《西游记》虽被广泛喜爱，但多数人对其原著并不熟悉。 《西游记》被人们视作"四大名著"中趣味性、可读性最强的一部，神怪形象多，段子流传广，各种"续写""改编"也层出不穷。不过，当学者赵毓龙在讲座上 问年轻读者"有多少人通读过《西游记》原文"时，举手者总是不多。 虽然人们对这部文学经典一直有着很高的热情，但对《西游记》原著并没有想象中那么熟悉。赵毓龙认为，《西游记》原著和1986年版电视剧都早已深入人 心，但他依然推荐，如果人们有兴趣、有时间，还是应该通读一遍原著，这会带来更丰富的审美体验。 在最近出版的《花窗三十看"西游"》《破顽空：西游知识学》两本新书中，赵毓龙把自己研究古典文学和《西游记》相关问题近20年的收获分享给读者。前 者是一本有趣话题的合集，后者与原著章回结构同步，作出伴读式解读。 孙悟空的成长故事还将吸引更多人 《破顽空》遵循百回本《西游记》的章节设定，逐章逐回讲读解析，陪伴着读者一起阅读，分享阅读经验。像与读者同坐一趟车的旅伴，赵毓龙把自己在 《西游记》探索之路上发现的风景分享给读者。 而在《花窗三十看"西游"》中，赵毓龙则希望读者不要像仰着头参观博物馆里的展品那样，太过庄重地去看《西游记》，要 ...

每经编辑｜段炼 据多家媒体11月7日报道， 著名表演艺术家、《西游记续集》沙僧扮演者刘大刚先生，于2025年11月3日在京病逝。 其家人通过公开消息表示，遵照遗愿，丧事从简。刘大刚为京剧演员出身，在《西游记续集》中接替闫怀礼饰演沙僧一角，深受观众熟知和喜爱。 公开资料显示，刘大刚，1947年5月18日出生于中国北京，演员、戏曲演员、一级演员。 1993年，刘大刚在电影《倚天屠龙记之魔教教主》中饰假少林僧人；同年，在古装电视剧《戏说慈禧》中饰演郑王。1994年，在央视版《三国演义》中饰 孙綝；同年在金庸武侠剧《书剑恩仇录》中饰康熙。1995年，在神话剧《观世音传奇》中饰如来佛祖；同年在刘晓庆主演的历史剧《武则天》中饰韩瑗。 1996年，刘大刚在古装剧《宰相刘罗锅》中饰许明堂。1998年，在《西游记续集》饰演沙僧，从而被观众熟知。此外，其还出演了《三少爷的剑》《十三 格格》《新版红楼梦》等诸多影视作品。 据报道，1988年，二十五集电视连续剧《西游记》在中央电视台正式播出，该剧一经播出就在全国范围内引起轰动，造就了89.4%的收视神话。 《西游记》续集由杨洁执导，六小龄童、徐少华、迟重瑞、崔景富、刘大刚等主演，戴 ...

Core Points - The article highlights the successful implementation of reading activities in rural areas, particularly in Changjia Village, where a farmer's bookstore has become a hub for community engagement and literary appreciation [2][3][5] - The initiative has led to the creation of literary works inspired by local experiences, enhancing cultural identity and community spirit [3][5] Group 1: Reading Activities - The "Village Reading" event in Changjia Village has gained popularity, with local residents actively participating and sharing their reading experiences [2] - The farmer's bookstore was relocated and upgraded in 2021, expanding its collection to better meet the needs of the community [3] - The reading activities have been supported by local authors, such as Zhao Xiaolin, who has conducted over 20 reading sessions and created works based on village life [3] Group 2: Community Impact - The bookstore has facilitated connections among villagers, fostering friendships and encouraging reading habits among children [3][5] - The upgraded bookstore has also provided resources that directly support local agricultural practices, such as books on mushroom cultivation [3] - The initiative has contributed to a broader digital reading campaign, allowing villagers to access a vast array of audiobooks and e-books through a network borrowing platform [5]

