Core Viewpoint - The 2025 Second China Baotou Art Expo showcases over 3,000 artworks from more than 60 renowned domestic and international art institutions, highlighting a diverse range of artistic expressions and enhancing public engagement with art [1] Group 1: Event Overview - The expo is held at the Baotou International Convention and Exhibition Center, covering an area of 5,800 square meters [1] - It features participation from over 260 artists, presenting various art forms including traditional Chinese painting, calligraphy, oil painting, sculpture, photography, cultural and creative products, pottery, purple clay, and intangible cultural heritage prints [1] Group 2: Interactive and Educational Initiatives - An interactive segment titled "AI Robot Calligraphy" explores new artistic forms through human-machine collaboration [1] - The event incorporates an "online + offline" auction model, combining art live streaming with real-time bidding to create an immersive art consumption experience [1] - Multiple public lectures and academic seminars are organized to shift public art perception from mere observation to deeper understanding, stimulating public interest in art creation [1] Group 3: Additional Activities - The expo will run until July 18, during which Baotou City will offer various supporting cultural and tourism activities, providing citizens and visitors with a rich and diverse artistic cultural experience [1]

Core Viewpoint - The exhibition "Yuliang - Pan Yuliang Art Exhibition from Anhui Museum" showcases over 70 representative works of Pan Yuliang, highlighting her rich artistic career and unique style that blends Eastern and Western art [1][18]. Artist Background - Pan Yuliang, born in 1895 in Yangzhou, Jiangsu, was one of the early female Chinese painters to study Western painting abroad and achieved significant success [2][3]. - She faced a challenging upbringing but was supported by Pan Zanhua, who facilitated her education in art, leading her to become one of the first female students in a Chinese higher art school [3][4]. Artistic Development - During her studies abroad, Pan Yuliang learned various Western art techniques, including Impressionism and Fauvism, while maintaining her cultural roots [4][5]. - She became the first female director of the Western Painting Department at Shanghai Art College and held the first solo exhibition of Western painting by a Chinese woman in Shanghai [4][5]. Artistic Philosophy - Pan Yuliang's core artistic philosophy is "combining Eastern and Western styles," where she integrates Western modernist techniques with traditional Chinese aesthetics [5][6]. - She believed that art should transcend geographical and cultural boundaries, merging the strengths of both Western realism and Eastern expressive qualities [6][7]. Artistic Contributions - Pan Yuliang's works span various genres, including portraits, figure studies, landscapes, and still lifes, showcasing her innovative use of color and form [8][10][12]. - Her paintings often reflect a deep emotional resonance and a unique perspective on femininity, contributing significantly to the representation of women in art [15][18]. Market Recognition - Pan Yuliang's artworks have gained significant attention in the art market, with notable auction prices reflecting her artistic value, such as her oil painting "Double Fan Dance" sold for 18.4 million yuan in 2019 [14]. - The increasing prices of her works indicate a growing recognition of her contributions to modern Chinese art and her unique artistic voice [14][15]. International Influence - Pan Yuliang has received international acclaim, with her works exhibited in countries like France and Italy, enhancing the global appreciation of Chinese art [16][18]. - She serves as a vital bridge for cultural exchange between China and the international art community, elevating the status of Chinese art on the world stage [16][18].

北京故宫博物院藏 从真崎边看水神之森、内川和关屋之里之图，选自《名所 江户百景》 1857年 歌川广重（日本） 芝加哥艺术博物馆藏 睡莲池 1900年 克劳德·莫奈（法国） 芝加哥艺术博物馆藏 图一 中国花鸟画托物言志，西方静物画更追求客观真实。18世 纪形成的日本浮世绘承接中国画滋养，又深刻影响了19世 纪法国印象派。不同的艺术语言，却都透露出中国画的意 境之美。 红莲图轴 清康熙十年（1671年） 唐炗、恽寿平合绘 五彩十二月花卉图题诗句杯 清康熙（1662—1722年） 北京故宫博物院藏 时代变迁，古典园林虽与我们所距遥远，但中国古典园林在世界园林体系中独树一帜的山水精神，在每 个时代可与所有心灵同频共振。纵观异彩纷呈的世界园林，其共通的追求都是营造一个富有自然意趣的 理想家园。正在北京故宫博物院举办的"乐林泉——中外园林文化展"（见图一，北京故宫博物院供图） 立足共性，以古今中外人们大体相似的栖居活动为主题，选取雅集、鉴藏、游山、静修、观花、畅音六 种园事，串联起丰富的中外展品，呈现多元的园林文化，展示人们寄托其中的高远精神追求。 《 人民日报 》（ 2025年06月17日 18 版） (责编：牛镛、 ...

