张 仃作 从传统中来 进入展厅，一张AI修复的老照片拉开了展览序幕——那是1950年9月张仃等在天安门安装新中国首枚国 徽的现场。这也体现着展览的主题——清华美院几代艺术家，如何通过装饰、设计，将"美"融入民族命 运、国家建设与日常生活中。 这是一次清华美院自身脉络的回溯，也展现了中国现代艺术探索中一条重要路径。"希望以此梳理20世 纪中国设计艺术的脉络。"清华大学人文讲席教授、主策展人之一杭间说。 瓶花（油画） 庞薰琹作 灶头（中国画） 张光宇作 新中国国礼景泰蓝《和平鸽大圆盘》、动画电影《大闹天宫》孙悟空设计稿、充满民族特色的首都国际 机场壁画……日前，"人民的'形式'：清华大学美术学院的艺术之路"展在清华大学艺术博物馆开幕。展 览以103幅作品、163套文献资料，勾勒清华大学美术学院（原中央工艺美术学院）的艺术脉络，讲述了 庞薰琹、雷圭元、张光宇、张仃等几代艺术家在兼收并蓄中守正创新，引领时代审美，以艺术服务人民 的生动实践。 泼水节（漆画） 乔十光作 《大闹天宫》孙悟空设计稿之一 何谓"人民的'形式'"？杭间在展览前言中阐释："它不仅如通常艺术家那样关注点线面和构形，而且主要 指向百年沧桑中国的社会改 ...

Core Perspective - The article discusses the concept of "decoration" as a blend of Eastern and Western traditions, emphasizing its role in enhancing the aesthetic quality of life and reflecting cultural identity [2][4]. Group 1: Historical Context and Cultural Significance - Decoration has a rich tradition in China, with historical artifacts like pottery, bronze, porcelain, and textiles showcasing intricate patterns that embody Eastern cultural aesthetics [2]. - Philosophers since ancient times have debated the ethical implications of decoration, suggesting that excessive ornamentation could lead to social unrest, a view echoed in Western thought by figures like Adolf Loos [2]. Group 2: Modern Artistic Practices - The exhibition "People's Form" at Tsinghua University Art Museum highlights the contributions of various artists from the Tsinghua University Academy of Fine Arts, showcasing their pursuit of modern decoration and its relation to Eastern aesthetics and national identity [3]. - Artists from Tsinghua University have dedicated themselves to enhancing the material culture and living conditions of the people through decoration and design, often overlooked in art history [4]. Group 3: Contemporary Relevance and Future Directions - The evolving significance of decoration is tied to meeting the growing spiritual and cultural needs of the populace, indicating a shift towards more people-oriented artistic expressions [5]. - The integration of art, science, and technology is essential for developing a contemporary understanding of decoration and aesthetic forms, which should reflect the demands of modern society [5].