Core Viewpoint - The film "The Sons and Daughters of the Storm" serves as a historical witness and a spiritual legacy, transcending its cinematic origins to embody the revolutionary spirit during a time of national crisis [1][7]. Group 1: Historical Context - The film was created in May 1935 during a period of political oppression in Shanghai, utilizing metaphorical storytelling to convey themes of danger, awakening, and progress in the context of the anti-Japanese war [4]. - The song "March of the Volunteers," which later became the national anthem of the People's Republic of China, was first sung in this film, symbolizing the collective struggle and resilience of the Chinese people [1][4]. Group 2: Artistic Creation - The film's creation involved significant collaboration under political pressure, with key figures like Tian Han and Nie Er contributing to its script and music, respectively [2][4]. - The film features innovative musical storytelling, using songs to evoke emotional responses and reflect the national spirit, despite its somewhat naive artistic execution [4]. Group 3: Cultural Impact - "The Sons and Daughters of the Storm" has inspired generations, serving as a reminder of the sacrifices made during turbulent times and the importance of national identity [5][7]. - The film's legacy continues to resonate, as evidenced by contemporary projects that reinterpret its themes and promote understanding of Chinese history and culture globally [6][7].

Core Viewpoint - The exhibition "Gathering of Sparks: Modern Printmaking Society and the Second National Woodcut Mobile Exhibition" at Guangzhou Academy of Fine Arts highlights the role of art in embodying national spirit, particularly through the lens of wartime art and the resurgence of the New Woodcut Movement [2][5]. Group 1: Historical Context - The exhibition commemorates the 80th anniversary of the victory in the Chinese People's War of Resistance Against Japanese Aggression, linking historical artworks to contemporary national sentiments [2][5]. - The woodcut "Roar, China!" by artist Li Hua, created in 1936, is showcased as a significant piece that reflects the collective voice of a nation in turmoil [2][5]. Group 2: Artistic Analysis - Li Hua's woodcut features a bound man struggling against his restraints, symbolizing the intense emotions of anger and resistance, effectively transforming visual experience into auditory imagination [3][4]. - The artwork connects to the Expressionist movement, emphasizing raw emotional expression and the call for artists to engage with societal issues through their work [4][5]. Group 3: Cultural Significance - The theme of "Awakening China" has historically inspired Chinese intellectuals and artists, with the woodcut serving as a representation of the transition from individual cries of despair to a collective national outcry [5][6]. - The piece not only captures historical sentiments but also encourages viewers to become active participants in the ongoing narrative of resistance and cultural identity [6].