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齐泽克代表了一种哲学上毒性极强的瘟疫
Xin Lang Cai Jing· 2025-12-14 01:17
Group 1 - The core argument of the article revolves around the philosophical influence of Slavoj Žižek, who critiques contemporary capitalism and its associated ideologies through a lens of radical universalism and skepticism towards social realities [1][2] - Žižek's work spans various fields including ideology theory, subjectivity, ethics, globalization, and cultural studies, significantly altering the discourse in these areas [2][3] - The concept of "madness" is central to Žižek's philosophy, representing a failure or excess within the order of being, which is essential for the generation of subjectivity [3][4] Group 2 - In the context of psychoanalysis, Žižek discusses the death drive as a fundamental aspect of subjectivity, highlighting the gap that signifies radical autonomy and the inherent threats to the symbolic framework of subjectivity [5][6] - The notion of the "real" is explored as a dimension that cannot be integrated into the symbolic order, serving as a foundational lack that shapes all symbolic and imaginary constructs [12][16] - Žižek's analysis of the "real" includes its subtle role in shaping reality, suggesting that it is not merely a negative force but also an intrinsic part of the construction of social realities [20][21]
心理学|一个人的恐惧在哪里,他的人格就在哪里,如何深度了解一个人
Jing Ji Guan Cha Bao· 2025-06-26 00:41
Core Insights - The article emphasizes that understanding a person's fears is crucial to understanding their personality, suggesting that fears serve as a key to self-discovery [1][9] - It highlights the deep psychological connection between fear and personality, indicating that core fears often develop in early childhood through interactions with primary caregivers [1][7] Fear-Personality Patterns - Avoidant personality is characterized by an extreme fear of rejection and negative evaluation, leading to social withdrawal [2] - Obsessive personality exhibits a profound fear of chaos and uncertainty, resulting in unhealthy fixation on order and control [3] - Dependent personality fears facing life alone, which drives excessive seeking of approval and support from others [4] - Narcissistic personality appears fearless but harbors a pathological fear of vulnerability and lack of admiration [5] Self-Exploration and Growth - The process of exploring one's fears is described as a profound journey of self-discovery, where confronting fears can lead to personal growth and integration [7][9] - Recognizing and understanding fears can enhance empathy and improve relationship quality, as it allows for deeper insights into others' behaviors and motivations [8] Psychological Insights - The article discusses how fear can act as a "navigation system" for personality, directly linking to fundamental value systems and self-perception [7] - It suggests that acknowledging and exploring fears requires significant courage, which ultimately leads to a more authentic understanding of oneself and others [9]
|晒书客·获月之书|
Jing Ji Guan Cha Bao· 2025-06-23 06:59
Group 1 - The core viewpoint of the article revolves around the critique of literary awards and the cultural implications behind them, as expressed by Austrian author Thomas Bernhard in his book "My Literary Prize" [2] - Bernhard's disdain for officials and the government is evident, as he believes they lack understanding of culture and art, often using literary awards to enhance their own cultural image [2] - The author expresses a deep cynicism towards the public and the state, suggesting that the populace has been complacent since World War I, contributing to the rise of oppressive regimes [2] Group 2 - The article discusses the anthropological perspective on Africa, highlighting the historical portrayal of Africans as "others" and the need for a balanced representation in anthropological films [5] - French anthropologist Jean Rouch's efforts to create authentic anthropological documentaries are noted, emphasizing the challenge of balancing the privilege of the camera with ethical representation [5][6] - Criticism of Rouch's work arises from the perception that it sometimes sensationalizes indigenous practices without providing meaningful context, raising questions about the ethics of representation in anthropology [5][6]