Core Perspective - The New Woodcut Movement, initiated by Lu Xun in the 1930s, has significantly influenced modern Chinese printmaking and embodies the spirit of youth and social engagement [1][2]. Group 1: Historical Context - The New Woodcut Movement began with the establishment of the first modern woodcut technique class in Shanghai on August 17, 1931, led by Lu Xun, who emphasized the importance of printmaking as a revolutionary and accessible art form [1]. - Lu Xun viewed printmaking as a medium that could quickly disseminate ideas and engage the youth, believing that young people possess the vitality to create and innovate in art [1]. Group 2: Youth Engagement - From its inception, the movement has been characterized by the active participation of youth, who sought to create art that resonates with and educates the public, moving away from traditional constraints [2]. - Notable works by young artists, such as Lai Shaoqi's "Debt and Illness" and Huang Xinbo's "Ordinary Stories," reflect social issues and have sparked widespread resonance and social awakening [2]. Group 3: Contemporary Developments - Today, youth remain a vital force in printmaking, supported by initiatives from cultural and artistic organizations that promote contemporary woodcut art and recognize emerging talents [3]. - Contemporary youth printmakers focus on the purpose of creation, aesthetic richness, and shared themes, pushing the boundaries of traditional printmaking towards more expressive and artistic forms [3].