文 | 王嫱 4个月前，笔者写了篇《00后星二代集中出道，谁最有明星相？》，谁知，现在星三代也开始连续出道了。他们有的抽中了"基因彩票"，有的靠努力证明 了自己。但不少在颜值上属于"均值回归"，个别还因业务能力不够被质疑娱乐圈"世袭"…… 1 韩子萱（2014年生）： 外公濮存昕 大家一致觉得这个星三代颜值很一般，甚至有点像任素汐。 12月9日晚，韩子萱发文：在妈妈的手机上看到我自己在《掌上齐眉》的画面了哈哈，这是我第一次在横店体验拍电视剧，也看到制作一部作品需要那么 多人的辛勤付出才能做成。谢谢叔叔阿姨们对我的照顾。 近日，著名演员濮存昕因连发微博支持11岁外孙女韩子萱的短剧首秀引发热议。 其实，1953年生的濮存昕本人也算星二代，他父亲苏民（革命时期的化名，原名濮思洵）是人艺老院长。 濮存昕和父母 濮存昕的太太宛萍是一名舞蹈演员，两人只有一个独生女濮方（1986年生），16岁就出国读书，在国外十几年后回国开了文化公司。濮方虽然没出道，但 也在文化圈混。 濮方和父母 后来，濮方嫁给了圈外人士、滑雪教练韩金凯。 至于外孙女韩子萱长相不如外公外婆爸爸妈妈，一方面可能是均值回归（后代颜值向人群平均水平靠拢的趋势） ...

Core Viewpoint - The Chinese film industry is experiencing a significant revival, with major releases like "Zhuan Zhi 2" and "Zootopia 2" driving box office success and cultural confidence, reflecting a shift in audience preferences and market dynamics [4][7][8]. Group 1: Box Office Performance - "Zootopia 2" achieved over 2 billion yuan in its opening week, contributing to the overall Chinese box office nearing 50 billion yuan [4]. - "Zhuan Zhi 2" ranks as the highest-grossing animated film globally with a box office of 15.9 billion yuan [7]. - The success of these films indicates a strong audience-driven market where viewers are willing to support quality productions, regardless of origin [7]. Group 2: Cultural Impact - The films are fostering a more open and confident cultural mindset among Chinese audiences, who are increasingly embracing both domestic and international cinema [8]. - The phrase "tears for Zhuan Zhi, smiles for the fox" encapsulates the shared emotional experiences that transcend cultural boundaries, highlighting a growing cultural self-assurance [8]. - The rise of Chinese cinema on the global stage is enhancing the acceptance and appreciation of Chinese culture, as evidenced by the success of "Zhuan Zhi 2" [8]. Group 3: Youth Engagement - The creative teams behind "Zhuan Zhi 2" and "Zootopia 2" are primarily composed of young talent, reflecting a shift towards youthful expression in filmmaking [6]. - Films like "Nanjing Photo Studio" and "Wang Wang Life" are narrated from a young person's perspective, showcasing innovative storytelling that resonates with younger audiences [6]. - The recognition of young actors and creators at prestigious awards, such as the Golden Rooster Awards, underscores the importance of youth in the future of Chinese cinema [6].

Core Insights - The report indicates a significant shift in movie audience preferences, with viewers becoming more specialized and clear about their viewing choices [1][2] - The Chinese film market is projected to achieve steady growth in 2025, with an estimated 513 million viewers, marking a new high since 2020 [1] Audience Trends - The demographic profile of moviegoers is increasingly skewed towards women, older individuals, and lower-tier markets, while there remains potential for growth among men, younger audiences, and higher-tier markets [2] - Audience preferences are becoming more defined, with men favoring sci-fi, action, crime, and war genres, while women prefer drama and romance; younger audiences lean towards crime films, and older viewers show a preference for sci-fi, fantasy, and war movies [2] Market Opportunities - The success of niche films like "F1: Speeding" and "Detective Conan: The Phantom of the Eye" suggests that there are more market opportunities for mid-tier films that focus on specific demographics and genres [2] - The report emphasizes that viewers are increasingly seeking an immersive cinematic experience, desiring high-quality stories, visual stimulation, and emotional resonance [2] Future Directions - The report outlines a clear direction for future film creation, emphasizing the need for impactful visuals, engaging genres, and strong emotional connections to win audience trust [2] - It suggests that the focus should not solely be on achieving peak box office numbers but rather on consistently providing quality content to maintain audience loyalty [2]

