（来源：天津日报） 中国大戏院曾因京剧大师马连良率"扶风社"在此开幕而留名梨园。如今，北方演艺集团"扶风起飞"计划 剧目孵化平台落地中国大戏院，以扶持青年戏剧人才、打造兼具艺术性与市场价值的剧目为目标，并推 出首批剧目，让这座"华北第一摩登剧场"向"智慧剧场"蜕变。 《夜莺》还原了上世纪30年代歌舞厅场景，观众分区域沉浸式参与双姝争夺"夜莺"歌后的剧情，互动设 计让每场观演都有独特体验。《梅兰芳·名伶之路》则展现了艺术融合科技的智慧剧场形态，利用戏院 空间，以耳机导览结合实景陈设，带观众亲历大师的艺术征程，集章打卡的设置更增添了趣味性。 据悉，行进式夜游话剧《夜半伶歌》预计于1月下旬亮相。 转自：天津日报 本报讯（记者 王洋 刘莉莉 摄影 姚文生）日前，环境式耳边剧《梅兰芳·名伶之路》、摩登剧秀《夜 莺》在中国大戏院上演。 ...

Core Insights - The article discusses Yang Zhizi's new book "Andersen, Shadow of the Story," which explores the recurring "border-crossers" archetype in Andersen's works and reassesses Kierkegaard's critique of Andersen [1] - The book also examines the influence of Andersen's literature on Thomas Mann's writing through a lens of psychoanalysis and cultural environment [1] Group 1: Andersen's Childhood and Self-Perception - Andersen's childhood experiences on Funen Island were marked by poverty and self-doubt, contrary to his self-portrayal in autobiographies [3] - His father's struggles and mother's lowly background contributed to Andersen's complex feelings about his origins, leading him to beautify his childhood in his writings [3] Group 2: Autobiographical Elements in Andersen's Works - Andersen frequently used autobiographical elements in his works, enhancing his self-image as a successful literary figure while omitting darker aspects of his life [4] - His characters often reflect his personal struggles and aspirations, aligning with the values of the bourgeois society he sought to integrate into [4] Group 3: Evolution of Andersen's Fairy Tales - The year 1843 marked a significant turning point in Andersen's fairy tales, transitioning from "tales for children" to "new fairy tales," indicating a shift towards more realistic themes [6][7] - This change was influenced by broader literary trends in Denmark and Europe, moving from romanticism to a more individualized and realistic narrative style [7] Group 4: Language and Narrative Style - Andersen's use of colloquial language and direct reader engagement made his fairy tales more relatable and interactive, akin to a theatrical performance [8] - His detailed descriptions and realistic portrayals of characters and settings distinguished his work from traditional fairy tales, emphasizing individual experiences [8] Group 5: Themes of Royalty and Utopian Ideals - Andersen's fascination with monarchy reflects his complex relationship with societal status, viewing kings as symbols of higher moral authority [9][10] - In "The Nightingale," Andersen presents an idealized relationship between the artist and the monarch, suggesting a utopian vision of art's role in society [10] Group 6: Influence on Thomas Mann - Thomas Mann admired Andersen and incorporated elements from his fairy tales into his own works, exploring themes of individuality and societal alienation [15] - Mann's use of fairy tale motifs serves to deepen the autobiographical layers in his narratives, connecting his experiences with Andersen's themes [15] Group 7: Contemporary Interpretations of Andersen's Works - Modern adaptations of Andersen's tales, such as "Frozen," reveal contemporary feminist themes and challenge traditional gender roles, showcasing the timeless relevance of his narratives [16]