Core Perspective - The article discusses the concept of "decoration" as a blend of Eastern and Western traditions, emphasizing its role in enhancing the aesthetic quality of life and reflecting cultural identity [2][4]. Group 1: Historical Context and Cultural Significance - Decoration has a rich tradition in China, with historical artifacts like pottery, bronze, porcelain, and textiles showcasing intricate patterns that embody Eastern cultural aesthetics [2]. - Philosophers since ancient times have debated the ethical implications of decoration, suggesting that excessive ornamentation could lead to social unrest, a view echoed in Western thought by figures like Adolf Loos [2]. Group 2: Modern Artistic Practices - The exhibition "People's Form" at Tsinghua University Art Museum highlights the contributions of various artists from the Tsinghua University Academy of Fine Arts, showcasing their pursuit of modern decoration and its relation to Eastern aesthetics and national identity [3]. - Artists from Tsinghua University have dedicated themselves to enhancing the material culture and living conditions of the people through decoration and design, often overlooked in art history [4]. Group 3: Contemporary Relevance and Future Directions - The evolving significance of decoration is tied to meeting the growing spiritual and cultural needs of the populace, indicating a shift towards more people-oriented artistic expressions [5]. - The integration of art, science, and technology is essential for developing a contemporary understanding of decoration and aesthetic forms, which should reflect the demands of modern society [5].