作为中国较早专注西方经典艺术的机构，蛙人画廊21年来持续挖掘被主流叙事遮蔽的艺术矿床。本次展 览中，那些还未被艺术市场神化的名字，恰是"回响"的真正载体。当古典主义的庄重、立体主义的锐 利、超现实的荒诞在此交融，他们的作品证明：艺术的价值不在拍卖槌下，而在文明基因的传递中。 参展艺术家及其部分精选作品： （原标题：当代的回响——欧美艺术家联展（一）） 在蛙人艺术成立21周年之际，将于2025年6月5日下午3点在北京国贸商城南区地下一层SB125举办《当 代的回响——欧美艺术家联展》开幕式，据了解，本次展览将展出15位顶尖的欧美艺术家的近200件艺 术作品，此次展览是画廊历史上最大规模的一次展览，展期为2025年6月1日-6月30日。 道格·海德（DOUG HYDE） 道格·海德1972年出生于英国布里斯托尔，自2002年开始艺术创作。2005年，他成为英国年度最畅销艺 术家同时也被BBC评为"英国现今最受欢迎的艺术家"。他的作品在世界范围内备受瞩目和青睐，他的藏 家中不乏有像英格兰国家队教练罗伊.霍奇森、高尔夫球选手罗伊·麦克罗伊和英国著名影星艾米丽·布朗 特等知名人士。 道格·海德为2014年世界杯和201 ...

5月30日，记者从首都图书馆获悉，北京城市图书馆凭智慧空间、可视互动、多维展览获Vega Digital Awards、 A'Design Award、iF设计奖3项国际大奖，已累计获得7项国际级荣誉。 在北京中轴线申遗成功之际，首都图书馆推出"版画中轴——珍藏版画典籍展"，今年3月斩获德国iF设计奖。展览 以版画为核心线索，分为四个单元及一个互动探索板块，引领观众开启一场跨越时空之旅，徜徉于中轴线建筑、 文化、艺术与人物的历史长河中。整个展厅在空间策略上汲取了北京中轴线的建筑特征——对称与阵列，整体设 计风格庄重恢宏。 北京城市图书馆元宇宙体验馆。首都图书馆供图 版画中轴展览。首都图书馆供图 可视可感，科技打造沉浸式交互场景 4月，北京城市图书馆的元宇宙体验馆荣获2025年度Vega Digital Awards最佳交互金奖，"北京城市图书馆数据可视 化系统"荣获2024-2025年度A'Design Award大奖白金奖。 Vega Digital Awards作为全球数字媒体和设计领域的权威奖项之一，旨在表彰在数字媒体与设计领域表现卓越的作 品。北京城市图书馆的元宇宙体验馆通过人工智能、深度学习、卷积神 ...

Core Insights - The 21st China (Shenzhen) International Cultural Industries Fair (Cultural Fair) showcases the dynamic growth of China's cultural industry, highlighting the integration of traditional culture with cutting-edge technology [1] - The cultural industry is experiencing robust growth, with cultural enterprises achieving a revenue of 33,939 billion yuan in Q1 2025, a year-on-year increase of 6.2%, and a profit total of 2,744 billion yuan, up 29.1% [2] - New cultural business models and experiences are emerging, driven by the fusion of culture and technology, leading to significant investment opportunities [1][4] Cultural Industry Development - The cultural industry is thriving, with 16 sub-sectors characterized by new business models generating a revenue of 14,846 billion yuan, reflecting a year-on-year growth of 12.5%, surpassing the overall growth rate of 6.3% for large-scale cultural enterprises [2] - The integration of cultural elements into various sectors is evident, with examples such as the game "Black Myth: Wukong" and online cultural experiences like cloud exhibitions and tourism [4] Investment Trends - Cultural investment is on the rise, as evidenced by the signing of 18 key projects at the Cultural Fair, covering areas such as film, performing arts, animation, and e-sports, with a total transaction value exceeding 1.6 billion yuan [7][8] - Major companies like Galaxy Entertainment Group and Tencent are actively investing in cultural projects, indicating a strong focus on the cultural sector that combines social and commercial value [8] Consumer Behavior - The rise of "emotional consumption" and increasing cultural confidence among the public are driving forces behind the cultural industry's growth, with products that resonate emotionally gaining popularity [7] - The cultural sector is leveraging IP development, as seen with Moutai's cultural products generating over 600 million yuan in revenue in 2023, showcasing the economic benefits of deep cultural IP development [6]

