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韩剧不断“封神”,为何动画还没“崛起”?
Hu Xiu· 2025-09-02 09:50
Core Viewpoint - The article discusses the challenges and developments in the South Korean animation industry, highlighting the recent release of the Netflix-funded animated film "Goodbye, Starry People" and its implications for the future of Korean animation [1][30]. Group 1: Industry Background - South Korea's animation industry has struggled to produce successful non-children's animated films, with no notable cases prior to recent developments [3][32]. - The entry of Netflix into the South Korean market in 2015 has significantly influenced the local content landscape, promoting the globalization of "K-Wave" alongside K-POP [2][32]. - The animation sector has historically faced challenges, including a lack of investment and support, leading to a focus on children's content rather than adult-oriented animations [46][68]. Group 2: "Goodbye, Starry People" - "Goodbye, Starry People" is the first exclusive Korean animated film funded by Netflix, featuring a romantic story set in 2050 between an astronaut and a musician [1][4][18]. - The film received a Rotten Tomatoes freshness rating of 88% and a score of 3.9 on Letterboxd from approximately 30,000 users, indicating a positive reception despite low online discussion [1]. - The film's production involved notable actors for voice roles, enhancing its appeal and emotional resonance with audiences [14][16]. Group 3: Challenges and Future Prospects - Despite the film's quality, it struggled to gain traction in the market, ranking third in the Korean film category on Netflix upon release and quickly dropping from the top ten in several regions [30][48]. - The article reflects on the broader issues facing the South Korean animation industry over the past three decades, including failed projects and a lack of audience interest in non-children's animations [31][47]. - The government has announced plans to increase funding for the animation industry, with a goal of establishing a more supportive environment for diverse animated content [74][75].
《K-Pop猎魔女团》热播带动韩流热潮持续 GlobalX韩流音乐及文化ETF提供独特投资机会
Zhi Tong Cai Jing· 2025-07-23 04:22
Core Insights - The animated film "K-Pop Monster Hunters," produced by Sony Pictures Animation and released on Netflix, has dominated international charts since its release on June 20, showcasing the ongoing global influence of Korean cultural waves [1][2] - The film's success is expected to create a halo effect for Korean products, particularly in cosmetics and packaged foods, providing unique investment opportunities through the GlobalX K-Pop and Culture ETF (03158) [1] Group 1 - "K-Pop Monster Hunters" ranked first in 26 countries during its opening week and entered the top 10 in 93 countries, indicating strong audience engagement not only in Asia but also in the U.S. and European markets [2] - The film's portrayal of Korean culture is anticipated to boost exports of Korean products, including food and beauty items, as seen with the potential increased interest in Samyang Foods' spicy noodles and Nongshim's Shin Ramyeon, both of which are components of the GlobalX K-Pop and Culture ETF (03158) [2] - The characters' styling and makeup in the film may spark consumer interest in Korean beauty products, further benefiting Korean cosmetics companies as global exposure increases [2]
当国际运动品牌,重新拥抱“韩流”
3 6 Ke· 2025-07-23 00:23
Core Insights - The article discusses the resurgence of international sports brands' interest in collaborating with K-pop artists, particularly female groups, to enhance their market presence in Asia, especially China [1][6][25] - Nike's recent signing of aespa member KARINA marks a strategic move to re-engage with the Korean wave and leverage the popularity of K-pop in the Asian market [1][7][25] - Other brands like alo, Puma, and Adidas are also actively signing K-pop artists to boost their brand visibility and sales in the competitive Asian sportswear market [5][6][9] Brand Collaborations - Nike has signed aespa member KARINA, following previous collaborations with other top K-pop artists, indicating a shift back to engaging with Korean talent [1][3][7] - Alo's flagship store opening in Korea featured appearances by K-pop stars, showcasing the brand's commitment to embracing the Korean wave [3][7] - Puma has announced a partnership with BLACKPINK's Rosé as a global ambassador, while Adidas has signed I-DLE member Song Yuqi to promote its Originals line [5][9] Market Strategy - The article highlights that international sports brands are not only focusing on athletic performance but are also betting on fashion trends to capture market share in Asia [6][22][25] - The opening of flagship stores in Korea by brands like alo and Vuori is seen as a strategic move to tap into the Asian market's potential [9][10] - The competition among sports brands has intensified, with a growing number of niche brands entering the market, prompting established brands like Nike and Adidas to adapt their strategies [13][22] Cultural Influence - The influence of K-pop on fashion and lifestyle is significant, with brands leveraging this trend to enhance their appeal among younger consumers [17][20][21] - The article notes that collaborations with K-pop artists serve as a powerful marketing tool, helping brands to connect with the cultural zeitgeist and drive sales [19][25] - The trend of integrating fashion with sportswear is becoming increasingly important, as brands seek to align themselves with contemporary cultural movements [22][23]
音乐市场疲软,唱片出口额和销量双双下降,韩国押宝知名组合回归
Huan Qiu Shi Bao· 2025-07-21 22:47
Group 1 - The core point of the articles highlights a decline in both the export value and sales volume of K-Pop music in South Korea during the first half of the year, raising concerns within the music market [1][2] - The export value of K-Pop records decreased by 11.6% year-on-year, amounting to $11.443 million, marking a continuous decline for two consecutive years [1] - The top export destination for K-Pop records is Japan, with an export value of $39.095 million, followed by mainland China at $20.102 million and the United States at $19.452 million [1] Group 2 - The sales volume of K-Pop albums also saw a decline, with the total sales of the top 400 albums reaching 42.486 million copies, a decrease of 9% year-on-year [1] - The export to Japan specifically has dropped by 15%, which is a more significant decline than the overall export decrease of 11.6% [2] - The South Korean music industry is pinning hopes on the return of popular groups like BLACKPINK and BTS to revitalize the market, as BTS is expected to return in March next year [2]