Core Points - The 2025 Guilin Arts Festival has officially commenced, featuring 18 high-quality performances and over 40 events across various venues, showcasing a diverse artistic ecosystem centered around drama, music, and visual arts [1][2] - The festival aims to present the vitality of art in the context of the new era, with a rich atmosphere of creativity evident throughout the city [1] - International and domestic artists are invited to participate, bringing unique stories and performances to the festival [1][2] Performance Highlights - The festival includes adaptations of classic works such as Shakespeare's "Romeo and Juliet," as well as Chinese literary classics like "Journey to the West" and "Zhuang Zhou's Dream" [2] - Notable performances will take place in scenic venues, integrating nature with art, such as "The King of Lanling" and "A Midsummer Night's Dream" in the mountain theater [2] - The festival's drama section features a blend of foreign and domestic adaptations, including large-scale performances that reflect historical themes, such as the anti-Japanese war [2] Artistic Integration - The "Art Lecture Hall" is set in iconic locations in Guilin, enhancing the connection between the artists' creative concepts and the natural landscape [3] - The festival emphasizes the integration of art into the environment, achieving the artistic pursuit of blending drama with scenery and art with the surroundings [3]

Group 1 - The core viewpoint emphasizes the importance of cultural diversity and dialogue as a means to foster understanding and respect among different civilizations [1] - Cultural dialogue is described as both material and emotional, relating to both philosophical values and everyday lifestyles [1] - The relationship between cultural dialogue and exchange is outlined, where dialogue serves as a method, exchange is the starting point, and mutual learning is the endpoint [1] Group 2 - The first aspect of promoting cultural dialogue is to eliminate misunderstandings, which can arise from individual cognitive limitations or external misinformation [1] - The second aspect is to encourage sharing, highlighting the discovery of commonalities between different civilizations, whether Eastern or Western [2] - The third aspect involves creating links through digital technology, which allows for a blend of online and offline interactions, enhancing the expression of cultural resources [2]

Core Points - The article highlights the unexpected rise to fame of Liu Shili, a migrant worker who loves reading, after attending a book sharing event in Beijing, which led to widespread media attention and public interest in his story [1][3][16] - Liu's passion for reading has been a lifelong pursuit, stemming from his childhood experiences and the value placed on education by his family, despite his limited formal schooling [5][7][8] - The narrative explores the impact of sudden fame on Liu's life, including the challenges and opportunities that arise from media attention and public engagements [16][20][21] Group 1 - Liu Shili's journey from a rural teacher to a recognized figure in the reading community began with his visit to a bookstore in Beijing, where he participated in a book sharing event [1][3] - His story resonated with many, leading to over 10 million views on a video platform, and a flurry of media interviews and public speaking invitations [3][4][16] - Despite the positive attention, Liu's life changed significantly, as he found it difficult to return to his previous routine of quiet reading [4][16] Group 2 - Liu's early life was marked by a strong interest in books, which served as a window to the world beyond his rural upbringing, despite his family's financial struggles [5][7][8] - His commitment to self-education led him to become a teacher in his hometown, where he continued to foster his love for reading [8][10] - The article illustrates the tension between Liu's newfound public persona and his wife's concerns about the implications of their sudden visibility and the potential for exploitation [16][20][21] Group 3 - Liu's experiences reflect a broader societal trend of valuing literacy and education, particularly among migrant workers, who often face barriers to accessing resources [1][3][16] - The narrative also touches on the complexities of navigating fame, as Liu grapples with various invitations and opportunities that challenge his understanding of his role in the community [17][20] - Ultimately, Liu's story emphasizes the importance of reading and education as tools for personal growth and social mobility, resonating with many in similar circumstances [1][3][16]

Core Points - The 14th China Children's Theatre Festival opened on July 4 in Beijing, themed "Lighting Up Children's Hearts, Shaping the Future," and will run until August 17 [1] - The festival features 42 performances from 21 domestic troupes and international productions from Italy, Spain, and Turkey, totaling 185 offline shows, with sub-venues in Jiaxing, Changzhou, and Yulin [3] - The festival includes a simultaneous launch of the "Excellent Productions 2025 Summer Tour" with 122 performances of 16 works across 9 provinces, emphasizing low ticket prices and public welfare [5] - Since its inception in 2011, the festival has showcased 563 productions from 35 countries, reaching over 47 million audience members [7] - The opening ceremony featured children singing classic excerpts, and the opening play focused on ecological themes related to the Yangtze River [7]

