attendance rate for cinemas fell to a historical low of 5.7% in 2024, indicating that a typical screening may have only five to six viewers in a hundred-seat theater [12] Group 2 - The film industry has relied heavily on major holiday periods and blockbuster films for revenue, with holiday box office accounting for over 70% of total revenue since 2022 [20][21] - The Spring Festival box office has become the dominant force, with the 2018 Spring Festival achieving a record of 5.771 billion yuan in just seven days [22] - However, the success of blockbuster films is not guaranteed, as evidenced by recent films that failed to perform despite strong marketing and star power [37] Group 3 - The average ticket price in first-tier cities reached 49.6 yuan by August 2025, a 16% increase since 2014, while prices in lower-tier cities have also risen significantly [47] - The average age of moviegoers has increased from 27.7 years in 2021 to 32.5 years in 2025, indicating a shift in the demographic of cinema audiences [50] - For many young people, going to the cinema is no longer a social necessity or a standard date option, but rather one of many entertainment choices [51]

Core Viewpoint - The summer box office for 2025 ended with a total revenue of 11.966 billion yuan, showing a slight year-on-year increase of 2.76%, but still significantly lower than the 20.63 billion yuan recorded in 2023 and 17.78 billion yuan in 2019 [1][2]. Group 1: Box Office Performance - The number of moviegoers during the summer season reached 321 million, reflecting a year-on-year increase of 12.76%, while the number of screenings decreased by 1.7% to 37.65 million [2]. - The average ticket price dropped by 8.8% to 37.2 yuan due to adjustments in distribution pricing and increased consumer subsidies [2]. - Only two films surpassed the 1 billion yuan mark this summer, maintaining the same number as last year, while the number of films grossing over 100 million yuan decreased from 26 to 19 [2]. Group 2: Industry Trends - The number of cinemas in operation during the summer season reached 12,900, a year-on-year increase of 2.8%, with 214 new cinemas opened [3]. - The pressure on cinemas is increasing due to the combination of a lackluster box office and the continued expansion of screening channels [4]. - The rise of new directors is notable, with successful films like "Nanjing Photo Studio" and "Wang Wang Mountain Little Monster" being directed by emerging talents [7]. Group 3: Film Quality and Competition - Despite the good quality of films this summer, the box office for top projects has shrunk compared to previous years, with the highest-grossing films this year earning significantly less than in 2023 [5][6]. - The competition from short videos and micro-dramas is believed to be diverting audiences away from traditional films [7]. Group 4: Financial Performance of Major Productions - Major productions from established directors, such as "Sauce Garden Case" directed by Peter Chan, have resulted in significant losses for production companies, with a reported loss of 10.2 million Hong Kong dollars for Huayi Brothers [9]. - The film "You Can! You Go!" directed by Jiang Wen also faced substantial losses, grossing only 9.086 million yuan [10]. Group 5: Future Opportunities - The rise of animated films is highlighted, with "Wang Wang Mountain Little Monster" exceeding market expectations and indicating a potential trend for short films to evolve into feature-length films [12]. - The film industry is receiving policy support, including a budget of 270 million yuan for film development and various subsidies to stimulate box office growth [14]. - The industry is encouraged to adopt a long-term vision and support small and medium enterprises to create a healthy ecosystem [15]. Group 6: Overall Market Outlook - The film market is still in a period of adjustment, with various factors influencing its recovery and growth [16].

