彭萨格娜在致辞中表示，浙江婺剧团带来的精彩演出将增进柬埔寨人民对中国历史文化的了解，搭建起 两国人民心灵相通的友谊之桥。 【东盟专线】2026"欢乐春节"开幕式暨浙江婺剧专场演出在金边举行 中新社金边2月7日电 (杨强 强宝仪)2026"欢乐春节"开幕式暨浙江婺剧专场演出6日晚在柬埔寨金边四臂 湾国家剧院举行。中国驻柬埔寨大使馆临时代办姜楠、柬埔寨文化艺术部大臣彭萨格娜出席并致辞，柬 社会各界约500人观看演出，近距离感受中国传统戏曲艺术魅力。 本次活动由中国文化和旅游部、中国驻柬埔寨大使馆主办，浙江省文化广电和旅游厅、浙江婺剧艺术研 究院(浙江婺剧团)承办，柬埔寨文化艺术部提供特别支持。活动于2月6日至7日举行，是中国"欢乐春 节"品牌活动在柬埔寨的重要组成部分。 姜楠表示，春节是中华民族传统佳节，也是深受柬埔寨人民喜爱的重要节日，已成为中柬人文交流的重 要纽带。此次演出是送给柬埔寨朋友的一份新春贺礼，期盼以文化为媒，进一步促进两国人民相互理解 与信任，为构建新时代全天候中柬命运共同体注入更加强劲的文化力量。 当晚演出在热烈气氛中拉开帷幕。浙江婺剧团演员带来《吕布试马》《三岔口》《三打白骨精》等经典 折子戏 ...

Group 1 - The article highlights the transformation of foreign girls into traditional Chinese opera performers, showcasing the cultural significance of this art form [2] - It emphasizes the intricate details involved in the performance, from costume changes to weapon handling, illustrating the dedication required to master the craft [2] - The video content invites viewers to engage with the performance, promoting the appreciation of Chinese intangible cultural heritage [2]

Core Viewpoint - The Zhejiang Wuju Art Research Institute is successfully promoting the traditional Chinese opera Wuju on the international stage, with plans for extensive overseas performances in 2026, indicating a growing global presence and appreciation for this art form [1][2]. Group 1: International Expansion - Wuju has performed in 73 countries and regions, reaching over 5 million overseas audiences since its first performance in Japan in 1993 [1]. - The upcoming performances in February 2026 will include tours in Europe (UK, Ireland, Netherlands) and Asia (Myanmar, Bhutan, Nepal) [1]. Group 2: Artistic Appeal - The unique charm of Wuju lies in its "literary and martial" performance style, which makes it accessible to international audiences by externalizing characters' inner emotions through physical actions [1]. - The themes in Wuju, such as love, sacrifice, loyalty, and misunderstanding, resonate universally, creating a bridge across cultural divides [2]. Group 3: Innovation and Modernization - The Zhejiang Wuju Art Research Institute is implementing modern creative practices and international expressions, such as incorporating techniques from other Chinese operas and engaging with local cultures during performances [2]. - The use of technology, like drones for stage effects, and local music for audience interaction has enhanced the appeal of Wuju performances [2]. Group 4: Training and Talent Development - The success of Wuju is supported by rigorous training and frequent performances, emphasizing the importance of talent cultivation within the troupe [3]. - The adaptability of the performers, demonstrated during a challenging South American tour, showcases their dedication and versatility [3]. Group 5: Cultural Mission - The leadership of the Zhejiang Wuju Art Research Institute expresses confidence in expanding the global recognition and influence of Wuju, aligning with the broader mission of promoting Chinese culture internationally [3].

Core Viewpoint - The Zhejiang Wuju Art Research Institute is successfully promoting the traditional Chinese opera Wuju on the international stage, with performances scheduled across multiple countries, showcasing its unique charm and universal themes [1][3][4]. Group 1: International Expansion - The Wuju troupe plans to perform in Europe (UK, Ireland, Netherlands) and Asia (Myanmar, Bhutan, Nepal) in February 2026, with additional performances in Canada [3]. - Since its first performance in Japan in 1993, Wuju has reached 73 countries and regions, entertaining over 5 million overseas audiences [3][4]. Group 2: Artistic Appeal - Wuju's unique performance style, which externalizes characters' inner emotions through physical actions, lowers the understanding barrier for international audiences [3]. - The themes in Wuju plays, such as love and sacrifice in "The Legend of the White Snake" and loyalty and misunderstanding in "The Monkey King," resonate universally, bridging cultural gaps [4]. Group 3: Innovation and Modernization - The Zhejiang Wuju Art Research Institute is implementing modern adaptations and international expressions, such as incorporating Sichuan opera's face-changing techniques and engaging with local music during performances [5]. - A strong training regimen for young actors is emphasized to ensure high-quality performances, with a focus on rigorous practice and frequent shows [5][8]. Group 4: Cultural Mission - The institute's leadership expresses confidence in expanding Wuju's global presence, aligning with China's cultural export goals and the broader mission of promoting Chinese culture internationally [8].

