Core Viewpoint - The "Su Garden" at the Global Women's Summit in Beijing serves as a significant showcase of traditional Chinese architectural culture, integrating ancient Suzhou garden art with modern construction techniques, and has received widespread acclaim from international guests [1][2]. Group 1: Design and Construction - The "Su Garden" covers an area of approximately 3,000 square meters and is designed with the concept of "mountains, water, forests, and gardens, showcasing the beauty of China" [1]. - The garden features an overall layout of "one scroll and three scenes," with a central focus on water and themes such as "Phoenix Comes with Grace," "High Mountains and Flowing Water," and "National Color and Fragrance" [1]. - The construction utilized traditional craftsmanship from the Xiangshan Gang, a national intangible cultural heritage, led by representative inheritors, showcasing the meticulous techniques of woodwork, masonry, and stonework [1][2]. Group 2: Modern Integration and Challenges - The project faced challenges related to structural load, waterproofing, and plant selection, which were addressed through innovative techniques such as lightweight planting soil and multi-layer waterproof systems [2]. - "Su Garden" exemplifies the successful integration of traditional craftsmanship with modern technology, demonstrating the adaptability and vitality of Xiangshan Gang building techniques in contemporary settings [2]. Group 3: Cultural Significance - The garden acts as a condensed "intangible cultural heritage museum," featuring elements like ancient kiln bricks, hand-carved stone sculptures, and traditional Suzhou embroidery, reflecting the beauty of traditional culture [2]. - The successful implementation of the "Su Garden" project is seen as an effective means of protecting and actively passing on the Xiangshan Gang's heritage, highlighting the ongoing cultural value and broad application prospects of traditional building techniques in modern society [2].

Group 1 - The history of Chinese gardens dates back to the Shang and Zhou dynasties, evolving from "囿" to "苑囿" during the Spring and Autumn and Warring States periods, incorporating more scenic elements [1] - The peak of garden art was reached during the Ming and Qing dynasties, characterized by grand imperial gardens and intricate private gardens, with theoretical works like "园冶" and "长物志" marking the maturity of Chinese garden art [1] - Chinese gardens uniquely blend nature with culture and philosophy, standing out in global landscaping practices [1] Group 2 - Couplets in gardens reflect cultural origins and the sentiments of ancient scholars, with examples from Suzhou's gardens showcasing the emotional and aesthetic depth of the landscapes [2] - The aesthetic standards of Chinese gardens are deeply rooted in cultural practices, contrasting with Western gardens that favor geometric symmetry; Chinese gardens utilize winding paths and scattered pavilions to create subtle Eastern aesthetics [2] - The philosophy of "though made by man, it seems to arise from nature" highlights the artistic approach in Chinese garden design, emphasizing the beauty of incompleteness [2] Group 3 - Gardens serve as both a retreat from the world and a metaphor for societal engagement, with each landscape representing moral character [3] - The modern desire for "poetic dwelling" persists, as people incorporate contemporary techniques to mimic traditional garden elements, reflecting a return to "slow living" amidst a fast-paced lifestyle [3]