Core Insights - The article discusses the rise of the comedian He Guangzhi, who won the title of "King of Stand-Up Comedy" in the show "脱友2" and highlights his journey from an ordinary worker to a celebrated performer [1][19] - It emphasizes the trend in the film and television industry to cater to the working class, with various productions aiming to resonate with their experiences and struggles [3][4] Group 1: Industry Trends - There has been a notable trend in films and shows that appeal to the working class, with titles like "长安的荔枝," "戏台," and "浪浪山小妖怪" attempting to connect with audiences through relatable themes [3][4][7] - The film "年会不能停！" directed by 董润年, became a significant success, grossing 12.92 billion, and is seen as a benchmark for the "working class" genre in cinema [5][12] - The success of these films has led to a shift in how production companies approach projects, with a focus on empathy and relatability to attract audiences [5][12] Group 2: Audience Engagement - The audience's response to He Guangzhi's performance reflects a deep emotional connection, as his story resonates with the struggles of the working class, making it more impactful than typical fictional narratives [3][4][19] - The article notes that while many productions attempt to appeal to the working class, achieving genuine connection and understanding of their experiences remains challenging [13][14] - The popularity of He Guangzhi and similar content indicates a growing demand for authentic representation of working-class experiences in entertainment [19]