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创投月报 | 麓山投资:1月早期投资占比近九成 三分之一投向人工智能赛道
Xin Lang Cai Jing· 2026-02-04 07:21
出品:新浪财经创投Plus 编辑整理:易舍 基于公开数据不完全统计,2026年1月新增登记的私募股权、创业投资基金管理人共8家,同比、环比均下降62.5%;新增备案私募股权投资基金、创业投资 基金分别为140只、408只,合计新增548只,与2025年12月相比减少20.6%,较2025年同期显著增长66.1%。 投资端呈现出相似趋势。1月国内一级市场共发生644起股权投资事件,披露投资金额总和约为529.99亿元,对比2025年同期分别增长2.1%、55.5%,较2025 年年末分别减少16.1%、11.1%。1月平均单笔投资额约为8229.59万元,同比、环比分别增长52.5%、6.0%。 新浪财经创投Plus本月聚焦市场活跃度较高的3家机构,围绕其投资节奏、阶段、行业偏好以及被投项目等方面展开解读。 投资环比降超30% 专投湖南省内企业 结合中国证券投资基金业协会和天眼查公开披露的信息显示,麓山投资(又名:麓山科投)成立于2009年,是湖南长沙市岳麓区人民政府全资控股的早期项 目投资孵化机构,也是湖南省专精特新中小企业股权融资服务平台发起单位之一,主要代表岳麓山大学科技城管委会构建"投早、投小、投科技" ...
侯妙乐:测绘遥感新技术让文化遗产在数字世界永生
Xin Jing Bao· 2025-09-24 10:53
Core Viewpoint - The integration of new technologies such as surveying and remote sensing is essential for the digital preservation and utilization of cultural heritage, allowing it to thrive in the digital realm while addressing its historical and contextual significance [1][2]. Group 1: Digital Cultural Heritage - Digital cultural heritage refers to the results of digitizing cultural assets, including images, videos, audio, and models, as well as the comprehensive use of technologies like surveying, geography, and artificial intelligence for information retention, processing, management, and application [1]. - The narrow definition of digital cultural heritage focuses on the digitization outcomes, while the broad definition encompasses integrated technologies for data, analysis, services, and application systems [1]. Group 2: Challenges and Solutions - The current 3D models produced in the cultural heritage digitization industry face challenges such as lack of interactivity, dynamic simulation, and effective spatiotemporal empowerment [2]. - The application of real-scene 3D technology is crucial for creating three-dimensional information products that are spatially, physically, and realistically represented, which can enhance the activation and utilization of cultural heritage [2]. Group 3: Practical Applications - The team led by Hou Miaole has collaborated with various institutions to establish multi-layered semantic models for cave heritage, addressing different needs such as archaeology, protection, and utilization [3]. - The practical work includes the digitalization and virtual restoration of the Dazu Rock Carvings, emphasizing the importance of having spatiotemporal semantic information for intelligent virtual restoration [2][3].