Core Viewpoint - The exhibition "Go to the Video Hall! Return to the 1980s Urban Movie Experience" curated by scholar Hou Yiyang highlights the cultural significance of video halls in China during the late 20th century, particularly during a period of transformation in the film industry and societal changes [1][9]. Group 1: Historical Context - Video halls emerged during a time of significant social change in China, roughly extending until the turn of the century, with various cities documenting their ticket prices and operating conditions [3]. - The peak period for video hall screenings was from the late 1980s to the early 1990s, coinciding with a low point in Chinese box office revenues, where video tapes fulfilled the needs of moviegoers [9]. - The 1990s saw the domestic production of video machines, making home viewing more accessible and leading to a decline in video hall attendance as people began renting tapes for home viewing [9]. Group 2: Cultural Significance - Video halls were a widespread cultural phenomenon, not limited to major cities, and were characterized by their flexibility and accessibility, allowing individuals to convert their living rooms into viewing spaces [6]. - The social aspect of watching videos, such as gathering with friends or dating, was emphasized as more appealing than the act of watching itself, creating a sense of nostalgia for communal experiences [11]. - The exhibition aims to collect oral histories and materials related to video halls, reflecting on their role in shaping movie culture and audience experiences during the 1980s [11]. Group 3: Personal Accounts and Anecdotes - Personal memories from individuals who experienced video halls provide a richer narrative than historical documents, illustrating the communal entertainment culture in various settings, including mining communities [5]. - The exhibition features artifacts like newspaper clippings discussing the popularity of video halls, showcasing their significance in urban entertainment landscapes [3]. Group 4: Evolution of Viewing Habits - The transition from video halls to home viewing marked a significant shift in consumer behavior, with the introduction of VCDs and DVDs further diminishing the role of video halls in public culture [9]. - The impact of foreign films, particularly in the late 1990s, brought audiences back to cinemas, although many still sought out pirated video tapes of these films [9].