Core Viewpoint - The article discusses the success of the film "Nanjing Photo Studio," highlighting its strong box office performance and critical acclaim, which contrasts with the underperformance of other films in the summer box office. The film's narrative, rooted in historical events, resonates with audiences and reflects a return to storytelling and character depth in cinema [5][6][19]. Group 1: Film Performance - "Nanjing Photo Studio" has achieved a cumulative box office of 2.192 billion yuan within 17 days of release, ranking third in the Chinese film box office for the year [6]. - The film is projected to surpass 3.3 billion yuan in total box office revenue, indicating its phenomenon-level status in the market [6]. - The film's success comes amid a challenging summer box office, where many films failed to meet expectations, with the highest-grossing being "F1: Speeding" at only 401 million yuan [5][6]. Group 2: Audience Engagement - The film's narrative effectively taps into national sentiment, particularly as it coincides with the 80th anniversary of the victory in the War of Resistance against Japan [6]. - Unlike previous patriotic films that underperformed, "Nanjing Photo Studio" emphasizes strong storytelling and character development, which has contributed to its success [6][19]. - The film's emotional resonance is enhanced through the use of photographs as a narrative device, creating poignant moments that connect with the audience [15][19]. Group 3: Directorial Approach - Director Shen Ao emphasizes the importance of historical perspective in filmmaking, aiming to engage audiences with the historical context rather than merely educating them [7]. - The film portrays complex character arcs, particularly in the protagonist's journey from survival to moral awakening, which adds depth to the narrative [11][15]. - The film's treatment of sensitive subjects, such as violence against women, is handled with restraint, focusing on the psychological impact rather than graphic depictions [18]. Group 4: Marketing and Distribution Strategy - The film's release strategy was carefully timed, with an adjustment to its premiere date to avoid competition with other major releases, allowing it to capture a larger audience [19][20]. - A limited-time preview screening generated positive word-of-mouth, extending the film's promotional period and increasing its visibility in a crowded market [20]. - The marketing approach focused on emotional resonance and audience engagement rather than aggressive promotion, which has proven effective in building a supportive viewer base [20].

Core Insights - The summer film season of 2025 (June-August) is set to feature over 60 domestic and international films, showcasing a diverse range of genres and innovative themes, providing rich choices for audiences [1]. Group 1: Film Types and Themes - The summer film lineup includes a variety of genres such as historical, suspense, animation, science fiction, and action, catering to different audience preferences [1]. - Domestic films this summer prominently feature comedy, suspense, and animation genres, with notable titles like "The Lychee of Chang'an," which is adapted from a novel and tells the story of a Tang dynasty official [6]. - The suspense film "Sauce Garden Lane: The Case" is based on a true story from the Republican era, revealing societal changes from a female perspective [9]. Group 2: Notable Films - The historical and war-themed film "East Extreme Island" recounts a true event from World War II, focusing on the rescue of British POWs by local fishermen [9]. - The animated film "Liaozhai: Lanruo Temple" draws inspiration from traditional culture and adapts classic stories from "Strange Tales from a Chinese Studio" using a narrative structure that connects multiple tales [12]. - "The King's Avatar: The Movie 2" follows the adventures of a cat demon and his master, featuring upgraded action scenes while maintaining a family-friendly animation style [14].

Core Insights - The summer film season has witnessed a generational shift in directors, with new talents like Shen Ao emerging as significant players, while traditional directors like Jiang Wen struggle to connect with contemporary audiences [1][3][21] Group 1: Market Dynamics - The film "Nanjing Photo Studio," directed by Shen Ao, has achieved a box office of over 2 billion yuan in just 16 days, with predictions suggesting it could reach 3 billion yuan [1][21] - In contrast, Jiang Wen's film "You Can! You Go!" has failed to surpass 100 million yuan in box office revenue after 26 days, highlighting a disconnect with current market trends [1][21] - The audience's preferences are shifting, with younger directors like Dapeng and Chen Sicheng demonstrating a keen understanding of commercial sensibilities and narrative techniques [3][14] Group 2: Director Evolution - The dominance of established directors like Zhang Yimou and Feng Xiaogang is waning, as their works are increasingly viewed as outdated or disconnected from modern audiences [4][21] - New directors are gaining traction by creating relatable content that resonates with younger viewers, thus redefining the film landscape [3][4][28] - The rise of directors like Shao Yihui and Jiaozi illustrates a trend towards innovative storytelling that appeals to contemporary sensibilities, moving away from traditional narrative structures [6][8][28] Group 3: Audience Engagement - The changing demographics of moviegoers are influencing the types of films being produced, with younger audiences favoring direct emotional engagement over complex narratives [19][25] - New directors are adept at utilizing modern marketing strategies and social media to create buzz around their films, leading to rapid box office success [27][28] - The industry is experiencing a shift towards a more inclusive ecosystem where diverse voices and styles can coexist, fostering a richer cinematic experience [42][43]

