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从“出片”到“反出片”,我们为何停不下来?
3 6 Ke· 2025-07-17 10:28
Core Insights - The concept of "出片" (photo-taking) has evolved into a core consumer demand in the social media-driven era, emphasizing the importance of capturing aesthetically pleasing images during travel rather than merely shopping [2][3] - The phenomenon is driven by a desire for social currency, where individuals seek to create visually appealing content that enhances their social media presence and self-identity [6][8] User Engagement - The hashtag "出片" has garnered 410 million views and over 1.396 million discussions on Xiaohongshu, while Douyin has recorded 1.21 billion video views on the same topic, indicating a widespread engagement with the concept [2] - Users are willing to invest significant effort into achieving the perfect shot, with 87.6% of surveyed youth having specifically visited locations for photo opportunities [11] Psychological Aspects - "出片" serves as a form of social currency, where well-crafted images can lead to increased likes and comments, thereby enhancing individual self-identity and social validation [6][8] - The act of sharing visually appealing content has transformed into a new form of social consumption evaluation, where emotional resonance is prioritized over traditional reviews [8] Brand Opportunities - Brands can leverage the "出片" trend by creating visually striking environments that serve as natural photography backdrops, enhancing their competitive edge in social media marketing [11][13] - Emotional connections can be fostered through storytelling and nostalgic elements in brand experiences, which can significantly increase the shareability of content [15][17] Diverse Marketing Strategies - A dual approach that balances both aesthetically pleasing and authentic experiences can cater to varying consumer preferences, allowing brands to engage with a broader audience [20][22] - Encouraging user-generated content that embraces imperfection can enhance brand trust and relatability, appealing to consumers seeking authenticity [22][23]