Core Viewpoint - The "2025 China Drama Performance Season" concluded with a successful performance of the Huai Opera "Zhao Wuniang" in Vienna, highlighting the cultural exchange between China and Austria [1][2]. Group 1: Event Overview - The performance of Huai Opera "Zhao Wuniang" took place at the MuTe Theater in Vienna, receiving enthusiastic responses from the audience [1]. - Huai Opera, originating from Jiangsu's salt and marsh region, has a history of over 200 years and was listed as a national intangible cultural heritage in 2008 [1]. - The story of "Zhao Wuniang" depicts the struggles of a woman searching for her husband after the death of her in-laws, showcasing both her hardships and her husband's career ups and downs [1]. Group 2: Cultural Impact - The director of MuTe Theater, Elke Hesse, emphasized that the "China Drama Performance Season" provided an opportunity for audiences to appreciate various unique Chinese operas, fostering cultural exchange between China and Austria [1]. - Ernst Waller, honorary chairman of the International Cultural Exchange Cooperation Association, noted that the entire performance season was constructive and sustainable, resonating with many European viewers [1]. - Song Chen, executive vice president and secretary-general of the China Opera Research Association, stated that the performances built a bridge for artistic and cultural exchange between China and Central Europe, expressing hope for more traditional Chinese culture to be introduced to Europe in the future [1].

Core Viewpoint - The article reflects on the cultural significance and personal memories associated with the local opera, specifically the Wuju opera in the Jinhua region, highlighting its historical roots and contemporary relevance in rural entertainment [2][15]. Group 1: Historical Context - Wuju opera, originating from the Ming Dynasty, has a history of over 500 years and is considered a "living fossil" of Southern opera, combining various vocal styles [15]. - The tradition of watching opera in rural areas has been passed down through generations, with performances often announced through word of mouth and now via social media platforms [3][4]. Group 2: Cultural Practices - The practice of "Dou Tai," where two opera troupes perform simultaneously, is a popular form of entertainment in the region, attracting large audiences from surrounding areas [2][4]. - The article describes the lively atmosphere during performances, including the presence of food vendors and the communal experience of watching opera in less-than-ideal sanitary conditions [8][9][10]. Group 3: Economic Aspects - The cost of hiring a Wuju troupe for performances can be significant, with estimates for a four-day event reaching around 200,000 yuan, indicating a competitive local entertainment market [16]. - The popularity of Wuju opera in Jinhua is attributed to the region's economic development, where local entrepreneurs often sponsor performances as a means of social prestige [16]. Group 4: Modern Adaptations - Contemporary Wuju performances have incorporated modern elements such as electronic subtitles and enhanced stage effects, making them more accessible to a wider audience [15]. - The article notes that Wuju opera has expanded beyond rural settings, finding its place in urban theaters, thus broadening its audience base [16].

Core Viewpoint - The article reflects on the cultural significance and enduring popularity of Wuju opera in the Jinhua region, highlighting a recent performance event that showcases traditional practices and community engagement [1][9]. Group 1: Cultural Significance - Wuju opera, also known as Jinhua opera, has a history of over 500 years and is considered a "living fossil" of Southern drama, originating from the Ming Dynasty [9]. - The performance style includes various vocal techniques and is performed in the local Wu dialect, making it accessible to the local audience [9]. - The tradition of "Dou Tai," where two opera troupes perform simultaneously, continues to attract large crowds, demonstrating the community's strong connection to this art form [1][2]. Group 2: Modern Adaptations - The promotion of performances has evolved from word-of-mouth to modern methods, such as social media platforms like WeChat, which now announce local opera events [2]. - Contemporary performances incorporate advanced stage effects, including electronic subtitles and projection screens, enhancing the viewing experience [9]. - The financial aspect of hosting performances has also changed, with costs for a multi-day event reaching approximately 200,000 yuan, indicating a competitive market among local troupes [10]. Group 3: Community Engagement - The article describes a recent event in Huo Yuan Village, where a large audience gathered for a four-day performance, showcasing the communal aspect of attending opera [5][6]. - Local families often sponsor performances, reflecting the cultural pride and social status associated with hosting such events [10]. - The atmosphere during performances is lively, with various vendors and activities, indicating a blend of cultural celebration and community festivity [7].