《你行！你上！》的故事主人公是郎朗，一位在我们的关注下成长起来的国际知名钢琴艺术家。我们从 各种新闻报道里知道了他的事情。且慢，我们自以为熟悉的，却往往未必真的熟悉。我想与观众一起体 验：你是不是知道，还是有待于知道，或者你以为知道，或许并非真的知道。 如果说有一个计划是100位导演一起拍这个故事，你就会很清楚地看到，每个人都不一样，拍出来的那 个不一样，就是导演的印记。创作者带有自己的印记，这很正常，也很必要。曹雪芹在《红楼梦》里写 林黛玉，一定带有他的视角、他的印记。所以，我怎么看郎朗，很重要。我停下来，一年两年三年，去 观察、去书写、去拍摄。前些年，我得到一个机会陪伴孩子们成长，我发现人和人的关系往往被忽视， 尤其是亲情，所以拍了这部电影。 这个故事讲郎朗和他的父亲，更是讲那些敢于梦想、敢于梦想成真的人们。热爱可以让人超越极限。郎 朗一天弹12个小时钢琴，并不觉得累和苦。电影里有意思的是，他的爸爸发现他能干这个，有想法，还 有办法。有想法特别好，必须得有办法来辅助，想法才能变成现实。这是我在电影里想表达的。 如今网络发达，大家露脸的机会多了，说的话都能被听见了。问题是都这样，也就等于都不这样。你要 是不 ...

Core Insights - The total box office for this summer's film season has surpassed 7 billion yuan, indicating a strong performance in the industry [2][3] - The top three films contributing to this box office success are "Nanjing Photo Studio" with over 1.5 billion yuan, "The Lychee of Chang'an" exceeding 600 million yuan, and "Jurassic World: Rebirth" crossing 500 million yuan [2][3] Box Office Performance - As of the latest report, the single-day box office on August 3 reached 375 million yuan, setting a new record for this summer's film season [3] - Over 60 domestic and international films have been scheduled for release during the summer season, showcasing a diverse range of genres and innovative themes [3] Film Highlights - "The Lychee of Chang'an," a comedy adapted from a novel by Ma Boyong, follows a Tang dynasty official on a mission to deliver lychees [4] - "Nanjing Photo Studio" is based on real historical events during the Nanjing Massacre, focusing on the evidence of Japanese war crimes [4] - The animated film "Wang Wang Mountain's Little Monster," released on August 2, has already surpassed 100 million yuan at the box office, blending traditional culture with modern workplace philosophy [3][4]

Group 1 - The core point of the article highlights that the box office for the summer film season of 2025 has surpassed 6.7 billion, indicating a strong performance in the film industry [2] - The summer film season features a diverse range of over 60 domestic and international films across various genres, including animation, suspense, and science fiction, catering to different audience preferences [3] - The animation film "Wang Wang Mountain Little Monster" is noted for its innovative storytelling that combines traditional culture with modern workplace philosophy, showcasing the vitality of contemporary animation [3] Group 2 - The animated film "Liaozhai: Lanruo Temple" draws inspiration from traditional culture and adapts classic stories from Pu Songling's "Strange Stories from a Chinese Studio" using a narrative structure that connects multiple well-known tales [5] - "The Legend of Hei 2" features a storyline about a cat demon facing new challenges, maintaining a healing art style while upgrading action scenes to appeal to audiences of all ages [8] - The comedy film "Lychee in Chang'an" is adapted from Ma Boyong's novel, telling the story of a Tang Dynasty minor official on a quest to complete a mission involving lychees [10]