Nepo Baby(裙带宝宝)

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星二代排队去韩国出道,普通人逆袭更难了
36氪· 2025-09-14 13:43
Core Viewpoint - The article discusses the rise of "second-generation" idols in the entertainment industry, particularly in South Korea, highlighting the shift from grassroots success stories to those with privileged backgrounds, often referred to as "Nepo Babies" [3][26]. Group 1: Rise of Second-Generation Idols - The trend of second-generation idols is becoming more prominent in the entertainment industry, with examples like Shen Jiayun and Annie, who have strong familial connections to wealth and influence [5][22]. - The narrative of struggling, grassroots idols is being overshadowed by those who come from affluent backgrounds, leading to a cultural shift in idol representation [7][31]. Group 2: Training and Industry Dynamics - The rigorous training system for idols, originally modeled after Japan's practices, has evolved into a highly competitive environment where only a small percentage of trainees debut [11][24]. - The K-POP industry is increasingly dominated by large companies that have the resources to promote and train idols, making it difficult for independent trainees and smaller companies to succeed [30][31]. Group 3: Cultural Commentary on Nepotism - The term "Nepo Baby" has gained traction, referring to individuals who benefit from their family's connections in the entertainment industry, leading to discussions about privilege and meritocracy [26][28]. - The public's perception of second-generation idols is complex, with admiration for their talent but also criticism regarding their privileged backgrounds [29][30]. Group 4: Future of K-POP - The article suggests that replicating the success of groups like BTS is becoming increasingly difficult due to the changing dynamics of the industry, where wealth and connections play a significant role in an idol's success [30][31]. - The pandemic has exacerbated inequalities within the K-POP market, making it harder for aspiring idols from less affluent backgrounds to break into the industry [31].
星二代排队去韩国出道,普通人逆袭更难了
Hu Xiu· 2025-09-11 06:12
Core Insights - The article discusses the rising trend of "second-generation" stars in the Korean entertainment industry, highlighting how they are gaining prominence and reshaping the idol culture [1][2][3]. Group 1: Emergence of Second-Generation Stars - Chinese star Shen Jiayun, daughter of Xiao Shenyang, debuted as a solo singer in Korea and gained popularity with her song "Mei Mei Sang Nei," leading to misconceptions about her father's wealth [1]. - The K-POP group Allday Project, considered a top new group, features members from affluent backgrounds, including Annie, the daughter of a conglomerate chairman, who had a significant social media following before debuting [1][10]. - The virtual girl group HUNTR/X, which gained fame from the Netflix film "K-POP: Demon Hunters," is also backed by influential figures from the previous generation of idols [1]. Group 2: Changing Narratives in Idol Culture - The traditional narrative of "grassroots success" in idol culture is shifting towards stories of second-generation idols who face pressure to succeed and avoid returning to family businesses [3][19]. - The rigorous training system for idols, originally inspired by Japan's practices, has become a hallmark of the Korean entertainment industry, with high competition and low success rates for trainees [4][13]. Group 3: The Impact of Wealth and Background - The article notes that many current idols come from wealthy families, referred to as "golden spoon" individuals, contrasting with the "earthen spoon" background of earlier idols who often had to struggle [12][18]. - The success of groups like BTS, which emerged from humble beginnings, is becoming less common as the industry increasingly favors those with financial backing and resources [6][18]. Group 4: Global Trends and Comparisons - The phenomenon of "Nepo Babies" is not limited to Korea, as similar trends are observed in Hollywood, where the offspring of celebrities are gaining attention and success [14][15]. - The article highlights the complex public perception of these second-generation stars, who are both admired and criticized for their privileged backgrounds [16][17].