Los Angeles, CA, July 08, 2025 (GLOBE NEWSWIRE) -- Limitless X Holdings, Inc. (OTC: LIMX), a multidimensional public company operating at the intersection of health, wellness, entertainment, and complementary high-growth sectors, has completed a $100,000 related-party bridge loan from EM1 Capital, LLC, an entity wholly owned and controlled by Jas Mathur, Chairman and CEO of Limitless X Holdings Inc. The capital is being deployed to fund key operating expenses and strategic corporate initiatives, including l ...

Core Insights - "F1: The Movie" has become Apple's highest-grossing theatrical release, surpassing $293 million at the global box office, outperforming Ridley Scott's "Napoleon" which earned $221 million [1] - The film's success is attributed to its strategic partnership with IMAX, contributing $60 million to its total gross, which is over 20% of the total revenue [4] Company Performance - Apple has released only a few films in theaters since entering the media business, with previous releases like "Killers of the Flower Moon" earning $158 million, "Fly Me to the Moon" at $42 million, and "Argylle" at $96 million [2] - The production cost of "F1" is estimated between $200 million and $300 million, with an additional $100 million for marketing, indicating a significant investment [5] Industry Impact - The film serves as a case study for how streaming services can create films designed for theatrical release while leveraging their technology to promote them [3] - The success of "F1" reflects a shift in how companies like Apple approach profitability in the entertainment sector, as they are not primarily driven by revenue from films [6][7]

Core Insights - Cineverse Corp. has been included in multiple FTSE Russell indexes, effective June 29 and June 30, 2025, enhancing its visibility among institutional investors and index-tracking funds [1][6] - The inclusion reflects Cineverse's strong growth momentum and value profile, which the company believes is underappreciated in the market [2] - Cineverse is positioned as a next-generation entertainment studio, distributing over 71,000 premium films, series, and podcasts, and utilizing proprietary streaming tools and AI technology to redefine entertainment [3] Company Overview - Cineverse is a global streaming technology and entertainment company that empowers creators and entertains fans through innovative content delivery [3] - The company connects audiences with independent stories and has properties including the highest-grossing unrated film in U.S. history and a premier podcast network [3] - Cineverse aims to scale its theatrical releases, monetize technology platforms, and expand streaming channels, indicating significant growth potential [2] FTSE Russell Overview - FTSE Russell is a global index leader providing benchmarking, analytics, and data solutions, with approximately $18.1 trillion benchmarked to its indexes [4] - The indexes cover 98% of the investable market globally and are widely used by institutional and retail investors [4] - FTSE Russell focuses on transparent, rules-based methodologies and adheres to high industry standards in index design and governance [4]

Core Insights - The article highlights the impressive evolution of Hong Kong actress Hu Xinger's Mandarin proficiency and acting skills, particularly in her recent role as a complex character in the drama "A Good Life" [1][3][9] - Hu Xinger's career trajectory reflects a resilient and pragmatic spirit, showcasing her continuous self-improvement and adaptability in the entertainment industry [3][5][10] Group 1: Career Development - Hu Xinger began her career in 1999 after winning third place in the Miss Hong Kong pageant and signed with TVB, where she faced industry scrutiny and initially played supporting roles [5][7] - A significant turning point in her career occurred in 2006 with her role in "Fat Tin's Happy Event," where she gained recognition for her dedication, including gaining 42 pounds for the character [5][7] - In 2015, Hu Xinger transitioned to the mainland Chinese entertainment industry, overcoming language barriers and establishing herself further [7][10] Group 2: Acting Philosophy - Hu Xinger emphasizes the importance of portraying characters with depth, stating that every role should be treated as a living entity with its own motivations, regardless of whether they are perceived as good or bad [9][10] - She believes that the audience values authenticity in performances, focusing on the realism of the character rather than their likability [9][10] Group 3: Industry Insights - The article discusses the evolution of Hong Kong dramas, noting that they have not ceased to innovate over the years, with recent successes drawing renewed attention from audiences [12] - Hu Xinger expresses a desire to contribute to the growth of Hong Kong dramas, collaborating with fellow actors to create resonant and beloved works [12]

