上海大剧院已换上"驭梦驰骋"主题"新装"。 上海大剧院 供图 上海大剧院开启"迎新季" 近百场演出共迎佳节 中新网上海12月24日电 (记者 王笈)为迎接丙午马年，上海大剧院已悄然换上"新装"——剧院入口、大 堂、A+艺术空间等多处装饰了"驭梦驰骋"主题视觉氛围贴，寓意舞台艺术之路奔腾不息。新年气氛自 观众步入剧院的那一刻起扑面而来。 12月24日，为期两个多月、贯穿元旦与新春佳节的上海大剧院2026迎新季拉开帷幕，将接力呈现11台95 场演出，涵盖音乐剧、舞台剧、戏曲、交响乐、合唱音乐会等多种艺术形式，开启生机勃勃的马年新篇 章。 大剧场内，多元演出轮番登台。12月31日，意大利米兰交响乐团将在新年音乐会上演绎《蓝色多瑙河》 《春节序曲》等曲目，让欧洲浪漫与中国年味在跨年夜碰撞交融；2026年1月3日至4日，美国One Voice 儿童合唱团将用天籁之声唱响新年音乐会；1月9日至11日，越剧《苏东坡》将在舞台上探索写意宋韵； 1月23日至25日，舞台剧《魔幻时刻》将为春节档舞台增添欢乐氛围；伦敦西区原版音乐剧《玛蒂尔 达》则将于2月11日正式"接棒"，讲述"叉腰小女孩"玛蒂尔达用勇气与智慧改变命运的故事。 ...

Core Insights - The 24th Shanghai International Arts Festival is ongoing until November 27, showcasing a variety of stage performances, including works from the Hong Kong Ballet and the National Theatre of China [1][2] Group 1: Event Highlights - The Hong Kong Ballet's "Carmina Burana" features a collaboration with the Hong Kong Philharmonic Orchestra, presenting two works on November 14 and 15 at the Bank of Communications Arts Center [3][4] - The National Theatre of China's re-staging of Sartre's "No Exit" is directed by Cha Mingzhe and stars Hai Qing and Xing Jiadong, running from November 14 to 16 at the Shanghai Opera House [6][8] - The "ARTRA Self-Defined Art" initiative is linked with the 2025 Shanghai International Art Trade Week, enhancing the artistic atmosphere in November [2] Group 2: Performance Details - "Carmina Burana" explores themes of wealth, love, and desire, with choreography by Wei Cheng Tian, incorporating literary elements from Virginia Woolf's "Orlando" [5] - "No Exit" reflects on human choices in extreme situations, commemorating the 80th anniversary of the victory in the Anti-Japanese War and World Anti-Fascist War [6][8] - The "ARTRA Self-Defined Art" features large-scale installations like "Pendulum" and immersive performances like "Cutting Line," showcasing interdisciplinary and cross-media collaborations [9][11] Group 3: Artistic Collaborations - "Pendulum," created by Australian choreographer Lucy Guerin and percussionist Matthias Schack-Arnott, combines dance, sound, and mechanical movement to explore themes of time and existence [11] - "Cutting Line," by Japanese media artist Takaya Shirō, utilizes advanced light and sound design to challenge perceptions, incorporating music from the late artist Ryuichi Sakamoto's final album [11]

那天，越剧小生李晓旭展示了她的衣柜，衣柜里没有一条短裙。日复一日圆场、跌扑，她的膝盖上满是 淤青，一年四季少不得长裤遮挡。我忍不住担忧："你才30多岁，腿上就有这么多伤，上了年纪怎么 办？"她爽朗笑道："万一我运气好，没落下病根呢？"近乎天真的神色，令人潸然。 我了解她的纯净、烂漫与她穿云裂帛的嗓音条件，也就知道该将怎样的角色交付给她。从《乌衣巷》里 一人分饰两角的灵动，到《凤凰台》里飘洒俊逸的诗仙，再到《织造府》里既是著书人曹雪芹又是书中 人贾宝玉的双重演绎，李晓旭完成了一个个"至情人"的形象，用"金陵三部曲"点亮了舞台，带领南京市 越剧团的青年演员崭露头角，聚拢了一批稳定的观众。 我与江苏省演艺集团昆剧院的携手，更是一场披荆斩棘之旅。历经《梅兰芳·当年梅郎》《眷江城》 《诗宴·唐才子传》《蝴蝶梦》《世说新语》等剧目创作，数代昆剧演员是我前行路上最默契的伙伴。 我熟悉他们每个人的行当家门、表演特色、音区高低，由此，每个剧目、每个角色都有了"量身定制"的 准确度、贴合度，仅仅阅读文本，便可想见满台琳琅。《瞿秋白》初稿完成后，我与主演施夏明字斟句 酌调整文本。8个小时，他一句句诵念，我一字字定稿，务必使语言既情 ...