《摆渡人》
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谁在惯着王家卫
3 6 Ke· 2025-11-03 05:43
"他就像一个大家长,带着我们往前走。而且在现场只要看到他,就感觉是定海神针。"时隔一年半,当我们回看《人物》杂志采访中唐嫣对王家卫的推 崇,真是别有一番滋味。 必须承认王家卫就是能建立这样一个气氛场,让投资商、制片人、大明星、文艺青年乃至普罗大众坚信他就是文艺之神。甭管说拍戏如盲人摸象、还是进 度似小马过河,跟着王导走就对了。 也正因如此,近日王家卫前工作人员古二放出的录音内容,才让群众倍感"塌房"——原来墨镜一戴谁也不爱都是骗人的,私底下大导和我们群众一样嘴碎 爱蛐蛐人呢。 在这段录音中(不排除经过刻意乃至恶意剪辑),王导一会儿和编剧秦雯讨论金靖的胸部,一会儿说游本昌不是省油的灯,聊起陈道明更爆出一句"他是 极品,阴阳同体"。陈道明都一把年纪了,竟然还有王家卫当嬷嬷粉,真是太残暴了! 当然,这种级别的"塌房"至今已不觉新鲜,"大祛魅时代"嘛。如同之前大家疯狂迷恋张叔平,头皮被勒到脱发还PUA自己"这是大师美学"。又似整个《如 懿传》剧组人员全体吃菌子,把周迅夸得天上有地下无。这种某个时期对所谓名导、戏骨、大师的迷恋,完全是一种群体症候。 相较而言,硬糖君倒觉得王家卫如何建立起这样的"神格"更值得深究乃至学习 ...
“好久不见”,金城武
Hu Xiu· 2025-10-06 01:42
《风林火山》之前,金城武上一部银幕作品是2017年的《喜欢你》。 这之后,他去泰国拍过广告,给游戏《鬼武者》配音,还代言过手游,除此之外的工作两只手的手指头就掰得过来。就连《风林火山》2025年在戛纳举办 首映礼,作为一番主演的他都没有出现。 去年,他的一位多年老友向媒体透露,"他现在在种田……养花养草。"就像他在2025年无印良品广告中表现的那样,一句话都没有说,在自然的环境中身 着素衣,侍弄花草,干净、简单、安静。 而且还是那么帅气。 帅气与神秘是金城武身上的两大标签,它们互相渗透,互相影响。 凭《重庆森林》走红亚洲开始,他的帅是毫无争议的、是立体的,综合了身高与身形,颜值与气质,是在讨论到"亚洲洲草"时不会被遗漏的名字。而他的 性格则增加了这种"帅"的保质期。一直以来,他都以神秘、内向、话少的宅男形象著称,"总在房间打电动"的故事像一个都市传说,从一个剧组传到另一 个剧组。 如今,《风林火山》这部寄托了无数期待的"传说"都揭开了面纱,但不少人发现,最好看的还是金城武本人。 可这张拉开华语大片时代的面孔,选择疏离了时代。 一、电影巨星的年代 众所周知,如今的吴彦祖,金城武,刘亦菲已经不仅仅是一个名字,而是 ...
谁在为“赔钱”的王家卫买单
Hu Xiu· 2025-10-05 04:07
Core Viewpoint - The article discusses the controversies surrounding director Wong Kar-wai, particularly focusing on the financial struggles and artistic challenges faced by investors and actors involved in his films, as well as the recent accusations regarding creative credit and his directorial style [1][27]. Group 1: Financial Performance and Investor Relations - Wong Kar-wai is known for his artistic films, but only three of his works, namely "Chungking Express," "As Tears Go By," and "The Grandmaster," have been commercially successful, while many others have resulted in significant financial losses for investors [2][4][7]. - The film "Ashes of Time" had an investment of over 20 million HKD but grossed only around 9 million HKD, showcasing the financial risks associated with Wong's projects [7]. - Despite the financial risks, investors continue to support Wong due to the potential long-term artistic value and brand recognition associated with his films, which can lead to indirect benefits [12][21]. Group 2: Artistic Style and Production Challenges - Wong Kar-wai's filmmaking process is characterized by a lack of a fixed script, leading to extended production times and unpredictable outcomes, which often frustrates actors and crew members [8][30]. - His unique narrative style, which includes non-linear storytelling and extensive use of internal monologues, is sometimes attributed to the absence of a well-defined script, raising questions about the coherence of his artistic vision [30][31]. - The aesthetic choices in Wong's films, such as handheld cinematography and specific lighting techniques, are often seen as solutions to practical filming challenges rather than purely artistic decisions [28][29]. Group 3: Cultural Impact and Legacy - Wong Kar-wai has significantly influenced contemporary cinema and has been recognized internationally, winning numerous awards and shaping the careers of many actors [25][26]. - His films often explore themes of loneliness and complex relationships, resonating with audiences and contributing to his status as a cultural icon [33][34]. - The recent controversies surrounding his treatment of collaborators and the artistic integrity of his work have led to a reevaluation of his legacy, suggesting that he may no longer align with current audience expectations [36][37].