观看演出的部分戏票。 张劲羽供图 来江苏南京上大学后，我逐渐养成了进剧场观看线下演出的习惯。得益于学生公益票、惠民福利票等政 策，我与许多同为学生的戏剧爱好者们一样，可以用较低的成本频繁观剧。与"烧钱"的印象不同，戏剧 也许，在那个帷幕拉开、灯光暗下的时刻，属于舞台的"魔法"开始生效，再多的舟车劳顿都随之消散， 只留下满心的期待。每一个目不转睛的夜晚，观众们不约而同抛掉社会身份的束缚，将身心都交给艺术 性的愉悦，去完成一场穿越古今又环绕宇宙的漂流。我相信很少人会在剧场中感到孤独，不会再有如此 干净而心无旁骛的场合，让你感到置身于万物之中。 如今再度回望，我从戏剧中受益良多。它使我重新捡起了写作，使我习惯于凝视和思考，使我时常浸淫 在难以言喻的震撼和感动之中。剧场于我，于所有热爱这里的观众而言，就是一座美好的桃花源。它源 源不断地流淌出清澈纯净的喜悦，让我们看见并深信，在日常生活的平凡之外，还有更加广阔的美的天 地。 （作者为南京大学文学院学生） 《 人民日报 》（ 2025年10月07日 08 版） 尤其近年来，繁荣的演出市场为戏剧爱好者提供了无比丰富的选择。许多经典剧目巡演10余年经久不 衰，各个院团的新作 ...

Core Insights - The 2025 Shanghai International Children's Theatre Arts Festival will take place from October 1 to November 30, showcasing a diverse range of performances from 23 outstanding children's plays across 10 countries [1][3] - The festival aims to create a platform for high-level exchanges in the arts industry, featuring 9 "Art Dialogues" to facilitate discussions among professionals [1][3] Group 1: Festival Overview - The festival will feature 120 performances, including traditional children's theatre, musical stage plays, and cutting-edge immersive multimedia dramas [1] - 13 of the performances will be making their debut in China, highlighting the festival's commitment to introducing international works [1] Group 2: Featured Productions - "My Herbal World," a key project of the festival, will run from October 17 to November 30, offering an immersive experience that combines traditional Chinese medicine culture with interactive digital technology [2] - The production will include two play routes, five thematic spaces, and over 30 performers, allowing children to engage in a unique adventure [2] Group 3: Community Engagement - The festival will also host a parent-child themed market called "My Happy Farm" on November 1 and 2, blending drama education with ecological aesthetics [2] - The festival's ticketing will connect audiences with local businesses, providing exclusive benefits and opportunities to engage with the arts [2]

Core Perspective - The "2025 Beijing International Drama Invitation Exhibition" will take place from October 11 to November 26, featuring over 50 performances across four venues, emphasizing the theme of "Gathering" to enhance Beijing's cultural reputation as a major theater destination [1] Group 1: Event Overview - The exhibition will include opening and closing ceremonies, two main performance units, and four supporting activity sections [1] - It aims to showcase a diverse range of theatrical works, including international productions from Italy, Germany, France, and other countries [7][8] Group 2: Featured Productions - Notable performances include the Italian classic "One Man, Two Guvnors," the German "Threepenny Opera," and the French absurdist play "The Screens" [7] - The exhibition will also introduce a new "Small Theater Program" featuring six international works, including puppet and solo performances [8] Group 3: Supporting Activities - The event will host workshops, film screenings, lectures, and discussions to promote international artistic exchange and provide diverse theatrical experiences [10] - Workshops will be conducted by artists from Germany, France, and Taiwan, focusing on various aspects of theater creation [10] Group 4: Economic and Cultural Impact - The exhibition will collaborate with the Beijing branch of the Industrial and Commercial Bank of China to enhance the "ticket root economy," offering discounts and a cultural consumption ecosystem [11] - The initiative aims to boost cultural tourism and enhance the overall experience for both local and international audiences [11]

对话人： 樊 星（繁星戏剧村创始人） 李 歌（鼓楼西剧场总经理） 周飞亚（本报记者） 小剧场是戏剧繁荣发展的一个风向标，承担着戏剧人才培养、剧目孵化、观众培养等众多功能。近年 来，随着"演艺新空间"的热潮涌动，小剧场的发展似乎进入了一个相对沉寂阶段。对于行业来说，这意 味着什么？小剧场在整个戏剧生态中又该如何定位？我们邀请北京比较有代表性的两家小剧场负责人， 分享来自一线的观察和思考。 ——编 者 李歌：鼓楼西的观众定位很明确，以北京近百所高校的师生、文艺青年为主。近年来，我们一直在做高 校剧团公益展演，这既是培养高校的戏剧力量，也是培养观众群——很多学生人生中第一次看话剧，可 能就是看同学的戏。目前，第三届展演刚刚结束作品征集，将在10月开幕。当然，最根本的还是内容。 我们不焦虑如何抓住年轻观众，我们焦虑的是如何把内容做好。9月初剧场上演的《欠你一枚小红 星》，用老调填新词，讲一个主旋律的故事，非常动人，很多年轻观众留言"小红星带我喜欢上京剧"。 这证明，好内容永远不缺市场。 记者：您怎么看待小剧场在整个戏剧生态中的定位？它的特点、作用或者说意义是什么？ 樊星：小剧场概念诞生于法国，本身只有100多年的历史 ...

