记者刘宗智济南报道 据不完全统计,截至10月底,今年已有至少10部电影在临近上映或短暂公映后"撤档",数量创下近五年新 高。 今年的电影市场,"临阵逃脱"的撤档现象越来越多,且撤档时机愈发"临阵"。五一档原本计划上映13部影 片,却在临近上映前接连传出撤档消息。原定5月1日上映的《熊孩子.探险熊兵》改至7月5日暑期上映； 《黑暗迷踪》调整至5月9日上映；《独一无二》则移至5月17日。 下半年撤档现象更为密集。《阳光俱乐部》官宣暑期上映,片方在消息发布一周后取消影片上映计划,直 至10月才重新定档；《再见,坏蛋》于8月22日公映,影片仅上映六天,片方便决定撤档。 10月更是出现多部影片接连撤档。《寻她》于10月17日上映当天晚上宣布撤档,该片首日排片仅1.2%,票 房不足20万元；《旁观者》原定10月25日上映,在10月23日官宣撤档,其点映及预售总票房仅3.7万元。同 时,《火种》也在原定10月16日上映前撤档。 越来越多影片临时撤档,是电影市场进入深度调整期的明显信号。这一现象既是片方对市场规律的被动 顺应,也倒逼行业从内容创作到运营策略全面升级。一方面,热门档期"寸土寸金",轻率闯入无异于赌博。 《黑暗迷 ...

Group 1 - The core viewpoint of the article highlights the competitive landscape of the May Day film market, with ticket sales reaching 273 million yuan as of May 2, 2025, and several films, including "Water Dumpling Queen," "Hunting Gold: Game," and "Thunder Strike Team," leading the box office [1] - The film "Unique" directed by Wang Mu has been rescheduled to May 17, 2025, after initially planning to release during the May Day holiday, indicating a strategic decision to enhance its market performance [1][4] - Wang Mu, a young director, emphasizes the importance of storytelling that resonates with everyday life, focusing on themes of love and understanding within a hearing-impaired family [4][8] Group 2 - "Unique" is based on the French film "The Bélier Family," but Wang Mu spent a year researching the lives of hearing-impaired individuals to create a narrative that reflects Chinese culture and experiences [7][9] - The film's protagonist, Yu Yan, evolves from aspiring to be a professional singer to creating music that her family can feel, showcasing a deeper connection to her roots and family dynamics [7][8] - Wang Mu aims to portray hearing-impaired individuals as ordinary people with hopes and dreams, rather than as symbols of disability, emphasizing their shared human experiences [8][9] Group 3 - The film's core values are encapsulated in the concepts of "home, love, and freedom," with a focus on the universal nature of family struggles and the importance of acceptance [8][9] - Wang Mu believes that the essence of cinema lies in its ability to provide a deep emotional experience that contrasts with the fast-paced nature of short videos, advocating for the value of storytelling in film [11] - The director expresses confidence in the future of realistic themes in Chinese cinema, highlighting the need to tell stories that resonate with common human emotions and experiences [11][12]