Core Viewpoint - The interview with Xu Xiaoyang, the grandson of Xu Beihong, explores the significance of horses in Xu Beihong's art, emphasizing their representation of passion, hope, and the spirit of perseverance in the face of adversity [3][4][10]. Group 1: Significance of Horses in Xu Beihong's Art - For Xu Beihong, horses symbolize a silent confidant, embodying his life's passions, worries, and hopes. His depictions often show horses in dynamic, powerful poses rather than at rest, reflecting the tumultuous times he lived in [4]. - Xu Beihong's early works convey feelings of isolation and despair, while his later pieces express a longing for national resilience amidst turmoil. His painting "Galloping Horses" created in 1941 exemplifies this, showcasing horses in vigorous motion, symbolizing hope for overcoming national crises [4][10]. Group 2: East-West Cultural Integration - Xu Beihong's approach to art was influenced by the late Qing and early Republican movements advocating for the reform of Chinese painting. He studied Western techniques, focusing on anatomy and perspective, to enhance his artistic expression without replacing traditional Chinese methods [6]. - His integration of Western realism with Eastern expressive techniques allowed him to create works that are both structurally sound and rich in cultural essence, exemplifying a successful fusion of the two traditions [6][8]. Group 3: Lessons for the Younger Generation - Xu Xiaoyang emphasizes the importance of understanding one's cultural roots before engaging in cultural exchanges. He advocates for a creative attitude that balances tradition with innovation, encouraging young artists to deeply explore their heritage [8]. - The concept of "active dialogue" in cultural exchange is highlighted, where artists should not merely present superficial symbols but engage in meaningful interactions that foster understanding and appreciation of different cultures [8][10]. Group 4: The Spirit of the Horse in Cultural Context - In Chinese culture, horses symbolize vitality and perseverance, often associated with philosophical meanings and aspirations for personal growth. In contrast, Western traditions link horses to heroism and conquest, representing individual courage and the drive for exploration [10]. - Xu Beihong viewed horses as embodiments of resilience and determination, reflecting a universal spirit of striving forward regardless of circumstances, a message that remains relevant today [10][11].

Core Viewpoint - Xu Beihong's artistic journey reflects resilience and dedication, with a deep connection to the Sichuan region, showcasing his ability to blend Western realism with Eastern expressionism in his works [3][4]. Group 1: Artistic Contributions - Xu Beihong is recognized as a foundational figure in modern Chinese art education, particularly known for his horse paintings, which have become iconic in Chinese culture [4]. - His notable work, "Six Horses," created in 1942, exemplifies a harmonious blend of Western and Eastern artistic techniques, capturing the essence of movement and life in each horse [4]. - The painting "Standing Horse," created during the wartime period, symbolizes resilience and strength, reflecting the spirit of the Chinese people during difficult times [5]. Group 2: Connection to Sichuan - Xu Beihong's relationship with Sichuan is profound, having visited the region multiple times, where he drew inspiration from its landscapes and people [6]. - His early works often featured themes of horses and historical figures, but his time in Sichuan allowed him to incorporate everyday life and local scenery into his art, enriching his creative expression [6][7]. - Significant works from his time in Sichuan include "Bamboo Chicken" and "The Poor Woman of Ba," which reflect his empathy and connection to the local populace [7]. Group 3: Personal Reflections - Xu Beihong's wife, Liao Jingwen, reminisced about their time in Chengdu, highlighting the joy and inspiration derived from their experiences in Sichuan, which left a lasting impact on both their lives [8].