Group 1 - The incident involving derogatory comments on a talent's video highlights the operational challenges within the production team of the show "New Rap 2025," where most of the team members are interns [1][2] - The reliance on interns in the film and television industry is increasing, raising concerns about the quality of content and the pressure on these young professionals [4][5] - Interns often face low compensation and lack of formal recognition for their contributions, which can lead to dissatisfaction and uncertainty about their future in the industry [6][14] Group 2 - The trend of hiring interns for critical roles in production is prevalent, with many interns taking on significant responsibilities despite their inexperience [4][20] - The competitive nature of the industry is evident as many professionals, including actors and writers, are transitioning to directing roles, often through formal training programs that come with high costs [9][11] - The influx of "star kids" into the industry is creating additional pressure on emerging talent, making it harder for them to secure opportunities [11][13] Group 3 - Interns report a lack of meaningful learning experiences, with many feeling that their roles are limited to menial tasks rather than contributing to creative processes [22][23] - The short-form content market is seen as a challenging environment for those with traditional long-form experience, leading to a perceived hierarchy within the industry [25][27] - The overall sentiment among interns is one of confusion and anxiety about their career paths, as they navigate a highly competitive and often unwelcoming industry landscape [24][26]

但对于肖战的下一个"饼"，粉丝们却纷纷表示"不约"，发文抵制《刘医生返乡记》，甚至一度迁怒到了肖战头上。 按理来说，在长剧开机难的市场现状之下，《刘医生返乡记》是难得一见的"大饼"了。该剧由影视行业传统"六大"之一的柠萌影视制作，打造过《好先 生》《三十而已》等多部爆款剧的导演张晓波执导，班底配置相当不错，还是大男主视角，应该是个圈内小生趋之若鹜的"好饼"，倒也配得上"顶流"的身 份，但为何却惨遭肖战粉丝抵制呢？ 观察肖战粉圈的舆论后会发现，粉丝对于《刘医生返乡记》的不满主要来自医疗题材。该剧改编自刘三叔的小说《飞刀》，讲述了北漂医生刘铮亮因做飞 刀手术出现意外而被医院辞退，无奈之下只能回到老家东北小城，在基层医院的急诊科工作所遭遇的一系列故事。 相对于肖战正在热播的《藏海传》，以及正在拍摄的《谍报上不封顶》，《刘医生返乡记》是一个落地现实的故事，涉及医疗故事戏剧张力非常强，但粉 丝却觉得： 一方面，医疗题材本身专业性强、又与现实生活紧密相连，拍摄难度太大，并且涉及飞刀手术，也就是医生去其他地区医院做手术收取额外费用，这部分 内容比较敏感。 另一方面，医疗题材近两年的市场反馈并不好，对肖战的事业发展可能并没有 ...

Core Viewpoint - Disney and Universal have initiated legal action against Midjourney for allegedly using their copyrighted content without permission to train its generative AI models [1][2]. Group 1: Lawsuit Details - The lawsuit was filed in the U.S. District Court for the Central District of California and includes numerous examples of images generated by Midjourney that feature copyrighted characters from Disney and Universal, such as Homer Simpson and Darth Vader [2]. - The studios are seeking monetary damages, a jury trial, and an injunction to prevent further copyright infringement by Midjourney [3]. Group 2: Industry Context - Tech companies, including OpenAI, are advocating for legal protections that would allow them to train AI models on publicly available works, including copyrighted materials, without needing permission or compensation to the original creators [4]. - Some film and television studios have begun to explore generative AI technology, but their efforts have been relatively limited compared to the broader industry push [4].

