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韩剧还是韩国的,但韩流已经属于奈飞
Hu Xiu· 2025-09-19 07:35
Core Insights - Netflix has launched its Ads Suite in South Korea, marking its first introduction of this advertising system in the region after operating it in the US and Europe for over a year [1][3] - The Ads Suite is a comprehensive advertising solution that includes audience targeting, creative management, content insertion, external platform integration, data feedback, and performance monitoring [2] - The introduction of Ads Suite is seen as a significant threat to traditional television networks in South Korea, as it begins to penetrate the advertising budget pool that these networks rely on [6][14] Advertising Market Impact - The overall broadcast television advertising revenue in South Korea is projected to decline by 8.1% in 2024, reaching approximately 2.01 trillion KRW, with terrestrial broadcast advertising revenue falling below 1 trillion KRW for the first time [8] - Despite the growth of South Korea's GDP and advertising budgets not shrinking overall, television advertising continues to decline, indicating a shift in where advertising dollars are being spent [9][10] - Netflix commands 40% of the OTT market in South Korea, with a user base of 13.93 million, achieving a penetration rate of 27% in the population [11] Financial Performance - In April, Netflix reported a revenue of 899.6 billion KRW (approximately 629 million USD) for 2024 in South Korea, reflecting a 9% year-on-year growth, with operating profit increasing by 44% to 17.4 billion KRW (approximately 12.2 million USD) [13] Cultural and Content Shift - Netflix's entry into the South Korean market in 2016 marked a turning point, as it transitioned from merely acquiring content to producing original Korean dramas, with a focus on "local originals for global distribution" [31] - The platform has altered the content logic and production processes of Korean dramas, shifting the audience from local viewers to a global subscriber base [34] - Traditional themes in Korean dramas are being replaced by genre templates that appeal to international audiences, such as the combination of historical and zombie themes in "Kingdom" and social issues in "The Glory" [41][45] Conclusion on Cultural Influence - While Korean dramas maintain their cultural identity, the narratives are increasingly shaped by Hollywood's industrial standards, leading to a blend of Korean aesthetics with global storytelling techniques [52] - The center of the Korean Wave has shifted from local television institutions to global platforms like Netflix, indicating a transformation in how Korean content is produced and consumed [55][56]
K-pop4.0时代的进击与冒险
Hu Xiu· 2025-08-24 23:58
Core Insights - The article discusses the emergence of the virtual K-pop group Huntrix from the Netflix film "K-Pop: The Witch's Idol," which has become a cultural phenomenon and the most-watched original animated film on Netflix [1] - The film's single "Golden" topped the Billboard Hot 100, and there has been a significant increase in overseas demand for Korean products, with a 78% rise in purchases through the second-hand market platform Bungaejangter compared to the previous year [1] - The film is seen as a representation of the transition to "K-Pop 4.0," where local creators produce K-pop content, marking a shift from the previous "K-Pop 3.0" phase [2] Group 1: Cultural Impact and Trends - The film maintains a strong Korean cultural essence despite being in English, with a significant portion of the production team being Korean or Korean-American [6] - K-pop's integration into global music is evident, with initiatives like Apple TV+'s "KPOPPED" and the creation of girl group KATSEYE by HYBE and Geffen Records [3][11] - K-pop is evolving into a broader cultural category, with local adaptations in countries like Japan and the Philippines, indicating a shift from a purely Korean identity to a more globalized production model [12][11] Group 2: Industry Dynamics - The Korean content industry has seen a dramatic increase in export value, rising from $1.31 billion in 2005 to $13.34 billion in 2023, while imports have decreased significantly [17] - The article highlights the importance of local collaborations in content production to enhance user engagement and market reach, reflecting a strategic shift from "Made in Korea" to "Made with Korea" [20] - K-pop's growth is accompanied by concerns about the industry's sustainability and ethical practices, particularly regarding the treatment of minors in the entertainment sector [22][23] Group 3: Social and Political Dimensions - K-pop has transcended its entertainment roots to become a form of social movement and ideological expression, particularly evident in collective protests that incorporate K-pop songs [14][15] - The genre's ability to connect diverse groups and facilitate cultural exchange is underscored by its significant growth in streaming, with a 362% increase globally and 182% in the U.S. from 2018 to 2023 [15] - The article notes the potential for K-pop to influence political mobilization, especially among youth, highlighting its role as a cultural bridge [15][14]