Core Points - The "2025 Beijing International Drama Invitation Exhibition" will be held from October 11 to November 26, featuring 14 performances from 9 countries [2] - The exhibition will include 42 performances, with Beijing People's Art Theatre's plays "Hamlet" and "Autumn of the Small County" as the opening and closing shows respectively [2] Summary by Categories Featured Performances - The exhibition will showcase notable works such as "One Servant, Two Masters" by Italy's Milan Theatre, highlighting traditional Italian comedy [2] - Germany's Brecht Theatre will present "The Threepenny Opera," illustrating Brecht's theory of epic theatre [2] - France's Brittany National Theatre will perform "The Screens," a representative work of absurdist playwright Jean Genet [2] New Sections - A new "Small Theatre Performance Unit" will feature Austria's "At That Time" theatre with the play "Notebook," presenting the brutality of war from a civilian perspective [2] - The UK’s Peppa Duarte Studio will present a solo performance titled "I Eat Therefore I Am," offering an immersive sensory experience for the audience [2] Additional Activities - The exhibition will also include workshops, high-definition film screenings, art lectures, and drama appreciation activities during the event [2]

Core Insights - The "International Children's Theatre Festival" has commenced with performances from Belgium and France, featuring immersive and innovative theatrical forms aimed at children [1][12] - The festival includes various types of performances such as immersive painting theatre, puppet musical theatre, and dynamic picture book musical theatre, showcasing a diverse range of artistic expressions [1][12] Group 1: Performances Overview - The Belgian immersive theatre "Not Like a Painting!" draws inspiration from American abstract expressionist Jackson Pollock, breaking the boundaries between traditional painting and performance [4][6] - The French puppet shadow theatre "Memory of the Block House" is adapted from an Oscar-winning animated short film, using metaphor and poetic imagery to evoke deep emotions without dialogue [3][4] - The Dutch comedic animated musical theatre "At This Beech!" will start performances in Suzhou, known for its exquisite puppet craftsmanship and humorous storytelling [8][10] Group 2: Audience Engagement - "Not Like a Painting!" emphasizes audience participation, allowing children to become part of the artwork and experience a unique form of collective artistic practice [6][12] - The festival includes a "watching + practice" model, offering workshops and artistic labs led by participating artists, allowing children to engage further in the joy of theatrical creation [12] Group 3: Support and Collaboration - The festival is organized by "Little Point Big Vision" parent-child micro theatre and supported by various institutions including the Dutch Cultural Arts Fund and French consulates in China [12]

Core Points - The YOUNG Theatre has announced its 2025 autumn-winter performance season, featuring over 30 productions and 100 performances from September this year until the Lunar New Year in early 2024 [1][5] - The highlight of the season is the third "Autumn International Theatre Festival," showcasing 54 performances from 10 stage works from countries including Belgium, Germany, France, Japan, Belarus, and China [1][3] Group 1 - The opening performance of the "Autumn International Theatre Festival" is "The Bell and the Curse," created by Victoria, the daughter of Charlie Chaplin, and starring her granddaughter, blending magic, dance, circus, mime, and puppetry [3] - The German Schaubühne Theatre will present two major works: "Richard III," adapted by artistic director Ostermaier and starring actor Lars Eidinger, and "Michel Kohlhaas," in collaboration with British director Simon McBurney [3] - The Belarusian National Theatre will present "My Homeland" and "Towards Dusk," showcasing a different emotional narrative style compared to Western European theatres [3] Group 2 - The YOUNG Theatre's long-term partner groups will also present new works, including a new adaptation of "Pinocchio's Decision" by director Li Jianjun and "Crossing Mountains and Seas" by the Nine-Person Drama Troupe [5] - A newly established "Festival Carnival" section will feature diverse content, including the Xi'an Drama Troupe's "Chang'an Twelve Hours," a top British brass septet's "The Nutcracker," and the second part of the stage play "Fox Spirit Matchmaker" [5] - The YOUNG Theatre celebrated its third anniversary on the day of the performance season announcement, with a total of 699 performances and 275,000 offline audience members, of which 74% are under 40 years old [5] Group 3 - Future collaborations are planned between the YOUNG Theatre and Ruian KIC to integrate international performing arts resources with the youthful cultural scene of University Road [6] - A new space called "Mofang YOUNG Cube" has been launched, initially inviting "Fun Listening Comedy" blind box stand-up shows [6]

