对于中国的基本盘而言，一个经典易懂的好故事、一场淋漓尽致的冒险体验，对于吸引大家走进电影院，依然有效。 如果要从迪士尼作品里选一对中国观众最爱的"国民CP"，也许是米奇和米妮，又或者是艾莎和安娜，也许还有会有人回答胡迪和巴斯光年。 但现在，有一对CP应该会获得压倒性的胜利：狐狸尼克和兔子朱迪。 | 手国 · | 日票房 2025年11月29日/周六▼ ●含服务费 | | | --- | --- | --- | | 贺岁档大盘 > | | | | 间 | 51235.42% | 后 | | - | | | | 天 | | 天 | | 今日实时 北京时间13:51:18 0 | | | | 总出票 1293.7万张 1 | | 平均票价 39.6元 | | 票房排名 | | 更多指标 ▶ | | 影片 | 综合票房 票房占比 排片占比 | 全天票房动 | | (万) | | 态预测(万) | | 疯狂动物城 2 | 48580.72 94.8% | 77.6% 72136.50 | | 上映4天 11.52亿 | | | 这一场绝对盛大的国民娱乐事件。为什么它这么受欢迎？ 一个最直接的回答是快乐。看狐兔插科打诨快 ...

Core Points - The renovation of the exterior wall of the Shanghai Film Actor Troupe at 395 Wukang Road has been completed, featuring relief sculptures of seven prominent Chinese film artists [1] - The year 2025 marks the 120th anniversary of Chinese cinema, with Shanghai recognized as the birthplace of Chinese film [1] - The new design incorporates European architectural style, enhancing the overall aesthetic of the building while celebrating the history of Shanghai's film culture [1] Company and Industry Summary - The relief sculptures include notable figures such as Qin Yi, Bai Yang, and Zhao Dan, with each sculpture accompanied by a plaque detailing the artist's biography and representative works [1] - The initiative is part of a broader plan to create Shanghai's first "film district," aimed at promoting awareness of the city's cinematic heritage among both tourists and locals [1] - The Troupe's leader, Tong Ruixin, encourages visitors to explore the area, highlighting its cultural significance and inviting engagement with Shanghai's film history [1]

Core Points - The 20th China Changchun Film Festival opened with a symphonic concert celebrating the 80th anniversary of the Changchun Film Studio, highlighting the significance of the event in the Chinese film industry [1] - The festival's theme is "New Era, New Cradle, New Power, New Journey," with 150 films submitted for competition, including 18 films nominated for the "Golden Deer Award" [1] - The awards will include categories such as Best Film, Jury Grand Prize, Best Director, Best Actor and Actress, and Best Screenplay, with results announced on August 28 [1] Industry Activities - The festival will feature various activities including film screenings, forums, and tributes, as well as immersive cultural experiences and mobile exhibitions [1] - Special "film + cultural tourism" activities will be integrated throughout the city, enhancing the cultural experience for attendees [1] - The Changchun Film Studio, known as the "cradle of New China cinema," is celebrating its 80th anniversary with a series of events during the festival [1]

Core Viewpoint - The exhibition "Go to the Video Hall! Return to the 1980s Urban Movie Experience" curated by scholar Hou Yiyang highlights the cultural significance of video halls in China during the late 20th century, particularly during a period of transformation in the film industry and societal changes [1][9]. Group 1: Historical Context - Video halls emerged during a time of significant social change in China, roughly extending until the turn of the century, with various cities documenting their ticket prices and operating conditions [3]. - The peak period for video hall screenings was from the late 1980s to the early 1990s, coinciding with a low point in Chinese box office revenues, where video tapes fulfilled the needs of moviegoers [9]. - The 1990s saw the domestic production of video machines, making home viewing more accessible and leading to a decline in video hall attendance as people began renting tapes for home viewing [9]. Group 2: Cultural Significance - Video halls were a widespread cultural phenomenon, not limited to major cities, and were characterized by their flexibility and accessibility, allowing individuals to convert their living rooms into viewing spaces [6]. - The social aspect of watching videos, such as gathering with friends or dating, was emphasized as more appealing than the act of watching itself, creating a sense of nostalgia for communal experiences [11]. - The exhibition aims to collect oral histories and materials related to video halls, reflecting on their role in shaping movie culture and audience experiences during the 1980s [11]. Group 3: Personal Accounts and Anecdotes - Personal memories from individuals who experienced video halls provide a richer narrative than historical documents, illustrating the communal entertainment culture in various settings, including mining communities [5]. - The exhibition features artifacts like newspaper clippings discussing the popularity of video halls, showcasing their significance in urban entertainment landscapes [3]. Group 4: Evolution of Viewing Habits - The transition from video halls to home viewing marked a significant shift in consumer behavior, with the introduction of VCDs and DVDs further diminishing the role of video halls in public culture [9]. - The impact of foreign films, particularly in the late 1990s, brought audiences back to cinemas, although many still sought out pirated video tapes of these films [9].

