新华社长春8月23日电（记者 赵丹丹）23日晚，伴随着新中国第一支国家级电影交响乐团长影乐团 奏响昂扬乐章，第二十届中国长春电影节开幕式暨长影成立80周年交响音乐会在长春国际影都金色大厅 举行，老、中、青三代中国电影人齐聚北国春城，共赴华语电影盛事。 今年恰逢长春电影制片厂成立80周年，作为"新中国电影摇篮"，长影集团在电影节期间开展了系列 活动，让市民和游客在厚重的电影文化中感受"电影城"长春的独特魅力。 本届电影节以"新时代·新摇篮·新力量·新征程"为主题，共征集到150部参赛影片，《出走的决心》 《刺猬》《从21世纪安全撤离》《长安的荔枝》《大风杀》《好东西》等18部影片入围"金鹿奖"角逐。 评委会将从中评选出本届"金鹿奖"最佳影片奖、评委会大奖、最佳导演奖、最佳男女演员奖、最佳编剧 奖等10个奖项，评选结果将于8月28日晚在闭幕式暨"金鹿奖"颁奖典礼上揭晓。 本届电影节期间，电影展映、电影论坛、致敬"摇篮"、产业融合等活动将陆续开展，沉浸式电影文 化体验区、光影夜游、"光影专列"移动博物馆等一系列"电影+文旅"特色活动将贯穿城市肌理。 ...

Core Viewpoint - The exhibition "Go to the Video Hall! Return to the 1980s Urban Movie Experience" curated by scholar Hou Yiyang highlights the cultural significance of video halls in China during the late 20th century, particularly during a period of transformation in the film industry and societal changes [1][9]. Group 1: Historical Context - Video halls emerged during a time of significant social change in China, roughly extending until the turn of the century, with various cities documenting their ticket prices and operating conditions [3]. - The peak period for video hall screenings was from the late 1980s to the early 1990s, coinciding with a low point in Chinese box office revenues, where video tapes fulfilled the needs of moviegoers [9]. - The 1990s saw the domestic production of video machines, making home viewing more accessible and leading to a decline in video hall attendance as people began renting tapes for home viewing [9]. Group 2: Cultural Significance - Video halls were a widespread cultural phenomenon, not limited to major cities, and were characterized by their flexibility and accessibility, allowing individuals to convert their living rooms into viewing spaces [6]. - The social aspect of watching videos, such as gathering with friends or dating, was emphasized as more appealing than the act of watching itself, creating a sense of nostalgia for communal experiences [11]. - The exhibition aims to collect oral histories and materials related to video halls, reflecting on their role in shaping movie culture and audience experiences during the 1980s [11]. Group 3: Personal Accounts and Anecdotes - Personal memories from individuals who experienced video halls provide a richer narrative than historical documents, illustrating the communal entertainment culture in various settings, including mining communities [5]. - The exhibition features artifacts like newspaper clippings discussing the popularity of video halls, showcasing their significance in urban entertainment landscapes [3]. Group 4: Evolution of Viewing Habits - The transition from video halls to home viewing marked a significant shift in consumer behavior, with the introduction of VCDs and DVDs further diminishing the role of video halls in public culture [9]. - The impact of foreign films, particularly in the late 1990s, brought audiences back to cinemas, although many still sought out pirated video tapes of these films [9].

Core Insights - The Shanghai International Film Festival has seen a rise in fan-made materials, enhancing the viewing experience and becoming a significant part of the festival's activities [1] - Fans are not only watching films but also creating items like tickets and bookmarks, which serve as both personal memorabilia and social symbols among fans [1] - This trend promotes the secondary dissemination of works by young directors, showcasing the unique understanding and needs of younger audiences towards cinema [1] Industry Trends - The engagement of fans in creating materials indicates a shift towards interactive and participatory experiences in film festivals [1] - The production of fan-made items reflects a growing culture of film appreciation and community building among younger demographics [1] - The involvement of fans in promoting film culture through their creations highlights the potential for increased visibility and support for emerging filmmakers [1]

Core Points - The 27th Shanghai International Film Festival has officially opened, celebrating 130 years of world cinema and 120 years of Chinese cinema, with a focus on peace and coexistence [2][3] - The festival features a jury of 21 members from 13 countries and regions, evaluating various categories including main competition, Asian newcomers, documentaries, animations, and short films [2][3] - The opening film "The Case of the Sauce Garden" is highlighted, with a special emotional connection to the city of Shanghai from the cast and director [3][4] Group 1 - The festival's opening ceremony included a symphonic chorus and the introduction of jury members, emphasizing the collaborative spirit of filmmakers from around the world [2] - The film "The Case of the Sauce Garden" serves as the opening film, with a unique narrative that connects the cast to Shanghai's cultural heritage [3] - The festival aims to engage the entire city, linking cultural, tourism, and commercial activities through a ticketing system that allows fans to experience the film's themes in real life [4]

Group 1 - The 27th Shanghai International Film Festival opened on June 14, with over 3,900 films submitted from 119 countries and regions, setting a historical record [1] - A total of 49 films from 28 countries and regions have been shortlisted for the Golden Goblet Awards, with winners to be announced on June 21 [1] - Among the 12 films in the main competition, three are Chinese films competing against entries from nine other countries including the UK, France, Germany, Japan, Brazil, and Poland [1] Group 2 - The festival features the first Shanghai Film Fans Festival, with over 500 screenings of opening films across the city [2] - During the festival, 48 cinemas in Shanghai and the Yangtze River Delta will screen over 400 films from 71 countries and regions, totaling approximately 1,500 screenings [2] - A special curation unit titled "Harmony and Coexistence: A Century of Resonance between Chinese and Foreign Films" has been introduced to showcase similar genre films from China and abroad [2]

Core Viewpoint - The Shanghai International Film Festival (SIFF) continues to expand its documentary section, showcasing a diverse range of films that explore complex themes and real-life stories from various perspectives [1]. Group 1: Documentary Highlights - "Balane 3" directed by Ico Costa captures the vibrant life in a Mozambican community through 16mm film, presenting a poetic narrative of youth and existence [4][5]. - "A Sisters' Tale" by Leila Amini documents the transformation of her sister Nasrin, who, after becoming a model wife, rediscovers her identity through music, creating 12 Persian songs shared within women's communities [6][8]. - "Blink" directed by Daniel Roche follows a family's journey as they travel to 24 countries in a year, allowing their visually impaired children to experience the wonders of the world [10]. - "Soundtrack to a Coup d'Etat" by John Gompere explores the assassination of Patrice Lumumba, intertwining jazz music with historical footage to critique the exploitation of Africa during the Cold War [12]. - "The Fabulous Gold Harvesting Machine" directed by Alfredo Playa de la Plaza tells the story of a father-son duo in Chile, highlighting their emotional bond and resilience in the face of hardship [14]. - "Rijeka or Death!" by Igor Bezinovic revisits a bizarre historical episode in Italy, engaging ordinary citizens to reenact the events, thus making history relevant to contemporary society [16]. - "Welded Together" by Anastasia Miroshnichenko follows a welding worker's journey to reconnect with her family, addressing themes of responsibility and personal dreams [18]. Group 2: Special Features - "Once Upon a Time Michel Legrand" directed by David Deshit offers an immersive experience into the life of the legendary French jazz musician and film score composer, showcasing his artistic journey through rare footage and music [20].