经典焕新 场内场外共赴欢笑之约 傍晚的盛京大剧院前厅仿佛是令人身临其境的历史风情小天地，红灯笼底下，挂着艺术家们的Q版海 报，十分喜庆。"磨剪子、戗菜刀"的吆喝声、数来宝的快板声一起合奏，卖大碗茶的摊主拎着铜壶来回 走动，卖馄饨的师傅挑着担子边摇边唱，擦鞋匠、捏面人的手艺人都忙着自己的活儿……小朋友攥着刚 拿到的面人，追着捏面人的师傅跑；老年人围在糖画摊位前，看着糖浆在师傅手里变成各种图案，看得 挺入神…… （来源：沈阳日报） 转自：沈阳日报 跨年之夜和元旦之夜，沈阳相声大会在盛京大剧院用两场爆笑连连的喜剧盛宴，陪伴沈阳市民和游客辞 旧迎新。演出由沈阳市文化旅游和广播电视局主办、沈阳市公共文化服务中心承办、沈阳演艺集团演 出，以"新老传承、跨界融合"为核心主旨，汇聚名家新秀与跨界先锋，为"喜剧之城"沈阳注入炽热的欢 乐能量，成为当地文体旅商深度融合发展的生动注脚。 演出开场，孙钢、孙宏博两位演员率先带来评书表演，大屏上屏风映着星空，两人你一言我一语细数东 北喜剧的辉煌。随后开场歌舞接棒，直接把气氛炒热。那些给亿万人带来欢笑的经典喜剧作品的经典片 段一一重现：《装修》里"八十，八十，八十"的吆喝、《打工奇遇》中 ...

Group 1 - The article discusses the evolution of contemporary storytelling through the lens of short videos and rap, highlighting the cultural significance of the "Who Dares to Think" series as a modern form of entertainment that reflects societal issues and youth culture [1][9][10] - The series incorporates elements of dark humor and absurdity, addressing themes such as body image anxiety, societal expectations, and the critique of materialism and vanity [4][6][10] - The narrative style of the series is characterized by unexpected twists and a blend of genres, merging traditional storytelling with modern digital aesthetics, which resonates with younger audiences [3][5][9] Group 2 - The article emphasizes the role of social media and short video platforms in shaping contemporary cultural expressions, particularly among Generation Z, who engage with content that challenges traditional narratives [2][8][9] - The use of absurd and surreal elements in the storytelling serves as a commentary on real-life issues, allowing viewers to explore complex emotions and societal critiques in a humorous manner [6][10] - The series reflects a shift in audience expectations, where entertainment is not only about enjoyment but also about engaging with deeper themes and narratives that resonate with personal experiences [7][10]