【环球时报综合报道】据美国《综艺》13日报道，随着《阿凡达3》的票房不断攀升，该片女主角佐伊·索尔达娜（如图）一举超越斯嘉丽·约翰逊、小罗伯特 ·唐尼和汤姆·克鲁斯等众多好莱坞明星，成为影史票房最高的演员。 除了票房上的成就，索尔达娜在演技上也获得肯定。在2025年奥斯卡颁奖典礼上，她凭借在《艾米莉亚·佩雷斯》中的表演荣获最佳女配角奖，成为首位获 得该奖的多米尼加裔美国人。 在这张票房榜单上，仅次于索尔达娜的是斯嘉丽·约翰逊，她凭借漫威系列作品累计票房达到154亿。紧随其后的是3名好莱坞男星：塞缪尔·杰克逊（146.13 亿）、小罗伯特·唐尼（143.15亿）和克里斯·帕拉特（141.28亿）。汤姆·克鲁斯以126.69亿票房位居第六。榜单第七至第十分别是克里斯·海姆斯沃斯、范·迪 塞尔、克里斯·埃文斯和道恩·强森。 英国《卫报》注意到，除了汤姆·克鲁斯，该榜单中其他排名靠前的只有范·迪塞尔、道恩·强森与汤姆·汉克斯未参演过漫威电影。而在索尔达娜和约翰逊之 后，排名最高的女演员分别是位列第16的艾玛·沃特森、第23的凯伦·吉兰，以及第25名的伊丽莎白·奥尔森。（董铭） 根据票房统计媒体"数字网"的数据，好莱坞 ...

Core Viewpoint - The Chinese film industry, celebrating its 120th anniversary, is witnessing a significant rise in animation films, which have captured a substantial share of the box office, indicating a transformative phase in the industry towards a "Manga Era" [1][5]. Group 1: Animation Film Growth - Animation films in China have achieved a box office exceeding 25 billion yuan, representing a significant portion of the total film revenue [1]. - The success of films like "Ne Zha" and "The King's Avatar" has sparked discussions about the revival of Chinese animation, showcasing its artistic and commercial potential [2]. - The cultural depth of animation films is expanding, with themes that resonate with adult audiences, moving beyond children's entertainment [2]. Group 2: Impact on Live-Action Films - The integration of digital technology in filmmaking has blurred the lines between animation and live-action, enhancing storytelling and character development [3]. - Major franchises like "Avatar" and Marvel's superhero series exemplify the influence of animation aesthetics on contemporary cinema, shaping audience expectations [3]. Group 3: Emergence of AI in Filmmaking - The rapid advancement of AI technology is introducing new filmmaking methods, allowing for the creation of films without traditional production roles [4]. - AI-generated films, referred to as "Manga films," are emerging, indicating a shift in production resources and methodologies within the film industry [4]. Group 4: Development of Animation Culture - The animation industry has evolved from a niche market to a mainstream cultural phenomenon, with diverse products and experiences [5]. - The success of video games like "Black Myth: Wukong" highlights the potential for Chinese culture to reach global audiences through innovative mediums [5]. - The ongoing technological revolution is expected to reshape the film landscape, fostering new aesthetic experiences and industry ecosystems [5].

齐鲁晚报.齐鲁壹点记者刘宗智 曾经凭借颠覆性特效引发好评的《阿凡达》系列，如今正迎来一场严峻的考验。最新上映的《阿凡达：火与烬》(以下简称《阿凡达3》)在中国与北美同 步公映后，票房与口碑均未达预期。截至上映第四天，影片在中国影院的累计票房刚突破4亿元，AI预测总票房约为10.23亿元。这一成绩不仅远低于近期 热映的《疯狂动物城2》，与同系列前作在中国市场均超17亿元的票房相比，也显露出明显落差。 市场热度不及预期 12月19日，《阿凡达3》正式在中国与北美同步公映。这部自全球知名IP"阿凡达"系列延伸而来的续作依旧由卡梅隆执导，剧情紧跟2022年的《阿凡达： 水之道》，探索人类与自然、科技与情感的深层命题。杰克一家在搭乘游牧民族"风之商人"翱翔天际的同时，也遭遇了性情凶猛的"灰烬族"袭击。这个种 族与大地之母间有着深刻的矛盾，他们将撕开潘多拉星球不为人知的黑暗传说，同时人类势力也将影响纳威族的抉择，一段奇幻冒险由此展开。 影片上映前一晚，71岁的卡梅隆特意配合中国时间，通过IMAX大银幕与中国200多家影城的观众实时连线。他希望中国观众在沉浸于巨幕上宏大的场 景、令人惊叹的视效与激烈的动作场面之余，更能借由 ...