中新社景德镇2月17日电 题：台青景德镇庆新春 以瓷为媒感知时代变迁 中新社记者 李韵涵 今年春节，来自台湾台南的苏萱瑄没有像往常一样在家乡吃团圆饭，而是与自己的家人一道，在"千年 瓷都"景德镇感受别样的新春氛围。 正月初一，景德镇陶溪川文创街区内随处可见马造型的新春装置，一栋栋老厂房的红砖墙之间游人如 织。在街区内的一处展厅内，苏萱瑄在景德镇创作的十余件作品正在展览，一时间吸引了不少游客的目 光。 "贝壳从古至今有很长的历史，这件作品由三种形态相似的陶瓷贝壳组成，分别以手捏、注浆压模、3D 陶瓷打印三种方式制成。"在苏萱瑄看来，这三种制瓷技术的呈现，不仅是技术的更迭，更串联起陶瓷 从手作时代、工业时代到数字时代的变迁脉络。 2月5日， 生于台南的苏萱瑄自高中接触陶土便认定这是"最能贴近手心掌握"的材料。她的创作符号常围绕生物、 植物的触角形态，在她看来那是"生命力的延伸"。 2月5日， 台青苏萱瑄的陶艺作品正在景德镇陶溪川文创街区内展出。 中新社记者 李韵涵 摄 刚到景德镇之时，苏萱瑄发现景德镇的瓷泥和陶土与自己在台湾熟悉的陶土手感很不一样，更难掌控， 但她不觉困扰，反而视作"新的挑战"。 "新材料的难掌控 ...

Group 1 - The article highlights a series of upcoming art exhibitions across Europe and the United States, focusing on underappreciated female artists and their contributions to the art world [1][4][6] - Notable exhibitions include works by Anna Ancher, Helena Schjerfbeck, and Gabrielle Münter, showcasing their unique styles and historical significance [4][6][8] - The exhibitions aim to bring attention to the impact of these artists, who have often been overshadowed by their male counterparts, and to celebrate their artistic legacies [1][20] Group 2 - The exhibition of Anna Ancher will feature over 40 of her works, emphasizing her connection to the Skagen painting movement and her portrayal of light and local culture [4][6] - Helena Schjerfbeck's exhibition will present 40 self-portraits, reflecting her honest exploration of identity and aging from 1878 to 1946 [6][8] - Gabrielle Münter's exhibition will include around 60 paintings and 19 photographs, highlighting her role as a pioneer in the German Expressionist movement [8] Group 3 - Other significant exhibitions include a retrospective of Jacques-Louis David at the Louvre, featuring around 100 works that document his influence during pivotal historical moments [13] - The exhibition on John Singer Sargent will focus on his early career in Paris, showcasing key portraits that reflect the vibrant social scene of the time [16][18] - The exhibition dedicated to Berthe Weill will celebrate her contributions as a gallery owner who supported numerous artists, including Picasso and Matisse, over her 40-year career [20]

Core Viewpoint - The exhibition "Silk Road Reflection: China on Porcelain - Dunhuang in Glaze" showcases the intersection of two significant cultural heritages, highlighting the creative transformation and innovative development of traditional Chinese culture through art [1] Group 1: Exhibition Details - The exhibition features 151 ceramic works created by 89 artists from both China and abroad, symbolizing a reunion of civilizations that spans over a thousand years [1] - The event is held at the Jiangxi Provincial Art Museum, attracting a large audience during the early winter season [1] Group 2: Cultural Significance - The collaboration between the cultural and tourism departments of Jiangxi and Gansu provinces, along with the Dunhuang Research Institute, emphasizes the importance of protecting and inheriting Dunhuang culture as a responsibility of the Chinese nation [1] - President Xi Jinping has praised ceramics as a treasure of Chinese civilization and an important cultural symbol, reinforcing the exhibition's role in promoting traditional culture [1]

