Core Viewpoint - The exhibition "People's 'Form': The Artistic Journey of Tsinghua University Academy of Fine Arts" showcases the evolution of art at Tsinghua University, highlighting the contributions of several generations of artists who blend traditional and modern elements to serve the aesthetic needs of the people [2][4][11]. Group 1: Exhibition Overview - The exhibition features 103 artworks and 163 sets of documents, illustrating the artistic lineage of Tsinghua University Academy of Fine Arts, formerly known as Central Academy of Arts and Crafts [2]. - It aims to trace the development of 20th-century Chinese design and art, reflecting on how artists have integrated beauty into national destiny and daily life [4][9]. Group 2: Artistic Contributions - Artists like Pang Xunqin, Lei Guiyuan, Zhang Guangyu, and Zhang Di have played pivotal roles in innovating art forms that resonate with the social transformations in China [4][5]. - Pang Xunqin's works, such as the watercolor "Son of the Earth," depict the struggles of rural life, while his later oil painting "Bottle Flower" merges Western techniques with Eastern aesthetics [5]. - Zhang Guangyu draws inspiration from folk art, creating modern interpretations of traditional stories, exemplified by his design drafts for the animated film "Havoc in Heaven" [5][6]. Group 3: Cultural Exploration - The artists' journeys into various regions of China have led to the creation of vibrant works that reflect the diversity of Chinese culture [6][10]. - Zhang Di's works, such as "Cangshan Pastoral Song," showcase a blend of Western modern art and traditional Chinese styles, emphasizing a new direction for Chinese painting [6][10]. Group 4: Artistic Philosophy - The exhibition embodies the philosophy of "Kite Without a String," representing the continuous exploration of artistic forms while maintaining a connection to cultural and social realities [7]. - The concept of "People's Form" emphasizes the role of art in addressing societal needs and enhancing the quality of life, echoing the ideals of Cai Yuanpei's "art education for national salvation" [4][11]. Group 5: Public Art Initiatives - The mural group at Beijing Capital International Airport, created in 1979, exemplifies the integration of art into public spaces, showcasing themes of national identity and cultural heritage [10]. - The designs reflect a commitment to serving the public through art, illustrating the aspiration for a beautiful life among the people [10][11].

Core Insights - The Deji Art Museum has over 10,000 pieces in its collection, with flowers being a significant thematic focus [1][3] - The museum's permanent exhibition "Endless Motion: Masterpieces of Floral Art" has been renewed, featuring 140 pieces, with nearly one-third being newly exhibited works [3] - The exhibition includes renowned artists such as Monet, Renoir, Munch, and Picasso, as well as contemporary masters like Warhol and Kusama [3] Collection and Exhibition Highlights - The exhibition opens with the story of the "rose," a hybrid of European roses and Chinese roses, symbolizing change and modern spirit, aligning with Impressionist artists' exploration of light and shadow [4] - The museum aims to showcase artists' distinctive styles and pivotal moments in their artistic journeys through floral-themed paintings [6] - Renoir's work "Flowers in a Vase," created in 1878, marks a peak in Impressionism while hinting at his future artistic explorations [6][7] Visitor Engagement and Museum Operations - The Deji Art Museum, opened in 2017, has attracted over 8 million visitors last year, with 75% being from outside the city [9] - The museum operates 365 days a year, with extended hours until midnight, catering to various visitor demographics [12] - A digital collection platform has been launched, allowing the public to access high-resolution images and detailed information about the museum's collection [12]