2025上海书展暨"书香中国"已经落幕。在上海书展期间，从"所有人创作，所有人阅读——2025中信出版作家之夜"到书展期间多元活动，中信出 版将阅读与多元业态结合，以"融合出版"为方向，让创作与阅读浸润城市肌理，内容与综合阅读赋能产业发展。 8月15日，"所有人创作，所有人阅读——2025中信出版作家之夜"以"所有人创作，所有人阅读"为主题，正式推出"天使望故乡+"全民创作计划及 MOOK试刊《100个中国人的梦境》。中信出版集团党委书记、董事长陈炜宣布该项目将记录中国细节和故事，通过图书、Mook、视频播客等融 合出版形式传播。他特别提到《100个中国人的梦境》中普通人的梦境直击心灵，展现了文化也应充满人间烟火气。 人民日报社上海分社原副社长、复旦大学新闻学院特聘教授李泓冰认为当下全民创作堪比"新五四运动"，并指出安徽山村农妇刷抖音、写生活的 内容与《100个中国人的梦境》中的故事异曲同工。华东师范大学教授、作家毛尖以70后追梦经历自嘲，称写梦想者"可耻又晚熟"，但梦想让人保 持天真抽象，抵抗时间侵蚀。历史作家张明扬以媒体人转型为例，提出"落魄可活更久"。他借恐龙展中巨兽灭绝而小动物存活的自然规律，喻示 低 ...

Group 1 - The event "Writer's Night" was launched by CITIC Publishing Group and the "Angel Looking Home+" project, focusing on the theme of "everyone creates, everyone reads" [1][3] - The new cultural project "Angel Looking Home+" aims to promote nationwide creation and document Chinese stories through various media formats, including books, Mook, and video podcasts [3][6] - The project seeks to explore new publishing models and ensure that everyday Chinese stories are widely disseminated and preserved [3][6] Group 2 - The first issue of "Angel Looking Home+" features contributions from over 100 authors, including ordinary people's stories, emphasizing the value of simple, heartfelt expressions [4][5] - The initiative encourages the idea that writing and literature are no longer exclusive to renowned authors, allowing ordinary individuals to share their narratives [4][5] - The project aims to create a cultural platform that brings literature into everyday life, fostering a sense of community and connection among readers and writers [6][9] Group 3 - CITIC Publishing Group's development has paralleled the growth of China's commercial society, with a history of promoting significant works that inspire business enlightenment [6][14] - The initiative reflects a broader cultural movement, likened to the May Fourth New Culture Movement, where everyone is encouraged to express themselves through writing [14][26] - The project emphasizes the importance of human connection and the sharing of experiences in a time when digital content often feels impersonal [26][28]