Group 1 - The core event "Qinling·Qinren·Qinsheng" has successfully held its third edition, showcasing a variety of traditional Qin opera performances, attracting significant audience engagement both on-site and online [1][2] - The event featured a collaboration of six professional troupes, including renowned ones from Xi'an and Gansu, presenting a total of ten performances over five days, highlighting the cultural richness of Qin opera [1][2] - The audience experience was enhanced by the immersive cultural space created between the South and North Squares, allowing visitors to enjoy both traditional and modern performances, thus extending their stay and engagement [2] Group 2 - The "Village Light Avenue" event in Ning'an County has become a significant cultural attraction, drawing thousands of spectators and boosting local tourism since its launch [3][4] - The performances feature local non-professional actors, showcasing community stories and cultural expressions, which resonate well with the audience and enhance local pride [4][5] - The initiative has led to increased tourist numbers and revenue, with statistics indicating that 23,700 visitors were received on a single day, demonstrating the economic impact of cultural events [4][5]

Core Viewpoint - The article emphasizes the importance of preserving and innovating the traditional art of Qinqiang opera in Xi'an, highlighting its cultural significance and the efforts to engage younger audiences through modern adaptations and interactive experiences [1][2][3] Group 1: Cultural Significance and Development - Qinqiang opera is described as a vital part of Xi'an's cultural heritage, deeply embedded in the lives of local people, and not merely a museum artifact [1] - Over the past three years, Xi'an has hosted more than 6,000 public performances, with Qinqiang plays accounting for over 70% of these events [1] - The city has implemented policies such as the "Implementation Opinions on the Protection and Development of Qinqiang Art" to promote cultural development [2] Group 2: Engagement with Younger Audiences - There is a growing interest in Qinqiang among younger demographics, with 70% of visitors participating in interactive projects being young people [2] - The Xi'an Yisushe has adapted classic Qinqiang plays into 3D films and animations, which have been broadcast in countries like Pakistan and Malaysia [2] - The social media presence of the Xi'an Yisushe includes 280,000 followers, with over 50% being under 30 years old, indicating a shift towards a younger audience [2] Group 3: Innovation and Tradition - Balancing the tastes of traditional and new audiences is a challenge faced by the opera community, necessitating innovation while preserving classic elements [3] - The Xi'an Sanyi Society has collaborated with media companies to produce short films that appeal to younger viewers [3] - The concept of "transmitting" and "inheriting" Qinqiang is highlighted as essential for its survival and relevance in modern contexts, including platforms like short videos and the metaverse [3]

Core Viewpoint - The article highlights the revival and promotion of traditional Chinese Qinqiang opera through modern platforms like Kuaishou, showcasing the journey of artist An Wan and the cultural significance of Qinqiang as a non-material cultural heritage [1][9]. Group 1: An Wan's Journey - An Wan, known as the "Northwest Qinqiang King," faced challenges due to a congenital condition but found his passion for Qinqiang at a young age [2]. - His career included various performances and struggles, including a period of despair that led him to burn his props, but he later found success on Kuaishou, where he built a supportive community [3]. - In 2024, An Wan established a new theater troupe with over 150 members, aiming to promote Qinqiang across the Northwest [3]. Group 2: Kuaishou's Role in Cultural Promotion - Kuaishou has become a significant platform for traditional opera, with An Wan amassing 2.818 million followers and maintaining over 100,000 live viewers during performances [5][7]. - The platform supports traditional arts through initiatives like "Lao Tie Li Yuan" and "New City Good Actors," creating diverse stages for opera and integrating modern performance styles [11]. - Kuaishou's "Art Summer" initiative has organized over 11,000 performances, reaching a total viewership of 900 million, demonstrating its commitment to cultural outreach [12]. Group 3: Future of Traditional Arts - Kuaishou plans to assist at least 500 theater troupes in the next year, providing support through traffic boosts, content guidance, and financial aid to innovate traditional opera [12]. - The blending of live streaming and traditional performance is reshaping the landscape of cultural heritage, allowing for broader visibility and engagement with non-material cultural heritage [12].