Core Insights - The Shanghai International Film Festival has seen a rise in fan-made materials, enhancing the viewing experience and becoming a significant part of the festival's activities [1] - Fans are not only watching films but also creating items like tickets and bookmarks, which serve as both personal memorabilia and social symbols among fans [1] - This trend promotes the secondary dissemination of works by young directors, showcasing the unique understanding and needs of younger audiences towards cinema [1] Industry Trends - The engagement of fans in creating materials indicates a shift towards interactive and participatory experiences in film festivals [1] - The production of fan-made items reflects a growing culture of film appreciation and community building among younger demographics [1] - The involvement of fans in promoting film culture through their creations highlights the potential for increased visibility and support for emerging filmmakers [1]

Core Points - The 27th Shanghai International Film Festival has officially opened, celebrating 130 years of world cinema and 120 years of Chinese cinema, with a focus on peace and coexistence [2][3] - The festival features a jury of 21 members from 13 countries and regions, evaluating various categories including main competition, Asian newcomers, documentaries, animations, and short films [2][3] - The opening film "The Case of the Sauce Garden" is highlighted, with a special emotional connection to the city of Shanghai from the cast and director [3][4] Group 1 - The festival's opening ceremony included a symphonic chorus and the introduction of jury members, emphasizing the collaborative spirit of filmmakers from around the world [2] - The film "The Case of the Sauce Garden" serves as the opening film, with a unique narrative that connects the cast to Shanghai's cultural heritage [3] - The festival aims to engage the entire city, linking cultural, tourism, and commercial activities through a ticketing system that allows fans to experience the film's themes in real life [4]

Group 1 - The 27th Shanghai International Film Festival opened on June 14, with over 3,900 films submitted from 119 countries and regions, setting a historical record [1] - A total of 49 films from 28 countries and regions have been shortlisted for the Golden Goblet Awards, with winners to be announced on June 21 [1] - Among the 12 films in the main competition, three are Chinese films competing against entries from nine other countries including the UK, France, Germany, Japan, Brazil, and Poland [1] Group 2 - The festival features the first Shanghai Film Fans Festival, with over 500 screenings of opening films across the city [2] - During the festival, 48 cinemas in Shanghai and the Yangtze River Delta will screen over 400 films from 71 countries and regions, totaling approximately 1,500 screenings [2] - A special curation unit titled "Harmony and Coexistence: A Century of Resonance between Chinese and Foreign Films" has been introduced to showcase similar genre films from China and abroad [2]

Core Viewpoint - The Shanghai International Film Festival (SIFF) continues to expand its documentary section, showcasing a diverse range of films that explore complex themes and real-life stories from various perspectives [1]. Group 1: Documentary Highlights - "Balane 3" directed by Ico Costa captures the vibrant life in a Mozambican community through 16mm film, presenting a poetic narrative of youth and existence [4][5]. - "A Sisters' Tale" by Leila Amini documents the transformation of her sister Nasrin, who, after becoming a model wife, rediscovers her identity through music, creating 12 Persian songs shared within women's communities [6][8]. - "Blink" directed by Daniel Roche follows a family's journey as they travel to 24 countries in a year, allowing their visually impaired children to experience the wonders of the world [10]. - "Soundtrack to a Coup d'Etat" by John Gompere explores the assassination of Patrice Lumumba, intertwining jazz music with historical footage to critique the exploitation of Africa during the Cold War [12]. - "The Fabulous Gold Harvesting Machine" directed by Alfredo Playa de la Plaza tells the story of a father-son duo in Chile, highlighting their emotional bond and resilience in the face of hardship [14]. - "Rijeka or Death!" by Igor Bezinovic revisits a bizarre historical episode in Italy, engaging ordinary citizens to reenact the events, thus making history relevant to contemporary society [16]. - "Welded Together" by Anastasia Miroshnichenko follows a welding worker's journey to reconnect with her family, addressing themes of responsibility and personal dreams [18]. Group 2: Special Features - "Once Upon a Time Michel Legrand" directed by David Deshit offers an immersive experience into the life of the legendary French jazz musician and film score composer, showcasing his artistic journey through rare footage and music [20].