Core Insights - The report indicates that the Chinese film market is experiencing steady growth, with total box office revenue for 2025 surpassing that of 2024, marking the second-highest annual box office since 2020 [1][3] - The estimated number of moviegoers in China for this year is projected to reach 513 million, a new high since 2020 [1] Audience Trends - The audience demographic is shifting towards women, older individuals, and lower-tier markets, while there remains potential for growth among men, younger audiences, and higher-tier markets [3] - Moviegoers are becoming more discerning in their viewing choices, with preferences varying by gender and age group [3] Film Performance - Animation films have shown strong performance, with "Ne Zha" significantly boosting the overall market. Over 40% of viewers reported increased interest in other films due to its success [3][4] - The report suggests that mid-tier films focusing on niche audiences and specific genres may find more market opportunities [4] Viewing Motivations - Audiences are increasingly seeking exceptional viewing experiences, desiring good stories, visual stimulation, and emotional resonance [4] - High-rated films with positive reviews are more likely to attract viewers, while low-rated films face significant barriers to attendance [4]

Core Insights - The report indicates that the Chinese film market is experiencing steady growth, with 2025's box office surpassing that of 2024, marking the second-highest annual box office since 2020 [1][3] - The estimated number of moviegoers in China for this year is projected to reach 513 million, a new high since 2020 [1] Audience Trends - The audience demographic is shifting towards women, older individuals, and lower-tier markets, while there remains potential for growth among men, younger audiences, and higher-tier markets [3] - Moviegoers are becoming more discerning in their viewing choices, with preferences varying by gender and age group [3] Genre Performance - Animation films have shown strong performance, with "Ne Zha" significantly boosting the market. Over 40% of viewers reported increased interest in other films due to its success [3][4] - The report suggests that focusing on niche genres and specific audience segments may present more market opportunities for mid-tier films [4] Viewing Experience - Moviegoers are increasingly seeking exceptional viewing experiences, desiring compelling stories, visual stimulation, and emotional resonance [7] - High-rated films are more likely to succeed at the box office, as poor ratings are a significant deterrent for potential viewers [7] Future Direction - The report emphasizes that the future of Chinese cinema lies in delivering high-quality content that resonates with audiences, rather than merely chasing box office peaks [7]

Core Insights - The report from Lighthouse Professional Edition highlights significant trends in the Chinese film market, particularly the increase in new audiences and the shift in viewer demographics [1] Group 1: Audience Trends - The number of moviegoers in China has surpassed the total for the entire year of 2024, with 2025 recording 10.5 billion viewings and an audience base of approximately 520 million, the highest since 2020 [2] - The contribution of new viewers is largely driven by the film "Nezha: Birth of the Demon Child," which accounts for 42% of new users in 2025, while "Nanjing Photo Studio" and "731" contribute 9.9% and 7.5% respectively [2] - Young audiences are a significant source of new viewers, with those under 24 years old making up about 30% and those aged 25 to 29 accounting for 10.8%, together exceeding 40% [2][3] - The proportion of older viewers (40 years and above) among new audiences has also increased to 27%, influenced by the film "The Stage" directed by Chen Peisi [3] - The "lower-tier market" has seen a notable increase in new viewers, with those from fourth-tier cities making up 30.3% of new audiences, the highest since 2021 [3] Group 2: Film Performance - The report indicates a decline in the performance of domestic comedy and drama films, while animated films have seen a significant rise, with animated films contributing 45.1% to the box office, up from 6.2% in 2021 [4] - The domestic comedy genre has entered a low point, contributing only 10.6% to the box office in 2025, a sharp decline from 36.1% in 2024 [4] - The audience's demand for comedy films has shifted towards a preference for light-hearted, densely packed humor, with current offerings failing to meet these expectations [4]

Core Insights - The recent National Day film market saw new releases underperform against older films, leading to disappointment among industry stakeholders [1][5] - Despite setbacks, the film "Good Things" emerged as a surprise hit in 2024, grossing over 700 million with a high rating of 9.0 on Douban [2] - The overall film market in 2023 rebounded strongly, achieving a total box office of 40 billion, driven by high-quality films [5][6] Industry Analysis - The failure of "Proof of Evidence" during the National Day period raised questions about the correlation between high ratings and box office success, as it had top ratings on multiple platforms but performed poorly [5][16] - The film market is experiencing a shift where high ratings do not guarantee high box office returns, indicating a change in audience preferences [12][24] - The entertainment landscape is becoming increasingly competitive, with alternative activities like concerts and travel drawing audiences away from cinemas during peak periods [26][27] Future Outlook - Upcoming films such as "Zootopia 2" and "Avatar 3" are expected to perform well in the holiday season, potentially boosting the overall box office to meet the annual target of 50 billion [6][33] - The industry is encouraged to adapt marketing strategies and engage audiences more effectively to maximize box office potential [30][31] - The sentiment in the industry may improve with the arrival of the holiday season, as major releases are anticipated to attract viewers back to theaters [32][35]

