Core Insights - The popularity of cinema during the Spring Festival has led to a surge in online viewership, with iQIYI's movie channel experiencing a 44% increase in average daily viewing time compared to the pre-holiday period [5] - Users are increasingly engaging with immersive content, such as AI interactions and themed parks, indicating a shift towards a more interactive entertainment experience [1][6] Group 1: Movie and Series Performance - The film "Flying Life 3" topped the box office, driving significant increases in viewership for its predecessors, with "Flying Life 2" seeing a 371% rise and "Flying Life 1" a 591% increase in daily viewing time [5] - The series "Years of Emotion" achieved a peak heat value exceeding 8000 after its release, entering the "Hall of Good Films" [4] - The series "What Kind of Body" became a standout during the festival, topping the drama channel with both daily viewing time and heat value [4] Group 2: User Engagement and Content Trends - The use of classic IPs remains strong, with shows like "Journey to the West" and "Romance of the Three Kingdoms" seeing viewing time increases of 36% and 12% respectively [2] - The interactive experience at iQIYI's theme park in Yangzhou has attracted over 3 million user interactions, with a notable increase in visitor numbers [1] - The comedy variety show "Tonight's Happy Friends Show" quickly rose to the second spot in the variety channel rankings during the festival [3] Group 3: Overall Viewing Trends - iQIYI's overall user viewing time continued to grow during the Spring Festival, with a 13% increase in daily viewing time on large screens [4] - The variety channel saw a dramatic 256% increase in daily viewing time, driven by popular shows and events [4] - The short drama channel also experienced an 18% year-on-year increase in user viewing time during the festival [5]

此前，江华在接受专访时谈到TVB的山头文化。他坦言，TVB最失败的就是山头文化，不爱才，导致自 己那时候没有机会参演大制作，目前自己不太可能再拍戏了。 2月22日，64岁香港演员江华春节赴内地各城市景区商演，重现《九五至尊》雍正造型"微服出巡"。网 友发现他暴瘦脸颊凹陷，颈纹明显，担忧健康状况，"老了还是不能太瘦""变成纸片人"。 据悉，江华当年凭借《寻秦记》《西游记》《苗翠花》爆红，曾因抑郁停工，近年已恢复状态发展内地 市场。 据媒体去年10月报道，62岁中国香港演员江华在广东一景区营业，再现TVB剧集《九五至尊》经典角 色，和游客近距离互动，又唱又跳，给大家送祝福。再次扮演"雍正皇帝"的他，依然霸气外露，身形保 持如当年般矫健。 据资料显示，江华，1962年11月19日出生于中国香港，中国香港男演员、歌手。1985年，江华参加香港 亚洲电视艺员训练班，毕业后与亚视签约，代表作有《我和春天有个约会》、TVB版《西游记》《寻秦 记》《碧血剑》《九五至尊》《楚汉骄雄》《风尘三侠之红拂女》等。 江华早年 剧照 市现场、潇湘晨报、大河报 来源：都 ...

仙妖之别只有一个硬性标准，那就是在天庭有编制。你在朝廷 有编制，你就是正统神灵，哪怕是五通神都可以受香火供奉。 倘若没有，对不起，你就是妖魔鬼怪，必须被捣毁，哪怕你据 说风评不错，曾经庇佑一方也不行。 作者： 陈芝 封图：图虫创意 万志英《左道：中国宗教文化中的神与魔》一书，按照作者的想法是以域外之眼审视中国古代宗教 文化，尤其关注被主流道德推崇的正神之外的信仰，也就是民间所谓的旁门左道在通俗文化里面的 影响，以补全对历史的认知。 本书作者在书中就中国宗教文化中的科层制要素进行了很丰富的讨论，但他本来或许可以进行更深 入的分析。 反倒是作者所强调的"无论过去还是现在，中国人的宗教首先都是一种祈求神力以增强对现世生活 掌控的手段。此外，它还有道德教化作用，可以解释罪孽、蒙受的苦难、亡者的去向，为社会秩序 与世俗权力的构建提供象征符号和隐喻，为永生的实现提供精神、仪式、身体方面的戒律。然而， 中国的宗教从未产生过独立于宇宙存在的神圣观，而且支配人类所栖居的俗世的，并不是由超然物 外的创世神设定的法则。" ——也就是幸福主义与道德均衡两者之间的张力与冲突，或许并不见得是中国文化独有的特色。 很有可能的是，这种持幸福 ...