Core Viewpoint - The article discusses the varying perceptions and experiences of students regarding the classic Chinese novel "Dream of the Red Chamber" as a recommended reading in high school, highlighting differences based on gender and regional educational practices [2][6][12]. Group 1: Student Experiences - Students' attitudes towards "Dream of the Red Chamber" differ significantly, with boys often favoring action-oriented classics like "Romance of the Three Kingdoms" and girls showing a preference for "Dream of the Red Chamber" due to its nuanced portrayal of female characters [5][6][12]. - In Jiangsu province, "Dream of the Red Chamber" has been included in the high school entrance examination since 2008, leading to a more structured approach to its study compared to other regions where its examination content is less complex [3][7][9]. - The collective reading experience in Jiangsu, where students discussed the novel in class, contrasts with the more isolated study methods in other provinces, affecting their understanding and appreciation of the text [9][12]. Group 2: Character Preferences - Students express diverse preferences for characters in "Dream of the Red Chamber," with some finding deeper connections to characters like Jia Tanchun and Wang Xifeng, reflecting their personal values and life experiences [10][11][12]. - The tragic elements of the characters' fates resonate with students, particularly the sense of struggle against societal constraints, which adds to the novel's appeal [11][12]. Group 3: Cultural Context and Modern Relevance - The article notes that while "Dream of the Red Chamber" remains a staple in literature education, modern distractions such as short videos and games have diminished the reading culture among youth [16][20]. - Despite the challenges of adapting "Dream of the Red Chamber" into contemporary media formats, there is still a significant interest in its themes and characters, indicating its lasting impact on Chinese literature [17][18]. - Students believe that the novel's themes, such as gender roles and familial dynamics, still hold relevance today, allowing for connections to modern societal issues [12][20].

Group 1 - The article discusses the importance of etiquette in historical dramas, emphasizing that it significantly impacts the audience's perception and immersion in the story [3][10][65] - The author argues that many contemporary historical dramas lack a genuine representation of ancient customs and behaviors, leading to a loss of authenticity [9][62][98] - The piece highlights that proper etiquette reflects a character's social status and identity, which is crucial for audience engagement [14][15][66] Group 2 - The article provides examples of how historical figures were portrayed in earlier dramas, showcasing their unique walking styles and gestures that conveyed their status [18][22][24] - It contrasts past productions with modern ones, noting that many current dramas fail to capture the subtleties of character behavior, resulting in a less believable portrayal of historical figures [36][62][97] - The author emphasizes that attention to detail in character portrayal, including body language and small gestures, is essential for creating a believable historical narrative [50][55][90] Group 3 - The article concludes that the decline in the quality of historical dramas is due to a lack of commitment from both actors and directors to authentically represent the characters and their contexts [89][100][102] - It suggests that a return to rigorous training and a focus on character depth could enhance the quality of future productions [92][94][96] - The author expresses disappointment in the current state of historical dramas, indicating that the industry has shifted towards a "fast-food" model rather than producing quality content [98][101]

Core Viewpoint - The exhibition "Palm Qian Kun - The Era Memory in Reading" at the National Version Library's Hangzhou branch showcases the cultural significance of Chinese comic books, also known as "lianhuanhua," which have been a cherished part of childhood for generations, bridging cultural connections between China and the world [2][3]. Group 1: Historical Significance - Lianhuanhua became widely popular in China after the founding of the People's Republic, with notable works like Liu Jiu'er's colored comic "Wu Song Fights the Tiger" winning international awards, marking a significant achievement for Chinese comic artists [3]. - The first foreign award for a Chinese comic artist was won by Liu Jiu'er, who skillfully captured dynamic character movements and emotions in his works [3]. Group 2: Cultural Exchange - The exhibition highlights the international recognition of Chinese lianhuanhua, with artists like He Youzhi showcasing their work in France, which led to a surge of interest in Chinese comics among Western audiences [3][4]. - The reissue of "World Literary Classics Lianhuanhua" by Zhejiang People's Fine Arts Publishing House in 2013 reflects the enduring appeal of these works, featuring adaptations of classics by authors like Shakespeare and Hugo [4][5]. Group 3: Modern Developments - Recent years have seen a revival of lianhuanhua through digital reproduction and international translation, allowing these works to participate in global cultural dialogues [6]. - The release of French versions of Chinese classics, such as "Dream of the Red Chamber," has further solidified the international presence of Chinese lianhuanhua, with positive reviews from notable French publications [5][6].