Core Insights - The article discusses the rise of the comedian He Guangzhi, who won the title of "King of Stand-Up Comedy" in the show "脱友2" and highlights his journey from an ordinary worker to a celebrated performer [1][19] - It emphasizes the trend in the film and television industry to cater to the working class, with various productions aiming to resonate with their experiences and struggles [3][4] Group 1: Industry Trends - There has been a notable trend in films and shows that appeal to the working class, with titles like "长安的荔枝," "戏台," and "浪浪山小妖怪" attempting to connect with audiences through relatable themes [3][4][7] - The film "年会不能停！" directed by 董润年, became a significant success, grossing 12.92 billion, and is seen as a benchmark for the "working class" genre in cinema [5][12] - The success of these films has led to a shift in how production companies approach projects, with a focus on empathy and relatability to attract audiences [5][12] Group 2: Audience Engagement - The audience's response to He Guangzhi's performance reflects a deep emotional connection, as his story resonates with the struggles of the working class, making it more impactful than typical fictional narratives [3][4][19] - The article notes that while many productions attempt to appeal to the working class, achieving genuine connection and understanding of their experiences remains challenging [13][14] - The popularity of He Guangzhi and similar content indicates a growing demand for authentic representation of working-class experiences in entertainment [19]

Core Insights - The summer box office of 2025 has shown significant recovery, with total earnings surpassing 9 billion yuan, driven by successful films like "Nanjing Photo Studio" and "Wang Wang Mountain Little Monster" [1][2] - The current generation of directors is characterized by a humble approach to filmmaking, focusing on audience engagement rather than personal expression, which has led to a resurgence in box office performance [1][3] - The evolution of directors' styles reflects a shift towards professionalism and market responsiveness, contrasting with the previous generation's more individualistic approach [2][3] Box Office Performance - "Nanjing Photo Studio" grossed over 2.4 billion yuan in just 23 days, while "Wang Wang Mountain Little Monster" exceeded 800 million yuan in 15 days [1] - The overall summer box office has crossed 9 billion yuan, indicating a strong recovery in the film industry [1] Director Insights - Directors like Jiang Wen emphasize creative freedom, rejecting conventional labels, while others like Da Peng and Shen Ao focus on audience connection and market trends [2][6] - Da Peng's film "Chang'an's Lychee" reflects a grounded perspective, capturing societal nuances and maintaining a clear connection with the audience [6][8] - Shen Ao's "Nanjing Photo Studio" showcases a complex narrative structure that intertwines multiple storytelling layers, emphasizing the importance of narrative over mere visual appeal [12][14] Female Representation - The summer box office has seen a notable increase in films featuring strong female characters, indicating a shift in narrative focus within the industry [15][19] - Female directors like Geng Zihan are gaining recognition, with their works reflecting contemporary social themes and personal growth [15][20] - The emergence of female creators in significant film releases suggests a broader acceptance and integration of diverse perspectives in the industry [20]

Core Insights - The summer box office for 2025 reached a total of 11.966 billion, marking a year-on-year increase of 2.76% [1] - Total audience attendance was 321 million, up 12.75% year-on-year, representing the second-highest attendance in the last five years [1] - The average ticket price dropped significantly to 37.2 yuan, the second-lowest in five years, while the average occupancy rate was the second highest in the same period [1] Group 1 - The first half of the summer box office was relatively slow, but the second half saw a surge in audience enthusiasm, driven by well-received films like "Nanjing Photo Studio" [1] - Despite a lack of blockbuster films, several mid-tier films found success, indicating a shift towards niche audiences and content [1][2] - The popularity of IP derivatives has expanded the growth potential for "non-ticket revenue" in the film industry [1] Group 2 - Two films surpassed 1 billion in box office revenue, maintaining the same number as last year, while the number of films grossing over 100 million decreased [2] - The contribution rate of domestic films slightly exceeded that of last year, while imported films showed stable performance for two consecutive years [2] - Notable highlights included strong performances from animated films and the growth potential in "silver-haired" audiences, as well as the deep development and derivative value extraction of IPs [2]