Core Insights - The "Digital Restoration and Application of the Forty Scenes of the Old Summer Palace" project was launched, showcasing the historical landscape of the Old Summer Palace before 1744 [1][2] - The project was a collaboration between the Old Summer Palace Management Office and the Central Academy of Fine Arts, utilizing advanced digital technologies for restoration [1] - The digital assets created will support various fields such as cultural innovation, art exhibitions, and educational dissemination, promoting the global spread of traditional Chinese culture [2] Group 1 - The project integrates historical materials to reconstruct a complete panoramic view of the Forty Scenes of the Old Summer Palace [1] - Advanced technologies like 3D scanning and GIS were employed to accurately restore architectural features, vegetation, and water systems [1] - The restoration allows for real-time rendering and dynamic interaction, showcasing the garden's beauty under different conditions [1] Group 2 - The digital restoration has been partially applied to multiple VR cultural tourism projects and is a key component of the Haidian District's "Three Mountains and Five Gardens Digital Asset Database" [2] - Ongoing archaeological excavations, artifact restorations, and ecological management have revitalized the historical site [2] - Significant progress has been made in the archaeological exploration and protective restoration of core sites, ensuring the preservation of valuable cultural relics [2]

Core Viewpoint - The integration of new technologies such as surveying and remote sensing is essential for the digital preservation and utilization of cultural heritage, allowing it to thrive in the digital realm while addressing its historical and contextual significance [1][2]. Group 1: Digital Cultural Heritage - Digital cultural heritage refers to the results of digitizing cultural assets, including images, videos, audio, and models, as well as the comprehensive use of technologies like surveying, geography, and artificial intelligence for information retention, processing, management, and application [1]. - The narrow definition of digital cultural heritage focuses on the digitization outcomes, while the broad definition encompasses integrated technologies for data, analysis, services, and application systems [1]. Group 2: Challenges and Solutions - The current 3D models produced in the cultural heritage digitization industry face challenges such as lack of interactivity, dynamic simulation, and effective spatiotemporal empowerment [2]. - The application of real-scene 3D technology is crucial for creating three-dimensional information products that are spatially, physically, and realistically represented, which can enhance the activation and utilization of cultural heritage [2]. Group 3: Practical Applications - The team led by Hou Miaole has collaborated with various institutions to establish multi-layered semantic models for cave heritage, addressing different needs such as archaeology, protection, and utilization [3]. - The practical work includes the digitalization and virtual restoration of the Dazu Rock Carvings, emphasizing the importance of having spatiotemporal semantic information for intelligent virtual restoration [2][3].

光核设计团队以"龙"的概念为灵感，"我们的装置像一条抽象的龙，从秦淮河到明城墙最后到大报恩 塔。"丝路余声团队从大报恩塔上的风铃得到了灵感，"有风的时候，装置就会自然发出风铃声。" 每两组团队展示结束后，现场开启"在地视角"互动环节。"是否考虑加入让游客自行探索的内容，帮 助大家获得更好的文化沉浸感？""如何通过日常元素增强文化共鸣？"……这些提问将帮助作品更紧密地 与公众连接。 这次活动的意义远不止于优化装置设计——当本地生活记忆融入创客的数字创意，文化遗产便不再 是"遥远的历史"，而是"可触摸、可参与、可共鸣"的生活组成部分。 8月10日下午，南京大报恩寺遗址博物馆里，一场吸引全球创客、导师、南京市民等多元主体的沉 浸式互动参与式设计工作坊活动举行。这场活动是"2025永不消失的遗产"全球创客大赛的关键节点—— 31位青年创客带着调研创作的初步物理模型亮相，开启了一次关于"如何让文化遗产真正融入城市生 活"的深度对话。 大报恩寺遗址博物馆通过邀请文化、艺术、摄影等领域的本地居民与创作者对话，让数字艺术装置 从"概念设计"开始就扎根于南京人的真实生活需求。此次大赛聚焦"一城·一塔·一河"的联动，现场以沙盘 ...