从1900到2025，中国社会经历了从封建帝制瓦解到社会主义建设，再到全球化和深度老龄化时代的剧烈 变迁。 在宏大的社会转型背景下，中国老人的社会形象也在经历着深刻而复杂的蜕变。 从20 世纪初的 "封建老年" 到建国后的"革命老年"、 "劳动者老年"，再到改革开放后的多元化形象，直 至当下积极老龄观主导下的 "新老人"，每一次形象转变都深刻反映了社会结构的变革、价值观念的更 新以及文化认同的重构。 本文通过梳理百年间中国老人社会形象的变迁轨迹，揭示其背后的社会文化动因，为理解当代中国老龄 化社会的深层逻辑提供历史镜鉴。 特别是在2025 年这一 "十四五" 规划收官之年，深入探讨当下中国需要什么样的老人形象，对于构建老 年友好型社会、推进积极应对人口老龄化国家战略具有重要的现实意义。 第一阶段：传统与动荡中的"尊者"与"遗老"（1900-1949） 这一时期，中国社会处在从传统农业社会向现代社会转型的剧痛期，老人形象呈现出鲜明的二元对立特 征：一方面是根植于数千年儒家文化的"尊者"形象，另一方面是新旧交替、社会动荡中产生的"遗 老"或"无助者"形象。 此时传统儒家文化依然占据主导地位，老人形象主要体现为伦理 ...

Core Insights - The article highlights the evolving landscape of reading habits in Beijing's subway, showcasing how commuters engage with books amidst a fast-paced environment [2][3][4] Group 1: Reading Trends - The author has documented over 2,800 reading moments and 1,300 different books, indicating a strong culture of reading among commuters [2] - Classic literature remains popular among subway readers, with titles like "Dream of the Red Chamber," "Ordinary World," and "Three-Body Problem" frequently observed [3][4] - The influence of social media and short video platforms is reshaping reading preferences, leading to a rise in books like "The Art of War" due to their association with trending content [4] Group 2: Changes in Book Formats - There is a noticeable shift towards digital reading formats, with more readers opting for e-books and audiobooks, reflecting a trend towards "immersive reading" in a fragmented media landscape [5] - The types of books being read are also changing, with an increase in smaller, more portable editions, while traditional heavy volumes are less common [5] - The publishing industry faces the challenge of adapting deep content to fit the busy lifestyles of modern readers, prompting a reevaluation of how books are presented [5]

Core Perspective - The adaptation of Yu Hua's short story "Classical Love" into a stage play by Meng Jinghui represents their third collaboration, following "To Live" and "The Seventh Day," highlighting the theme of personal fate amidst the backdrop of a grand era [1][3]. Summary by Sections Adaptation and Performance - "Classical Love" premiered at the 2025 Anaya Theatre Festival, with tickets selling out quickly and the opening delayed due to long entry lines [3]. - The stage design features modern elements, creating an abstract maze-like environment, while the music blends electronic and classical styles to enhance the emotional depth of the narrative [3][7]. - The play will return to Beijing's Hive Theatre from August 6 to 10, continuing to explore reality through its performances [3]. Author's Reflection - Yu Hua reminisces about his writing process for "Classical Love," noting that it was a parody of popular literary forms of the time, diverging from traditional narratives to explore unexpected outcomes [5][8]. - The story revolves around the tragic love between Liu Sheng and Miss Hui, culminating in themes of despair and the futility of hope, reflecting contemporary human experiences [5][7]. Thematic Exploration - The adaptation intertwines elements from Yu Hua's other work "Blood Plum Blossom," creating a narrative that traverses time and space, while presenting a postmodern sense of nihilism [7]. - The play's emotional impact is evident, as audience reactions include expressions of sorrow and despair, indicating its resonance with modern societal issues [7]. Artistic Philosophy - Both Yu Hua and Meng Jinghui are recognized as avant-garde figures in the cultural sphere, with Meng emphasizing that the essence of avant-garde lies in its posture rather than its outcomes [9]. - Yu Hua believes that the core of a literary or theatrical work is its treatment of time, which serves as the soul of the narrative [10]. Contemporary Relevance - The themes of "Classical Love" resonate with the feelings of disillusionment and existential angst prevalent among today's youth, reflecting a broader societal malaise [11]. - Yu Hua's philosophy on life emphasizes endurance and acceptance of fate, suggesting that the strength of existence lies in resilience rather than aggression [11].

Group 1 - The core viewpoint of the articles highlights the establishment of Meng Jinghui's theater studio in Hangzhou's Binjiang District, marking a significant expansion of his theatrical influence beyond Beijing [1][2] - Meng Jinghui's latest work, "Classical Love," premiered at the 2025 Anaya Theater Festival, showcasing a collaboration with writer Yu Hua, and represents a modern reinterpretation of love through a postmodern lens [2] - The studio aims to serve as a bridge between avant-garde art and the public, promoting a series of classic and original works while utilizing the cultural space "Dianhun Zizai Li" for regular theatrical activities [1] Group 2 - "Classical Love" incorporates innovative technology, such as real-time dynamic capture interactive devices, aligning with Binjiang District's emphasis on technological innovation [2] - The successful premiere of "Classical Love" at the Anaya Theater Festival sets the stage for its upcoming performances in Hangzhou on July 26 and 27, inviting local audiences to engage with the redefined concept of love [2]

Core Insights - The event "In the Rain, Shouting - A Cross-Border Dialogue between Literature and Film" featured renowned author Yu Hua, who expressed his excitement about the emergence of new literary talents like Liu Chuxin, who recently won the Li Jiang Literary Award for his novel "Mud Pit" [1] - Yu Hua emphasized the importance of perseverance in writing, noting that Liu Chuxin's 20 years of dedication without publication eventually led to his success [1] - The publication of "Yu Hua's Literature Class" in April marks a significant moment for Yu Hua, who considers himself an excellent reader and reflects on the profound influence of various authors on his writing [1] Author Influence - Yu Hua identified Japanese author Yasunari Kawabata as a key influence, teaching him the importance of detail in writing [1] - Franz Kafka inspired Yu Hua to embrace freedom in writing, encouraging him to write without constraints [1] - Nobel laureate William Faulkner helped Yu Hua understand psychological portrayal in literature, emphasizing the need to bring characters to life [1] Literary Legacy - Yu Hua's works, including the novel "To Live," have transcended textual boundaries, leading to adaptations in film and theater, showcasing the dialogue between literature and other media [1] - The 1992 publication of "To Live" in "Harvest" magazine and its subsequent film adaptation in 1994 by Zhang Yimou highlight the cross-media impact of Yu Hua's storytelling [1]