"'神曲'的神韵正从夸张的独异性元素转变为可供普遍介入的狂欢途径。" ——汤天甜、温曼露：《"上瘾"的噪音："神曲"的文化内生力及其社交可供性》，《现代传播——中 国传媒大学学报》2025年第4期，页88-98。 文本摘选：罗东 在当代，书籍之外，刊于专业学术期刊上的论文是知识生产、知识积累的另一基本载体。 自今年8月起，《新京报·书评周刊》在图书评介的基础上拓展"学术评议和文摘"这一知识传播工作，筹备"新京报 中文学术文摘服务所"，与期刊界以及"人大复印报刊资料"《中国社会科学文摘》等文摘刊物一道服务中国人文社 会科学事业。每周一期，每期推选两篇。每期均由相关学科领域的专家学者担任评议人参与推选。我们希望将近 期兼具专业性和前沿性的论文传递给大家，我们还希望所选论文具有鲜明的本土或世界问题意识，具有中文写作 独到的气质。 此为第9期。第二篇论文的作者汤天甜、温曼露采用访谈和文本分析等研究方法探讨了"神曲"。在"刷短视频"风行 的数字年代，我们经常会听到这样或那样的"神曲"，甚至被其中某段旋律、某句歌词击中，接着对其上瘾。"神 曲"并非近年来的新兴文化现象，但其确实又表现出全新的特征，两位作者从早些年间的《忐 ...

Group 1 - The article focuses on the life and transformation of Gong Linna, highlighting her journey through music, love, and personal independence [2][3][19] - Gong Linna's marriage with Lao Luo ended after 20 years, marking a significant transition in her life, celebrated with a farewell party [3][19] - The narrative emphasizes the importance of self-discovery and independence, as Gong Linna reflects on her relationship with Lao Luo and her own artistic journey [7][16][26] Group 2 - The article discusses the impact of the COVID-19 pandemic on Gong Linna's life, leading her to reassess her relationships and embrace solitude [7][19][26] - It explores the evolution of her relationship with her mother, highlighting the need for boundaries and independence [21][22] - Gong Linna's artistic expression is portrayed as a vital part of her identity, with her performances reflecting her growth and connection to her roots [30][42][43]