Group 1 - The news about the Chinese short drama "Trump Falls in Love with the Cleaner in the White House" claiming to have earned $150 million in North America within three months is false, as no such drama exists and all related content is AI-generated [1][2] - The phenomenon of this false news reflects a broader narrative about the supposed success of Chinese cultural products in Western markets, which is often exaggerated [2][3] - The concept of "upward attack" (升维打击) is discussed, suggesting that low-cost, non-industrialized cultural products can penetrate high-end markets, but the reality of such success is questioned [3][4] Group 2 - The overseas market for Chinese web literature generated revenue of approximately 4.305 billion yuan in 2023, with Southeast Asia being the largest market, followed by North America [5][6] - Although there are examples of Chinese web literature adapted into series on mainstream platforms in the West, the overall impact and commercial success are limited [7] - The short drama market is growing rapidly, with overseas short drama applications generating $700 million in in-app purchases in Q1 2025, with the U.S. contributing 49% [8][10] Group 3 - The total downloads of overseas short drama applications reached 950 million by the end of Q1 2025, but this does not equate to active user numbers [9] - The revenue from the U.S. short drama market is still significantly lower than that of the Chinese market, which reached approximately 50 billion yuan in 2024 [10] - The idea of "upward attack" in content industries is challenged, emphasizing that different content forms can coexist and thrive without one displacing the other [11][12]