台州乱弹
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台州乱弹何以好戏连台
Ren Min Ri Bao· 2025-10-26 06:25
Core Viewpoint - The 20th Central Committee of the Communist Party of China emphasizes the need to stimulate cultural innovation and creativity to promote the development of socialist culture, highlighting the importance of reforming cultural systems and mechanisms to revitalize traditional art forms like Taizhou Luantan [1] Group 1: Taizhou Luantan's Revival - Taizhou Luantan, a traditional opera with nearly 400 years of history, was recognized as a national intangible cultural heritage in 2006 and has seen a resurgence since its re-establishment in 2005 after nearly 30 years of stagnation [2][3] - The Taizhou Luantan Troupe has performed over 350 shows annually, reaching an audience of more than 3 million people [2][6] - The troupe's revival was supported by a government and private funding model, with a total of 1 million yuan allocated for its operations [4] Group 2: Talent Retention Strategies - The troupe faced challenges in retaining talent, leading to the implementation of a management model focused on emotional engagement, including helping members with housing and family needs [5][6] - The troupe has successfully recruited and trained young actors from local arts schools to ensure continuity and growth [4][5] Group 3: Artistic Development and Innovation - The troupe has focused on preserving the unique characteristics of Taizhou Luantan by standardizing its musical elements and integrating local folk tunes [7][8] - The creation of original works, such as the acclaimed play "Qing Jiguang," has been pivotal in enhancing the troupe's reputation and visibility [8][9] - The troupe has actively engaged in community performances, conducting over 100 shows annually in rural areas, which has strengthened its connection with local audiences [11][12] Group 4: Future Prospects - The local government has introduced policies to support the troupe's development, focusing on talent cultivation and market support, which are expected to further enhance the "public-private partnership" model [13] - The leadership expresses confidence in the future of Taizhou Luantan, citing strong governmental support, audience appreciation, and the dedication of its performers [13]
台州乱弹何以好戏连台(文化中国行·人文观察·关注文化体制机制改革①)
Ren Min Ri Bao· 2025-10-25 22:12
Core Viewpoint - The revival and development of the Taizhou Luantan troupe exemplify successful cultural innovation and reform in the context of China's cultural policies, showcasing how traditional art forms can thrive through community engagement and government support [2][14]. Group 1: Historical Context and Revival - Taizhou Luantan, a traditional opera with nearly 400 years of history, was recognized as a national intangible cultural heritage in 2006 [3]. - The troupe faced a near extinction period of about 30 years before being reestablished in 2005 with government and local enterprise support, totaling 1 million yuan [6]. - Since its revival, the troupe has performed over 350 shows annually, reaching an audience of more than 3 million [4]. Group 2: Talent Retention and Management - The troupe adopted a "people-oriented" management approach to retain talent, including assisting members with housing and family needs [7]. - The government supports the troupe through purchasing public performances and promoting quality creations, enhancing both artistic value and social impact [7]. Group 3: Artistic Development and Innovation - The troupe has focused on preserving the unique musical characteristics of Taizhou Luantan while integrating local folk elements [8]. - Successful productions like "Qin Jiguang" and "My Dachen Island" have helped elevate the troupe's profile, with "Qin Jiguang" being featured at the Shanghai International Arts Festival [10][11]. - The troupe's modern adaptations of traditional themes have resonated with younger audiences, leading to a blend of traditional and contemporary storytelling [12]. Group 4: Community Engagement and Outreach - The troupe conducts over a hundred community performances annually, engaging with local audiences across various venues [12]. - The grassroots approach has strengthened the connection between the troupe and the community, allowing for a better understanding of audience preferences [13]. - The local government's policies further support the troupe's operational model, enhancing its sustainability and growth prospects [14].
鲍陈热:新芽在当代长出来(人物)
Ren Min Ri Bao· 2025-05-28 22:31
Core Viewpoint - The article highlights the journey and achievements of Bao Chenre, a prominent actress in the Taizhou Luantan theater troupe, emphasizing her dedication to the art form and the revival of a traditional Chinese opera genre [2][3][4]. Group 1: Background and Early Career - Bao Chenre began her artistic journey at a young age, influenced by her grandfather and trained in a specialized school for performing arts [2]. - The Taizhou Luantan theater faced challenges, including a lack of systematic training and the risk of disappearing, which motivated Bao to persist despite difficulties [3]. Group 2: Challenges and Resilience - The troupe experienced a tragic bus accident in 2010, resulting in injuries to 19 members, which galvanized the remaining members to work harder and return to the stage [3]. - Despite initial skepticism from audiences regarding their performances, Bao Chenre's determination and hard work helped the troupe gain recognition [3]. Group 3: Achievements and Recognition - In 2016, Bao Chenre starred in "Qing Jiguang," marking the first performance of Taizhou Luantan at the National Grand Theatre, showcasing the troupe's talent on a national stage [4]. - Bao's preparation for roles involves extensive research and immersion in the characters' lives, demonstrating her commitment to authenticity in performance [4][5]. Group 4: Modern Influence and Future Outlook - The Taizhou Luantan has expanded its reach, performing at significant events like the Asian Games and gaining a younger audience [5]. - Bao Chenre emphasizes the importance of blending traditional art with contemporary relevance, aiming to cultivate new growth from the roots of traditional theater [5].