巨大的"人"字装置《中国理想都城秩序的杰作》矗立于展厅正中。该项目由冬奥会开幕式数字创意制作 团队黑弓集团打造。它选用体现中国传统建筑美学的典型结构"檐角"作为基本造型，将一左一右琉璃瓦 造型与檐角流线造型相结合，构成"人"字结构。高沉浸式体验的裸眼3D视效技术生动呈现中轴线秩序 之美。 中图云创与首都图书馆合作打造的VR视觉叙事作品《版画中轴》，以历史版画《鸿雪因缘图记》《武 英殿聚珍版程式》《唐土名胜图会》为内容基础，高度凝练北京中轴线丰富的历史文化遗产和民俗风 情；"穹天玉宇"沉浸式中国藻井数字艺术体验空间，通过沉浸式体验空间展现中国传统建筑中的藻井； 新京报社开发的《中轴长歌》运用3D全景重建等手段重现中轴线15个点位风貌……这些数字产品让北 京展区成为传统文化全新表达的时尚秀场。 在国家重大活动亮相的国礼《燃灯佛舍利塔》、京绣《翠色莲花双凤喜相逢》以及在中非论坛和"一带 一路"高峰论坛展示的《宫灯葫芦》《鱼跃千里》，首次在本届文博会精彩绽放，成为连接中外文明、 促进交流互鉴的璀璨纽带。 转自：北京日报客户端 5月22日，随着第二十一届中国（深圳）国际文化产业博览交易会的开幕，北京展区精彩亮相，兼具醇 ...

Core Points - The 2025 Hainan Province "Cultural Center Service Promotion Week" has been launched, running from May 19 to May 25, with the theme "Let Cultural Centers Become Lifelong Aesthetic Education Schools" [2] - During the promotion week, 23 cultural centers across the province will host over a hundred activities, including public lectures, high-end art performances, cultural exhibitions, art training, cultural markets, traditional handicraft experiences, and AI digital experiences [2][3] - The initiative aims to showcase both the inheritance of traditional Hainan culture and the innovation and development of modern cultural arts, focusing on public engagement and cultural benefits for citizens and tourists [3] Activities Overview - The provincial cultural center has initiated public classroom projects in calligraphy, printmaking, traditional Chinese painting, coconut carving, and Li ethnic paper-cutting, along with the "Haiwen Forum" public lecture [2] - Family-oriented handicraft and cultural experience activities, multiple performance events, thematic public lectures, and exhibitions will also take place during the promotion week [2] - The launch of the AI cultural assistant "Xiaowen" aims to provide convenient cultural information and interactive experiences for citizens and tourists [2]

Core Insights - The cultural tourism trend "for a museum to a city" has been reinforced in Jiangsu during the recent "May Day" holiday, with 179 special exhibitions attracting significant visitor numbers [1] - During the holiday, Jiangsu's museums received a total of 5.317 million visitors, marking a year-on-year increase of 31.54%, with many visitors coming from outside the province [1] - Major museums such as Nanjing Museum and Yangzhou Grand Canal Museum saw high attendance, with Nanjing Museum averaging nearly 30,000 visitors per day [1] Group 1 - The "Golden Sea of Clouds" exhibition at Changzhou Museum attracted over 5,000 visitors daily during the holiday, showcasing valuable artifacts from the Han Dynasty [2] - Various museums in Jiangsu organized 108 cultural and educational activities, enhancing the visitor experience [2] - Notable exhibitions included "Treasures of the Golden Sea" and "Encountering Dali: Dreams and Imagination," which received high attention from cultural enthusiasts [2] Group 2 - Nanjing Museum implemented extended hours and hosted nearly 300 cultural tourism integration activities during the holiday [3] - The museum offered interactive experiences, including a night event series that combined knowledge quizzes and performances, enhancing visitor engagement [3] - Other museums in Nanjing also integrated night tours with intangible cultural heritage performances, creating a unique experience for visitors [3] Group 3 - Museums in Jiangsu transformed into cultural spaces by launching creative markets that combined consumption, food, and entertainment [4] - The creative products, such as refrigerator magnets and decorative items, were well-received, contributing to a total creative revenue of 21.0453 million yuan across the province [4] - Nanjing Museum generated 3.85 million yuan in creative revenue, while Suzhou Museum's creative revenue reached 3.2 million yuan, reflecting a year-on-year increase of 33.58% [4]

Core Perspective - The New Woodcut Movement, initiated by Lu Xun in the 1930s, has significantly influenced modern Chinese printmaking and embodies the spirit of youth and social engagement [1][2]. Group 1: Historical Context - The New Woodcut Movement began with the establishment of the first modern woodcut technique class in Shanghai on August 17, 1931, led by Lu Xun, who emphasized the importance of printmaking as a revolutionary and accessible art form [1]. - Lu Xun viewed printmaking as a medium that could quickly disseminate ideas and engage the youth, believing that young people possess the vitality to create and innovate in art [1]. Group 2: Youth Engagement - From its inception, the movement has been characterized by the active participation of youth, who sought to create art that resonates with and educates the public, moving away from traditional constraints [2]. - Notable works by young artists, such as Lai Shaoqi's "Debt and Illness" and Huang Xinbo's "Ordinary Stories," reflect social issues and have sparked widespread resonance and social awakening [2]. Group 3: Contemporary Developments - Today, youth remain a vital force in printmaking, supported by initiatives from cultural and artistic organizations that promote contemporary woodcut art and recognize emerging talents [3]. - Contemporary youth printmakers focus on the purpose of creation, aesthetic richness, and shared themes, pushing the boundaries of traditional printmaking towards more expressive and artistic forms [3].