(新春见闻)钞氏兄弟的陶瓷艺术：用泥土提炼的"中国符号" 中新社北京2月9日电 题：钞氏兄弟的陶瓷艺术：用泥土提炼的"中国符号" 作者 李百加 让宝奎 揉泥、拉坯、上釉、烧制……在钞子艺、钞子伟这对孪生兄弟手中，一捧寻常泥土能变幻多样形态：是 一双鞋帮塌陷的旧鞋，是一沓纸页残缺的古籍。他们称自己是"八边形战士"，能让泥土顺意而"形"。 兄弟二人出生于1973年。钞子艺介绍，因家中世代制陶，童年便在观摩、模仿父兄制作盆罐等日用陶器 中与泥土结缘。后来系统研习美术与雕塑专业技艺，他们意识到，陶瓷艺术创作与传统日用陶器制作逻 辑不同。 "陶瓷艺术品尺寸跨度大、造型多为异形，对坯体材料、结构强度和釉色控制的要求更高。"钞子艺说， 创作"东方红"拖拉机这一代表作，他们就因作品体量过大、坯体频繁坍塌而犯难。兄弟二人尝试在陶土 中掺入复合金属材料，通过精准控温、分阶段多次烧制来稳定结构，历经多次实验才达到理想效果。 2005年，钞氏兄弟在工作室与烧制完成的"东方红"拖拉机陶瓷作品合影。(受访者供图) 这件长2.6米、重约2吨的作品，历时四年方才完成。"拖拉机"机身斑驳、"座位"上遗落"布包"，定格数 十年前的下工时的场景。 ...

Core Viewpoint - The article highlights the artistic journey of ceramic artist Liang Wanying, emphasizing her deep connection to ceramics, cultural influences, and the emotional resonance of her work, which bridges traditional and contemporary art forms [3][4][9]. Background and Education - Liang Wanying has over ten years of experience in ceramics, with a Bachelor's degree from the Central Academy of Fine Arts and a Master's degree from Alfred University in the USA [3]. - Her artistic journey began in her childhood, inspired by her grandmother's traditional practices and the historical significance of ceramics [4]. Artistic Development - In 2018, she held a personal exhibition titled "Dreaming of Being a Guest," which garnered industry attention and showcased her reflections on life, heritage, and innovation through her ceramic works [5][9]. - Liang's work often reflects her personal experiences and emotions, with pieces designed to comfort both herself and others [7]. Themes and Inspirations - The "Mama-ware" series represents her newfound appreciation for domestic life and the often-overlooked contributions of women [7]. - Her large-scale work "Altar" features intricate floral forms, inviting viewers to explore deeper meanings beyond the surface [8]. Connection to Nature and Daily Life - Living in a rural American town, she draws inspiration from her surroundings, including her experiences raising chickens, which inform her artistic expression [8]. - Liang emphasizes the importance of everyday life in her art, believing that true creativity stems from genuine experiences and emotions [9]. Future Aspirations - Liang aims to continue exploring diverse environments for her creative process, seeking inspiration from various cultural and natural settings [10]. - She is committed to breaking down barriers between art and daily life, aspiring to make ceramics more accessible and relatable to a broader audience [9][10].

Core Viewpoint - The "Wonders of Ceramics: Ancient Ceramic Art Exhibition" at Wuhan Museum showcases the evolution of Chinese ceramic art over thousands of years, providing a comprehensive experience for the public through upgraded exhibits and interactive elements [1]. Exhibition Overview - The exhibition has been relocated to a new 700 square meter area on the third floor, featuring a redesigned layout that enhances visitor experience [5]. - Over 380 representative pieces have been selected from a collection of more than 10,000 ceramics, organized into four thematic units: "Mud and Fire," "Natural Beauty," "Artistic Craftsmanship," and "Timeless Elegance" [5]. - The exhibition traces the development of Chinese ceramics from the Neolithic period to the exquisite imperial porcelain of the Ming and Qing dynasties, illustrating the transition from utilitarian objects to aesthetic art [5]. Featured Artifacts - Key artifacts include a Neolithic frog-patterned ceramic pot, a Yuan dynasty blue-and-white vase, and a Qing dynasty Doucai plate, all of which are prominently displayed in the new exhibition space [7]. - The exhibition also features over a hundred rare items making their public debut, such as a Warring States period black pottery dancer and a Tang dynasty tri-colored jar [11][12]. Technological Innovations - The exhibition incorporates 3D digital modeling and animation technology to enhance the viewing experience, allowing visitors to understand the ceramic-making process interactively [14]. - An 8.5-meter-long digital scroll of Chinese ceramic culture connects significant historical milestones, utilizing touch-screen technology for an immersive experience [16]. Design Philosophy - The design emphasizes a "subtle and elegant" aesthetic, with simple and refined display cases that allow the colors of the ceramics to stand out in a clean environment [19]. - Scenic spots for photo opportunities are integrated into the exhibition, encouraging visitors to engage with the art while capturing memorable moments [19].