Core Insights - The article highlights the vibrant economic and cultural landscape of the Sakata area in Longgang District, Shenzhen, showcasing its transformation into a hub of innovation and consumption [1][3][5]. Economic Performance - In 2024, Sakata is projected to rank first in both service industry revenue and retail sales in Longgang District [3]. - Sakata was ranked fifth in the "2025 Vitality Streets National 500 Strong" list by the CCID Research Institute, reflecting its economic dynamism [3]. Retail Innovation - The Yonghui Supermarket in Sakata experienced a remarkable sales increase of 523% within three days of its renovation, with order volume up by 244% and average transaction value up by 123% [6]. - The sp@ce Tianhong Supermarket 3.0 in Sakata features a robot that assists customers, showcasing the integration of technology in retail [8]. Cultural Empowerment - The "Nearby Drama Festival" at Tianan Yungu is an example of cultural initiatives that enhance consumer experiences, transforming shopping into a deeper emotional and artistic engagement [10][12]. - The Sakata Handcrafted Street utilized AR technology to create an immersive experience, blending traditional culture with modern technology [13]. Urban Development - The Sakata area is evolving from a traditional commercial zone to an innovative consumption landmark that integrates technology, culture, and retail [5][15]. - The upcoming Longgang International Art Center aims to redefine the boundaries of art venues through technology and cultural integration [13]. Government and Business Collaboration - The local government is shifting from a management role to a service-oriented approach, facilitating the development of cultural projects and enhancing consumer attraction [15]. - The establishment of the world's first robot 6S store in Sakata reflects the area's commitment to integrating robotics into the consumer experience [17].

Core Viewpoint - The first Zhejiang International Children's Drama Exhibition concluded successfully, showcasing the importance of drama in childhood development and providing a platform for artistic expression and family bonding [1][2]. Group 1: Event Overview - The exhibition lasted for three months and featured 15 outstanding children's plays from both domestic and international sources, with a total of 32 performances across six theaters in Hangzhou and Jinhua [1]. - Notable performances included the original parent-child drama "Dinosaur World LIVE" from London's West End, the musical adaptation of "Grimm's Fairy Tales" by Zhejiang Children's Art Troupe, and the closing performance "Spring Thunder Sounds for Youth," which highlighted local cultural elements [1]. Group 2: Activities and Impact - In addition to performances, the exhibition included various drama-related activities such as a youth art achievement showcase, a parent-child drama experience camp, and a non-heritage market, enhancing children's engagement with the arts [1]. - The chairman and general manager of Zhejiang Performing Arts Group emphasized the transformative power of drama, noting improvements in children's confidence, listening skills, and family interactions through shared viewing experiences [2].

Core Viewpoint - The China National Theatre is launching a series of performances focused on anti-fascist and red-themed narratives to commemorate the 80th anniversary of the victory in the Chinese People's War of Resistance Against Japanese Aggression and the World Anti-Fascist War, which have received positive audience reception [1][2]. Group 1: Performance Highlights - The play "Red Starting Point" uses unique narrative techniques to vividly portray the great journey of the founding of the Communist Party of China [1]. - "Sanwan, That Night" artistically reenacts the historical event of the "Sanwan Reorganization," explaining concepts such as "the Party commands the gun" and "equality between officers and soldiers" [1]. - "Iron Flow Eastward" is based on the novel "The Last Radio Wave," showcasing the lesser-known battle history of the New Fourth Army's communication soldiers, highlighting their ordinary yet heroic qualities [1]. - "Art in the War of Resistance" reflects the struggles and pursuits of patriotic artists seeking a path for artistic salvation, integrating historical footage into the performance [1]. - "Live Broadcast of the Founding Ceremony" combines a tense narrative with minimalist visual design and real-time filming technology to tell the story behind the founding ceremony [1]. Group 2: Audience Reception and Impact - Recent red-themed performances have been well-received, with all tickets for "Iron Flow Eastward" sold out and "Red Starting Point" nearly sold out [2]. - The classic play "Copenhagen" continues to attract audiences with its unique logical structure and character portrayal, remaining popular for over 20 years [2]. - The revival of "No Burial Place" presents the choices faced by captured French resistance fighters on the eve of World War II victory, featuring a new cast [2]. - The president of the China National Theatre, Tian Qinxin, emphasized the diverse themes and styles of the series, aiming to resonate with contemporary audiences and illuminate the path forward with the spirit of the nation's historical struggles [2].