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将人群带回电影院,万达电影打响暑期档第一枪
Guo Ji Jin Rong Bao· 2025-06-23 10:10
万达电影首发"超级娱乐权益日",并非临时造节。在刚刚过去的上海国际电影节期间,万达电影将 打造超级娱乐空间的战略深化为"1+2+5"战略版图,其中,1指超级娱乐空间,2指国内国际两大市场, 5指院线、影视剧集、战略投资、潮玩和游戏5大业务板块。 "院线是我们的来时路,我们的诸多举措脱胎自院线、受益于院线,并持续反哺院线。"万达电影董 事长兼总裁陈祉希表示:"坐拥中国第一大院线,和澳洲第二大院线,我们不仅将影院当作电影放映的 地方,而且视其为高频、高流量、高转化的线下'终端',它的作用不仅在于售票,更在于触达市场、链 接圈层"。 在好莱坞,电影票房和非票收入的比例约为4:6。在上海国际电影节期间,多位影视行业人士提 到,电影公司应该降低票房依赖,拓宽收入来源,拉动非票收入增长。万达电影也试图挖掘影院除了电 影放映之外的其他功能,在陈祉希看来,影院可以是同好的聚集地,还可以让用户看展、逛市集、参加 明星见面会,沉浸式体验各类直播等。 作为国内院线龙头,万达电影旗下万达院线已蝉联16年的票房冠军。从万达电影官方披露的动作来 看,接下来将加大对院线的投入,与IMAX及其他合作伙伴深化战略合作,全面开启五星级影城体 系 ...
“哪吒”之后,电影如何再度吸引观众
Qi Lu Wan Bao· 2025-06-17 21:39
Core Insights - The Chinese film market in 2025 is undergoing significant changes, highlighted by a record-breaking Spring Festival box office of 9.5 billion yuan, while subsequent holiday box offices show a notable decline [2] - The quality of films is not meeting audience expectations, leading to a need for industry-wide innovation in content creation and distribution [3][4] - Rising production costs are a major concern, with costs for films increasing significantly over the years, necessitating a reevaluation of production mechanisms [5][6] Industry Trends - The audience's aesthetic and cultural demands are evolving, requiring filmmakers to adapt and innovate to meet these expectations [4] - The film industry is experiencing a shift from an "incremental era" to a "stock era," with increasing screen and cinema numbers but declining average occupancy rates [8] - The industry is overly reliant on box office revenue, with 95% of income coming from ticket sales, compared to only 30% in the U.S., indicating a need for diversification into merchandise and IP development [8] Production Challenges - The rising production costs are not matched by box office returns, leading to financial strain on filmmakers [5][7] - The production cycle has lengthened due to higher quality standards, contributing to a shortage of new content [8] - There is a pressing need for talent development within the industry to address the gap in skilled filmmakers [8]