Group 1 - The article discusses the commemoration of the 80th anniversary of the victory in the Chinese People's War of Resistance Against Japanese Aggression and the World Anti-Fascist War, highlighting various cultural and artistic activities planned for this occasion [1][4][6] - A series of performances and exhibitions will take place from August to October, including a major gala on September 3 in Beijing, featuring prominent artists and a focus on affordable tickets to ensure public access [4][5] - The theme exhibition at the Chinese People's Anti-Japanese War Memorial Hall will showcase 1.22 million square meters of space, displaying 1,525 photographs and 3,237 cultural relics, emphasizing the historical significance of the war and the role of the Communist Party of China [6][7] Group 2 - The article outlines a nationwide media campaign titled "Mountains and Rivers Witness - Our Anti-Japanese Memory," which will involve live broadcasts from significant historical sites related to the war, aiming to foster a sense of historical remembrance and national pride [5][8] - Various artistic works, including documentaries and short dramas, will be produced and broadcasted, with a focus on both grand narratives and personal stories from the war, appealing to a diverse audience [8][9] - The article mentions the inclusion of classic artworks and new creations in exhibitions, with over 300 pieces of art planned for display, showcasing the contributions of artists to the commemoration [7][8]

Core Perspective - The New Woodcut Movement, initiated by Lu Xun in the 1930s, has significantly influenced modern Chinese printmaking and embodies the spirit of youth and social engagement [1][2]. Group 1: Historical Context - The New Woodcut Movement began with the establishment of the first modern woodcut technique class in Shanghai on August 17, 1931, led by Lu Xun, who emphasized the importance of printmaking as a revolutionary and accessible art form [1]. - Lu Xun viewed printmaking as a medium that could quickly disseminate ideas and engage the youth, believing that young people possess the vitality to create and innovate in art [1]. Group 2: Youth Engagement - From its inception, the movement has been characterized by the active participation of youth, who sought to create art that resonates with and educates the public, moving away from traditional constraints [2]. - Notable works by young artists, such as Lai Shaoqi's "Debt and Illness" and Huang Xinbo's "Ordinary Stories," reflect social issues and have sparked widespread resonance and social awakening [2]. Group 3: Contemporary Developments - Today, youth remain a vital force in printmaking, supported by initiatives from cultural and artistic organizations that promote contemporary woodcut art and recognize emerging talents [3]. - Contemporary youth printmakers focus on the purpose of creation, aesthetic richness, and shared themes, pushing the boundaries of traditional printmaking towards more expressive and artistic forms [3].