Core Points - The "Gathering Mid-Autumn" carnival in São Paulo featured performances by the Zhejiang Zhongyue Wuju Troupe, showcasing traditional Chinese opera and cultural exchange [1][2] - Wuju, also known as Jinhua opera, has a history of 400 years and is recognized as a national intangible cultural heritage in China [1] - The performances included classic Wuju plays such as "The Goddess Spreads Flowers" and "The Three Battles Against the White Bone Spirit," which received enthusiastic applause from the audience [1] Group 1 - The event was organized by the Brazilian Chinese community and included participation from local lion dance troupes and the Putian Mazu drum team [1] - The Wuju actors performed a dragon dance and showcased their skills in face-changing and costume changes, impressing the audience with their artistry [1] - The integration of South American elements into traditional performances, such as tango and samba, added a unique flair to the shows [1] Group 2 - The event highlighted the emotional connection of overseas Chinese to their homeland, with Wuju serving as a cultural bridge between Jinhua and São Paulo [2] - The president of the South American Minnan Association emphasized the importance of Wuju in preserving cultural identity and fostering community ties [2] - The president of the Brazilian Jinhua Chamber of Commerce noted that Wuju acts as a comfort for expatriates, enriching the friendship stories between the two cities [2]

Core Viewpoint - The performance of the Zhejiang Wuju Troupe in Jakarta showcased the unique charm of traditional Chinese culture, enhancing mutual understanding and friendship between China and Indonesia [2][5]. Group 1: Performance Highlights - The performance featured captivating acts such as the excerpts "Lü Bu Tries the Horse," "The Goddess Spreads Flowers," and "Three Crossroads," which highlighted the distinct appeal of the ancient Wuju opera [2]. - The solo performances, including the Huizhou tune and the suona solo "Beating Dates," received high praise for their rich local flavor [2]. - The grand finale, a refined version of "Three Attacks on the White Bone Spirit," was presented for the first time on the Jakarta stage, eliciting applause and admiration from the audience [2]. Group 2: Cultural Significance - The Chinese Embassy in Indonesia emphasized that the visit of the Zhejiang Wuju Troupe allowed more Indonesian people to appreciate the unique charm of Chinese traditional culture [2]. - Leaders from the Indonesian Zhejiang Chamber of Commerce and the Zhejiang Wuju Troupe noted that the ability of Wuju opera to transcend cultural barriers lies in its visual impact, emotional resonance, and innovative expression [2]. - The Assistant Deputy Minister of Tourism in Indonesia remarked that the performance deepened the understanding of China's rich cultural heritage and showcased the power of art, reinforcing Indonesia's image as a welcoming and inclusive cultural tourism destination [2]. Group 3: Organizational Support - The event was guided by the Chinese Embassy in Indonesia, organized by the Indonesian Zhejiang Chamber of Commerce, and co-organized by the China-Indonesia Friendship Association and other local chambers of commerce [5].

Core Viewpoint - The Zhejiang Wuju Art Research Institute is successfully modernizing traditional Wuju opera through innovative performances and international outreach, exemplified by their recent productions like "The Three Strikes of the White Bone Spirit" and "The Legend of the White Snake" [4][9][10]. Group 1: Performance Innovations - The performance of "The Three Strikes of the White Bone Spirit" features a unique "face-changing" act that captivates audiences, showcasing the integration of traditional and modern elements [4][5]. - The use of technology, such as drones to represent characters, enhances the visual experience and engages the audience more effectively [5][6]. - The incorporation of contemporary aesthetics and humor, including modern dance styles and popular phrases, has received positive feedback from audiences [6][9]. Group 2: Cultural Exchange and International Outreach - The Zhejiang Wuju Art Research Institute has performed over 100 shows in more than 20 countries since its premiere in 2023, indicating a strong international presence [6][9]. - The performances resonate with foreign audiences due to the universal themes of love, redemption, and conflict present in the stories [10][11]. - The institute plans to expand its international outreach, aiming to perform in over 70 countries by the time of its 70th anniversary, further promoting Chinese traditional opera globally [10][11]. Group 3: Talent Development and Tradition - The institute emphasizes the importance of nurturing young talent, with experienced actors mentoring newcomers to ensure the sustainability of the art form [7][8]. - The integration of traditional and contemporary elements in performances is crucial for keeping the art form relevant and appealing to modern audiences [7][8]. - The collaborative environment within the institute fosters a culture of shared learning and growth among actors, contributing to the overall vitality of Wuju opera [8].