Core Viewpoint - The article highlights the artistic journey of ceramic artist Liang Wanying, emphasizing her deep connection to ceramics, cultural influences, and the emotional resonance of her work, which bridges traditional and contemporary art forms [3][4][9]. Background and Education - Liang Wanying has over ten years of experience in ceramics, with a Bachelor's degree from the Central Academy of Fine Arts and a Master's degree from Alfred University in the USA [3]. - Her artistic journey began in her childhood, inspired by her grandmother's traditional practices and the historical significance of ceramics [4]. Artistic Development - In 2018, she held a personal exhibition titled "Dreaming of Being a Guest," which garnered industry attention and showcased her reflections on life, heritage, and innovation through her ceramic works [5][9]. - Liang's work often reflects her personal experiences and emotions, with pieces designed to comfort both herself and others [7]. Themes and Inspirations - The "Mama-ware" series represents her newfound appreciation for domestic life and the often-overlooked contributions of women [7]. - Her large-scale work "Altar" features intricate floral forms, inviting viewers to explore deeper meanings beyond the surface [8]. Connection to Nature and Daily Life - Living in a rural American town, she draws inspiration from her surroundings, including her experiences raising chickens, which inform her artistic expression [8]. - Liang emphasizes the importance of everyday life in her art, believing that true creativity stems from genuine experiences and emotions [9]. Future Aspirations - Liang aims to continue exploring diverse environments for her creative process, seeking inspiration from various cultural and natural settings [10]. - She is committed to breaking down barriers between art and daily life, aspiring to make ceramics more accessible and relatable to a broader audience [9][10].

Core Viewpoint - The fourth "Taoxichuan Cup" Children's and Youth Ceramic Works Exhibition has opened in Jingdezhen, showcasing over 1,000 ceramic works that reflect the imagination and creativity of children [1][3]. Group 1: Exhibition Overview - The exhibition is supported by the geographical advantages of Jingdezhen, known as the "Porcelain Capital," and has received multi-faceted support, leading to its successful organization [3]. - The event features a growing scale and increasingly professional works, as ceramic art has been incorporated into national new teaching materials [3]. - The exhibition will run until October 4, co-hosted by the Central Academy of Fine Arts, Jingdezhen Ceramic University, and Jingdezhen Ceramic Culture and Tourism Holding Group [5]. Group 2: Awards and Recognition - Awards such as the Best Production Award and Exhibition Nomination Award were presented, aimed at appreciating children's creative enthusiasm rather than judging the value of the works [3]. - The establishment of these awards encourages institutions to continue exploring possibilities in children's aesthetic education [3]. Group 3: Participant Insights - A 12-year-old participant, Zhang Xihong, shared her journey in ceramic art, highlighting her perseverance and creativity in overcoming challenges [5]. - The selection of exhibited works was based on a voting system, ensuring participation from various regions and encouraging involvement from ethnic minorities and special needs children [5]. - A total of 726 works from elementary school students and teacher courseware were displayed at the Taoxichuan Art Museum, while 349 works from high school, middle school, and preschool groups were exhibited at the Jingdezhen Ceramic University Museum [5].

Core Insights - The article highlights the integration of modern technology, such as 3D printing, into traditional ceramic arts in Jingdezhen, China, showcasing how international artists are revitalizing ancient techniques through diverse cultural influences [1][3][5]. Group 1: Artists and Their Innovations - Michael May, an American ceramic artist, utilizes 3D printing to create ceramic designs, blending traditional techniques with modern technology, and aims to inspire local students through his unique teaching methods [1][3]. - Chris Klay from Nigeria, a newcomer to ceramics, finds inspiration in local culture and aims to incorporate African elements into his work, fostering cultural exchange between Africa and China [5][7]. - Srinia Chowdhury from India expresses her admiration for Jingdezhen as a hub for ceramic art, seeking to expand her artistic boundaries while merging Indian and Chinese artistic traditions [7]. Group 2: Cultural Exchange and Community Impact - The presence of international artists in Jingdezhen, referred to as "foreign Jingdezhen drifters," contributes to a vibrant artistic community, where diverse influences are reshaping the local ceramic landscape [7]. - The article emphasizes the collaborative spirit among artists and local craftsmen, highlighting the mutual exchange of ideas and techniques that enrich the ceramic art scene in Jingdezhen [5][7].