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韩剧还是韩国的,但韩流已经属于奈飞
Hu Xiu· 2025-09-19 07:35
9月初,Netflix正式在韩国上线了它的广告系统 Ads Suite。这套系统在美国和欧洲其实早就运行了一年 多,但在韩国,这是头一次。 Ads Suite是一整套广告解决方案:从受众定向、创意管理、内容插入,到外部平台整合、数据回流、表 现监测。 当然,要说这套系统已经媲美YouTube,还远远不够。Netflix对广告技术的理解,显然还处在"前平台时 代"。 但就目前韩国市场来看,哪怕只是一个不成熟的Ads Suite,对于本地电视网络而言,也已经构成了降维 打击。 韩国最大的英文报纸《韩国先驱报》(Korea Herald)甚至直接发了一篇文章,标题是《Here's how Netflix's ads could destroy Korea's media industry》。感兴趣的可以搜一下。 文章的核心担忧在于:Netflix开始通过广告系统渗透进传统电视台赖以为生的广告预算池,开始直接撼 动传统电视台的商业根基。 虽然Netflix的Ads Suite广告系统在韩国直到9月才正式上线,但平台对广告市场的冲击并非从这一刻才 开始。 2024年,韩国整体广播电视广告销售额同比下降8.1%,降至约2 ...
K-pop4.0时代的进击与冒险
Hu Xiu· 2025-08-24 23:58
Core Insights - The article discusses the emergence of the virtual K-pop group Huntrix from the Netflix film "K-Pop: The Witch's Idol," which has become a cultural phenomenon and the most-watched original animated film on Netflix [1] - The film's single "Golden" topped the Billboard Hot 100, and there has been a significant increase in overseas demand for Korean products, with a 78% rise in purchases through the second-hand market platform Bungaejangter compared to the previous year [1] - The film is seen as a representation of the transition to "K-Pop 4.0," where local creators produce K-pop content, marking a shift from the previous "K-Pop 3.0" phase [2] Group 1: Cultural Impact and Trends - The film maintains a strong Korean cultural essence despite being in English, with a significant portion of the production team being Korean or Korean-American [6] - K-pop's integration into global music is evident, with initiatives like Apple TV+'s "KPOPPED" and the creation of girl group KATSEYE by HYBE and Geffen Records [3][11] - K-pop is evolving into a broader cultural category, with local adaptations in countries like Japan and the Philippines, indicating a shift from a purely Korean identity to a more globalized production model [12][11] Group 2: Industry Dynamics - The Korean content industry has seen a dramatic increase in export value, rising from $1.31 billion in 2005 to $13.34 billion in 2023, while imports have decreased significantly [17] - The article highlights the importance of local collaborations in content production to enhance user engagement and market reach, reflecting a strategic shift from "Made in Korea" to "Made with Korea" [20] - K-pop's growth is accompanied by concerns about the industry's sustainability and ethical practices, particularly regarding the treatment of minors in the entertainment sector [22][23] Group 3: Social and Political Dimensions - K-pop has transcended its entertainment roots to become a form of social movement and ideological expression, particularly evident in collective protests that incorporate K-pop songs [14][15] - The genre's ability to connect diverse groups and facilitate cultural exchange is underscored by its significant growth in streaming, with a 362% increase globally and 182% in the U.S. from 2018 to 2023 [15] - The article notes the potential for K-pop to influence political mobilization, especially among youth, highlighting its role as a cultural bridge [15][14]