中国儿童艺术剧院新春演出季演出剧目海报。 剧院供 图 中国儿艺新戏《夜莺》率先登场，该剧以深邃的中式美学为底色，巧妙向孩子们传递"真，即是美"的积 极信念，为演出季赢得"开门红"。在中国儿童剧场，系列作品《西游记》(第一部)、《西游记》(第二 部)精彩接力，该剧将古典与现代元素巧妙融合，以新颖多元的舞台形式精彩演绎传统文化经典，让孩 子们在欣赏戏剧的同时，感受哲思与童趣的完美碰撞。 中新网北京2月16日电 (记者 应妮)2026年春节和元宵节期间，中国儿童艺术剧院以"新春骐骥梦，童 心'剧'欢腾"为主题，重磅推出新春演出季，以11部优秀儿童剧目、61场精彩演出，为少年儿童及家庭 呈上新春文化艺术盛宴。 假日经典小剧场里同样好戏不断。《小布头奇遇记》以充满童趣的方式，带领小观众踏上奇妙冒险之 旅，中国故事之《成语魔方》系列剧第五部以充满童趣的方式为大家讲述"杯弓蛇影""画蛇添足""郑人 买履"三个成语故事。 演出季亮点纷呈，场次密集且贯穿整个假期，采用"经典新创并举、多地剧场联动"模式。 春节假期，中国儿艺进一步扩大演出覆盖范围，让更多的孩子们在家门口就能欣赏高品质儿童剧。《成 语魔方》系列剧第二部走进国家大剧 ...

一、清代宫廷贺岁大戏中的白龙马专场 古典小说《西游记》里的白龙马，一路勤勤恳恳载着唐三藏、跟着孙悟空等，远赴西天取经，其沉默寡 言、任劳任怨的形象深入人心，常被认为是"幕后英雄"。但它也有出身非凡、有勇有谋的一面，前人因 此将白龙马与我们最熟悉的唐僧、悟空、悟能、悟净师徒四众并称为"取经五圣"。 西游故事中有关白马变化而救主的情节，算得上是白龙马历次出场中的最华彩篇章。《西游记》小说中 第三十回"邪魔侵正法，意马忆心猿"，起因是唐僧遇黄袍怪，被变成老虎，身处险境。而本应通力合作 的悟空、悟能、悟净，也因之前孙行者杀白骨精等事心生嫌隙，团队险些散伙。此时白龙马挺身而 出，"愁他化虎灾难脱，白马垂缰救主人"（《升平宝筏·白龙马雪仇落井》），促成了孙悟空的回归与 取经任务的继续。清代的点评家认为，唐僧经历的九九八十一重磨难之中，"当以化虎为第一难，而白 马于此时化龙救主，亦当为第一功臣"，"向非意马义愤，促请心猿降怪救师，异日安得有五圣成真耶？ 每为诵'疾风知劲草，板荡识诚臣'之句，不觉惨然于怀。白马非马也，真可谓龙德而隐者矣"，"吾于三 藏化虎，既为之伤心掩卷矣。至于白马救主，又不禁涕泪之横集也"。（［明］吴承恩 ...

Core Insights - The "Classic Revisit" channel will showcase 190 classic works in 2026, including dramas, documentaries, and animations, supported by 77 organizations [1] - The channel has aired 343 classic works over the past two years, achieving a cumulative viewership of 78.62 million households on cable and 359 million unique viewers online [1] - In 2025, the channel will focus on significant historical events and introduce special programming slots, while also enhancing its content offerings through collaborations and community outreach [1] Summary by Category Programming and Content - The 2026 lineup includes 190 works, with contributions from major media organizations [1] - The channel has aired 343 classic works to date, with a strong viewership performance [1] - Upcoming programming includes classic dramas and animations during the Spring Festival, aiming to enrich cultural experiences for viewers [2] Audience Engagement - The channel has established a collaborative mechanism between broadcast and on-demand services, enhancing viewer access to content [1] - Special events and themed programming are planned to engage audiences, including the "80th Anniversary of Victory in the War of Resistance" [1] - The channel's most popular works include notable dramas and documentaries, reflecting audience preferences [2] Cultural Impact - The initiative aims to preserve and promote Chinese cultural heritage through classic media [2] - Contributions from creators and production companies highlight the importance of cultural transmission and quality content creation [2]