Core Viewpoint - The article emphasizes the importance of building a higher standard value system and spatial order in the context of internet civilization, highlighting the efforts made by Shaanxi province to enhance online moral standards and digital literacy, thereby injecting positive energy into the region's development [1]. Group 1: Strengthening Ideological Guidance - The primary task of network civilization construction is to strengthen ideological guidance and maintain the main position of online ideological work [2]. - Shaanxi's implementation of the "Implementation Opinions on Strengthening Network Civilization Construction" aims to enhance ideological leadership in cyberspace [2]. - The "Learning Power" platform in Shaanxi has published over 500 articles with a total reading volume exceeding 60 million, promoting the dissemination of innovative theories [2]. Group 2: Cultivating Positive Online Culture - Activities like "Be a Good Netizen in Shaanxi" are organized to foster a strong collective effort among the people to build a better Shaanxi, ensuring mainstream values shine in cyberspace [3]. - The focus on positive energy is crucial for the effective dissemination of the Party's innovative theories and the consolidation of the online mainstream public opinion [3]. Group 3: Enhancing Digital Literacy - Strengthening moral education for netizens and improving overall digital literacy is essential for building a spiritual "Great Wall" in the digital age [4]. Group 4: Promoting Network Civilization Conferences - The Shaanxi Network Civilization Conference serves as a platform for promoting concepts, sharing experiences, and showcasing achievements in network civilization construction [5]. - The conference has consistently highlighted the socialist core values and established a clear upward and virtuous direction in cyberspace [5]. Group 5: Advancing Public Welfare through Technology - The "Shan Yao·Network Public Welfare Action" initiative has gained influence, utilizing media and technology to support agricultural development and enhance online sales of agricultural products [6]. - Training programs in rural revitalization have created a closed-loop of "training—incubation—sales," leading to the emergence of quality agricultural accounts [6]. Group 6: Cultural Promotion and Heritage - The integration of traditional culture, revolutionary culture, and advanced socialist culture into online dissemination is emphasized to enhance cultural confidence and strength [7]. - The online theme promotion activities, such as "Promoting the Yan'an Spirit," have achieved significant online engagement, with a total spread of 10.2 billion times [7]. Group 7: Technological Integration in Cultural Transmission - New technologies are being leveraged to revitalize traditional culture, with digitalization projects achieving breakthroughs in showcasing cultural heritage [9]. - The use of holographic projection technology in museums and cultural sites has significantly enhanced visitor experiences and engagement [9]. Group 8: Building a Healthy Online Ecosystem - The establishment of regulations and systems for network governance is crucial for maintaining a healthy online environment [12]. - Shaanxi has implemented various actions to combat online issues such as vulgar live streaming and false rumors, ensuring a safer internet space [13]. Group 9: Future Directions - Shaanxi will continue to strengthen network civilization construction, promoting the innovative theories of Xi Jinping and the rich cultural heritage of China to contribute to the modernization of the region [14].

Core Viewpoint - The new regulation from the National Arts Fund aims to encourage local theater companies to cultivate their own creative talents and avoid over-reliance on external creators, which could lead to a loss of the unique characteristics of local theater forms [2][4]. Group 1: Importance of Dialects - Dialects and vocal styles are considered the soul of local theater, and any innovation should not compromise these essential elements [2][5]. - For example, the Fuzhou dialect retains many ancient Chinese linguistic features, which play a crucial role in the rhythm and vocal style of Min opera [2][3]. - Other dialects, such as Cantonese and Puxian, also contribute unique tonal qualities that enhance the expressiveness of their respective operas [2][3]. Group 2: Rich Vocabulary and Characterization - Local dialects possess diverse vocabulary systems that enrich character portrayal in performances, allowing for distinct language images that enhance the overall theatrical experience [3][4]. - The use of dialects enables the creation of vivid and relatable characters, making local theater more engaging and culturally resonant [3][4]. Group 3: Challenges with External Creators - External creators may lack the time and understanding to fully grasp the complexities of local dialects, which can lead to a dilution of the unique characteristics of local theater [4][5]. - There is a concern that younger local playwrights may not possess the same level of proficiency in dialects as their predecessors, risking the authenticity of local theater [4][5]. Group 4: Vocal Styles and Musical Integration - Each local theater form has its own distinctive musical style and instruments, which are integral to its identity [5][6]. - However, the trend of using standardized orchestration and composition by prominent directors may overshadow the unique musical elements of local theater, leading to a loss of differentiation between musical theater and traditional opera [5][6]. Group 5: Innovation vs. Tradition - While innovation in local theater is necessary, it should be approached with caution to preserve the essence of dialects and vocal styles [6][7]. - Successful adaptations and innovations should respect and integrate traditional elements rather than replace them, ensuring that the unique cultural heritage of local theater is maintained [6][7].

Group 1 - The 9th Silk Road International Expo will feature a cultural and tourism consumption exhibition organized by the provincial culture and tourism department, consisting of four specialized exhibition areas: cultural tourism theme area, cultural performance area, intangible cultural heritage area, and sports events area [1] - The cultural tourism theme area will focus on the achievements of Shaanxi Province's key cultural tourism industry chain, showcasing rich historical and cultural resources, including county cultural tourism, tourist resorts, scenic spots, smart tourism platforms, study tours, and related financial services [1] - The cultural performance area will highlight the development of Shaanxi's artistic creation and performance industry, featuring local folk performances and tourism-related performances, including traditional operas and digital performances [1] Group 2 - The intangible cultural heritage area will center on national trend culture and intangible cultural heritage, showcasing crafts, cultural products, and traditional clothing, including Hanfu parades [1] - The sports events area will leverage Shaanxi's natural and cultural resources to display premium sports tourism projects such as marathons, mountain climbing, and cycling events [1] - The expo will also host a special promotion meeting for cultural and tourism projects, featuring performances and experiences related to traditional arts and e-sports, aiming to create an international platform for showcasing, trading, and cooperation in the cultural and tourism sectors [2]

Group 1 - The core idea emphasizes the importance of understanding grassroots cultural needs and adjusting cultural offerings accordingly to create engaging and relevant cultural experiences for rural communities [1][2][3] - The article highlights the challenges faced in curating performance programs that resonate with local audiences, illustrating the necessity of adapting content based on community preferences and feedback [1][2] - Successful cultural initiatives require a balance between supply and demand, ensuring that cultural products reflect the unique characteristics and preferences of the local population [2][3] Group 2 - The article discusses the significance of community involvement in cultural activities, advocating for a model where local residents play a central role in cultural creation and innovation [3] - It presents examples of successful grassroots cultural projects, such as village art centers, where local talents contribute to the cultural landscape, fostering a sense of ownership and engagement among community members [3] - The narrative suggests that a gradual and thoughtful approach to cultural development, akin to "slow cooking," is more effective than rapid, top-down cultural impositions [3]