巴勃罗·毕加索《男人肖像》1902—1903，布面油画 巴勃罗·毕加索《斗牛：斗牛士之死》1933，板面油彩 巴勃罗·毕加索《圣心大教堂》1909—1910，布面油画 巴勃罗·毕加索《牛头》1942， 自行车鞍座与车把 巴勃罗·毕加索《阅读》1932，布面油画 毕加索就是这样一位对绘画技艺近乎痴迷到"偏执"的伟大艺术家。这从这次展览中毕加索对于马奈的 《草地上的午餐》（1863年）的仿作《仿马奈〈草地上的午餐〉》等作品中就可见一斑。而这些仿作并 非作自其青年学艺时期，而是作于上世纪六十年代前后，此时的他已届八十高龄且早已功成名就，但他 还在孜孜不倦地反复揣摩《草地上的午餐》的人物形态、画面色彩、空间构成，将其予以"变体"，他创 作了二十多幅油画和一百多幅素描和版画作品。而在此前的1957年四个月的时间里，他还对西班牙前辈 画家委拉斯凯兹的名作《宫娥》反复拆解和重构，充满激情地创作了五十多幅变体作品，给予其焕然一 新的立体面貌。而毕加索之所以要如此疯狂地向自己景仰的大师名作学习，就是因为对于真正的艺术家 来说，每次创作都是新的开始，每次创作都是自我创造的过程，同时也是向他人学习的过程。 对艺术形式的创新 艺术之 ...

Core Perspective - The exhibition "Very Picasso: Paul Smith's New Perspective" at the Shanghai Pudong Art Museum offers a unique and vibrant exploration of Pablo Picasso's works, curated by fashion designer Paul Smith, breaking away from traditional art exhibition formats [11][13][18]. Group 1: Exhibition Concept - The exhibition is not a conventional academic display but rather a creative exploration that invites viewers to engage with Picasso's art through a lens of color, humor, and optimism [11][13]. - Paul Smith, as the artistic director, emphasizes a non-linear approach to curating, focusing on visual instinct rather than chronological order, allowing for a more intuitive experience [13][14]. - The exhibition features a diverse range of Picasso's works, including sketches, caricatures, and ceramics, showcasing his experimental and personal expressions rather than just completed masterpieces [15][18]. Group 2: Innovative Presentation - The exhibition space, designed by Jean Nouvel, transforms the traditional viewing experience into a dynamic and modern environment, enhancing the interaction between the artworks and the audience [14][18]. - Smith's use of bold stripes and patterns throughout the exhibition creates a dialogue between the artworks, challenging conventional museum practices and fostering a lively visual atmosphere [16][17]. - The layout mimics the crowded and eclectic nature of early Parisian salons, inviting viewers to experience Picasso's creative process in a more intimate and accessible manner [12][14]. Group 3: Audience Engagement - The exhibition aims to resonate with younger audiences, encouraging them to appreciate the vibrancy and creativity of Picasso's work, fostering a sense of connection to their own creative impulses [18][19]. - Smith's vision is to inspire visitors to see art as a source of joy and exploration, aligning with Picasso's own artistic ethos of curiosity and experimentation [18][19]. - The exhibition ultimately serves as an invitation for viewers to engage with art in a personal and meaningful way, encouraging them to "look again" at both Picasso's works and their surroundings [19].