（来源：南湖晚报） 转自：南湖晚报 书籍与我 做脚踏实地的自己 读《滥竽充数》有感 N高桥实验学校405班 许梓婕 指导老师 范小艳 那天午后，我轻轻翻开《中国古代寓言故事》，书页间那些带着民间智慧的小故事，像一颗颗亮晶晶的 星星，一下子就抓住了我的目光。其中，《滥竽充数》这个故事我读了一遍又一遍，直到合上书，里面 的情节还在我脑海里打转，让我想了很多很多。 战国时期的齐宣王特别喜欢听吹竽，而且特别爱听三百个乐师一起吹，还会给每个乐师都发丰厚的奖 赏。有个叫南郭先生的人，根本不会吹竽，却盯着"奖赏"动了心思——他混进了三百人的乐队里。每次 演奏时，他就捧着竽，装模作样地吹着。可好日子没过多久，齐宣王去世了，他的儿子齐湣王不爱听合 奏，就爱让乐师一个一个单独吹给他听。南郭先生一听就慌了，只好趁着天黑，偷偷收拾东西逃走了。 读完这个故事，我突然有点脸红，因为南郭先生"装样子"的模样，好像就是我自己。上个学期，英语老 师每天都让我们背诵新单词，还说"单词是学英语的小地基"。可我总觉得背单词太枯燥，每次大家一起 跟着老师读的时候，我就只是眼睛盯着课本，跟着动动嘴巴，根本没有用心记。心里一会儿想下课后玩 什么，一会儿又 ...

Core Viewpoint - The article emphasizes the transformative power of reading in shaping individuals' lives and perspectives, highlighting its role in personal growth and cultural understanding [6][18]. Group 1: Importance of Reading - Reading is portrayed as a vital activity that enriches individuals' inner worlds and provides strength in challenging times [10][21]. - The implementation of the "National Reading Promotion Regulations" aims to enhance the legal framework for building a reading society, fostering a culture of reading [6][18]. Group 2: Personal Experiences with Reading - Various authors share their personal journeys, illustrating how reading has influenced their life choices and career paths, such as becoming educators or cultural workers [15][16][19]. - The narratives reflect on the impact of specific books and authors, demonstrating how literature can inspire and guide individuals through different life stages [15][19]. Group 3: Cultural and Historical Context - The evolution of Chinese drama and literature is discussed, showcasing the blend of romanticism and realism throughout history, which has been a source of inspiration for many artists [9][10]. - The article highlights the importance of understanding cultural heritage through reading, as it connects individuals to their roots and broadens their worldview [9][10][19].

2026年的高源，你好！ 我是2025年的自己，哈哈，好有趣哦，我要给我未来的自己写信了。 明年我就9岁了，想起7岁的时候，爸爸妈妈带我来到实验小学亚欧校区，我有点胆小，因为不知道小学 生活是怎么样的，现在的我能高高举起手，大声的回答老师的问题，还交到了好多好朋友。 （来源：南湖晚报） 转自：南湖晚报 N嘉兴市实验小学亚欧校区202班 高源 2026年，我想让自己变得更棒，我特别喜欢读历史故事，可能和小时候爸爸老是给我讲古代故事的缘 故，以前很小的时候爸爸给我讲，我听不懂，现在我二年级了，有点理解能力了，我就特别喜欢读三 国。三国让我知道了诸葛亮的聪明，他上知天文，下知地理；吕布的勇猛，还有他的坐骑赤兔马，日行 千里；曹操除了是个军事家，还是个诗人。明年我就长大一岁了，爸爸和我说，我们有四大名著，有 《三国演义》《水浒传》《西游记》《红楼梦》，明年我争取要全部看一遍。这样我就可以和爸爸比赛 历史知识了。 ...

Group 1 - The story features the character Sun Wukong from "Journey to the West," who magically appears to a child while they are reading the book [1][2] - Sun Wukong expresses excitement about exploring the modern world, starting with a visit to an amusement park where he enjoys a roller coaster ride [1] - The narrative highlights Sun Wukong's magical abilities, such as reversing water flow in a water park, which captivates the audience around him [1] Group 2 - A subplot involves Sun Wukong retrieving a lost balloon for a little girl, showcasing his playful and helpful nature [2] - As the day ends, Sun Wukong prepares to return to the book, leaving behind a magical token for the child, symbolizing their connection [2] - The story concludes with a sense of warmth and nostalgia, emphasizing the bond formed between the child and the legendary character [2]