那天，越剧小生李晓旭展示了她的衣柜，衣柜里没有一条短裙。日复一日圆场、跌扑，她的膝盖上满是 淤青，一年四季少不得长裤遮挡。我忍不住担忧："你才30多岁，腿上就有这么多伤，上了年纪怎么 办？"她爽朗笑道："万一我运气好，没落下病根呢？"近乎天真的神色，令人潸然。 我了解她的纯净、烂漫与她穿云裂帛的嗓音条件，也就知道该将怎样的角色交付给她。从《乌衣巷》里 一人分饰两角的灵动，到《凤凰台》里飘洒俊逸的诗仙，再到《织造府》里既是著书人曹雪芹又是书中 人贾宝玉的双重演绎，李晓旭完成了一个个"至情人"的形象，用"金陵三部曲"点亮了舞台，带领南京市 越剧团的青年演员崭露头角，聚拢了一批稳定的观众。 我与江苏省演艺集团昆剧院的携手，更是一场披荆斩棘之旅。历经《梅兰芳·当年梅郎》《眷江城》 《诗宴·唐才子传》《蝴蝶梦》《世说新语》等剧目创作，数代昆剧演员是我前行路上最默契的伙伴。 我熟悉他们每个人的行当家门、表演特色、音区高低，由此，每个剧目、每个角色都有了"量身定制"的 准确度、贴合度，仅仅阅读文本，便可想见满台琳琅。《瞿秋白》初稿完成后，我与主演施夏明字斟句 酌调整文本。8个小时，他一句句诵念，我一字字定稿，务必使语言既情 ...

Group 1 - The article critiques the popular saying "difficult to be confused," suggesting it promotes a passive and complacent attitude towards life, equating it to a weak worldview [1][19] - It argues that the notion of "contentment is happiness" stems from a lack of ambition and capability to achieve success, portraying it as a mindset of the weak [1][19] Group 2 - The article discusses the cultural and artistic peak of Chinese classical poetry during the Tang Dynasty, emphasizing its unmatched achievements compared to previous and subsequent dynasties [2][4] - It highlights the "spirit of the prosperous age," characterized by a strong sense of responsibility, historical mission, and a flourishing of talent across various artistic fields [3][20] Group 3 - The establishment of the imperial examination system during the Tang Dynasty allowed individuals from lower social classes to rise in political ranks, fostering a sense of ambition and self-confidence among the populace [6][7] - The article notes that this shift led to a significant change in the political landscape, diminishing the power of aristocratic families and allowing talented individuals to emerge [6][7] Group 4 - The article emphasizes the diverse cultural influences during the Tang Dynasty, which fostered a spirit of inclusivity and openness to various religions and philosophies, contributing to a rich cultural environment [20][21] - It points out that this cultural policy encouraged creativity and imagination among poets and artists, leading to a remarkable flourishing of literature and art [22] Group 5 - The characteristics of poetry from the prosperous Tang era are described as grand in spirit and rich in emotional depth, showcasing a unique blend of natural imagery and profound sentiments [23][25] - The article provides examples of notable poems that illustrate the vibrant and dynamic nature of Tang poetry, reflecting the era's optimism and vitality [27][28]