For those looking to find strong Consumer Discretionary stocks, it is prudent to search for companies in the group that are outperforming their peers. Is Bilibili (BILI) one of those stocks right now? A quick glance at the company's year-to-date performance in comparison to the rest of the Consumer Discretionary sector should help us answer this question.Bilibili is one of 255 individual stocks in the Consumer Discretionary sector. Collectively, these companies sit at #11 in the Zacks Sector Rank. The Zacks ...

《哪吒5DVR》刚刚在龙岗举行全球上线发布会，在国内12个城市及多个国家上线，"裸眼5D全息场景 +VR沉浸式互动"双模式的体验感，让观众大呼过瘾。 另一边，文博会龙岗展区中劢集团的展台前，观众们见证了AI剧本工厂的惊人创作速度：10分钟生成 30集微短剧剧本，为编剧节约了至少70%的策划和创作时间。 是编剧也是演员 AI让创意插上翅膀 中劢集团自主研发的"AI剧本工厂"通过多模态算法与强化学习技术，可解析视频内容、识别角色与场景 逻辑，生成连贯剧本。 定义未来片场 "AI剧本工厂就像编剧们的超级助手，让创作时间缩短一半以上。"杨潇介绍，目前已有《无间商战》 《消失的星星》等爆款短剧问世，全网播放量破亿。 龙岗区人工智能产业生态为技术创新提供了沃土。2024年龙岗区人工智能产业集群增加值达40.52亿 元，增速6.5%。2025年，龙岗区实施All in AI战略，计划在坂田试点打造全国首个机器人剧场。AI视觉 创意大赛"瓦卡奖"已吸引全球3396件参赛作品，展现出龙岗在AI领域的开放创新策略。 在此前举行的文博会期间，深圳华为云计算技术有限公司与龙岗区公共文化服务和产业促进中心、超高 清数创（深圳）文化科技 ...

Core Insights - The micro-short drama sector is evolving from rapid growth to becoming a key growth engine for the film and television industry, with significant revenue contributions from this segment observed in the financial reports of listed entertainment companies [1][2][24] - The user base for micro-short dramas has reached 662 million, with a usage rate of 59.7% among internet users, indicating a shift in consumer behavior towards service consumption [1][24] Group 1: Company Performance - Many companies, traditionally focused on long dramas, are now seeing revenue growth primarily from micro-short dramas, as evidenced by the financial reports of major players like Reading Group and Hengdian Film [2][4] - Reading Group reported a revenue of 8.12 billion yuan in 2024, a 15.8% increase year-on-year, with a notable rise in the share of revenue from copyright operations and other income, which now includes short drama distribution [2][4] - Hengdian Film's revenue from film investment and production increased by 35.48% despite an overall revenue decline, highlighting the importance of micro-short dramas in their business strategy [4][5] Group 2: Strategic Adjustments - Companies are increasing investments in micro-short drama production, with significant growth in the number of productions and revenue from this segment [8][9] - Reading Group plans to upgrade its short drama business by expanding its IP offerings and enhancing collaboration with writers, indicating a strategic shift towards quality content production [4][18] - Perfect World is adjusting its strategy to focus on micro-short dramas while controlling risks in long drama investments, reflecting a broader industry trend towards shorter formats [10][24] Group 3: Market Trends - The micro-short drama market is expected to see explosive growth, with the potential for overseas market expansion projected to reach $10 billion [11][15] - The industry is witnessing a shift towards free micro-short dramas, which are becoming mainstream and reshaping the business model, moving away from paid content [18][19] - The government is providing substantial support for the micro-short drama industry, including financial incentives for quality productions and international distribution efforts [22][23] Group 4: Consumer Behavior - The transformation in consumer spending patterns is evident, with service consumption becoming a new driving force for economic growth, as micro-short dramas align with this trend [24][25] - The increasing popularity of micro-short dramas reflects a broader cultural shift, with companies recognizing the potential for these formats to drive revenue growth across various platforms [25][26]